Paul McCartney/Tokyo,Japan 11.14.1993

I think it is still fresh in your memory that “2ND NIGHT IN TOKYO DOME 1993”, the masterpiece from the 1993 Japan performance, was sold out, but in response to that news, a new sound source was provided. In conclusion, this new audience recording master is a superb sound source that easily surpasses the level of that “2ND NIGHT ~”. The sound quality of that was also wonderful, but the sound source this time is splendid that goes beyond that without any added value. You can easily realize this just by listening to the opening BGM. Anyway, the sound image is amazing! Among them, we affirm that the quality of Paul’s voice is by far the best among the 1993 Japan performances that we have released so far. Unlike the performance in Japan in 1990, where he suffered from the aftereffects of a cold, Paul at this time was really in great shape. The sound quality that perfectly captures the situation will definitely satisfy you. Although it is a new sound source worthy of being called a new standard with such outstanding clarity and sound image alone, the texture that should be called warmy is also something that easily exceeds the recording state of “2ND NIGHT ~”. I had the impression that the sound quality there was narrow and dark, but the sound source this time was the exact opposite. The spread and warm taste is exquisite. Coupled with the great balance of Paul’s voice, we will reproduce the second day in Tokyo with such wonderful sound quality that you can’t hope for any better as an audience recording of the 1993 Tokyo Dome Live. The sense of presence in the venue is also exquisitely balanced, and although you can occasionally hear voices singing enthusiastically from the left and right sides, it is fortunate that it does not hit your ears. It will give you a feel for it. Still, there is no translation system like in 2002 and last year’s performances in Japan, so when Paul releases a long English MC, there is a delay and the response of “Yay” comes back, making it feel like a settlement. I think Paul himself learned from this experience how frustrating it was to communicate, and decided to introduce a system like the one that started in 2002. And it was also on the 1993 tour that the high-quality live sound of the tour band formed in 1989 reached its peak. The perfect performance of the band, featuring the master Robbie Mackintosh, is truly unwavering. It is no wonder that a voice shouts his name before his guitar solo corner “Robbie’s Bit” begins. Live at Tokyo Dome, Tokyo, Japan 14th November 1993 TRULY PERFECT SOUND(from Original Masters) Disc 1 (79:44) 1. Opening 2. Drive My Car 3. Coming Up 4. Looking For Changes 5. Jet 6. All My Loving 7. Let Me Roll It 8. Peace In The Neighborhood 9. Off The Ground 10. Can’t Buy Me Love 11. Robbie’s Bit (Thanks Chet) 12. Good Rockin’ Tonight 13. We Can Work It Out 14. I Lost My Little Girl 15. Ain’t No Sunshine 16. Hope Of Deliverance 17. Michelle 18. Biker Like An Icon 19. Here There And Everywhere 20. Yesterday 21. My Love Disc 2 (61:32) 1. Lady Madonna 2 C’mon People 3. Magical Mystery Tour 4. Let It Be 5. Live And Let Die 6. Paperback Writer 7. Back In The U.S.S.R. 8. Penny Lane 9. Sgt. Pepper’s Lonely Hearts Club Band 10. Band On The Run 11. I Saw Her Standing There 12. ‘O Sole Mio 13. Hey Jude Paul McCartney: Lead Vocals, Bass, Guitar, Piano Linda McCartney: Keyboards, Backing Vocals Hamish Stuart: Guitar, Bass, Backing Vocals Robbie McIntosh: Guitar, Backing Vocals Paul “Wix” Wickens: Keyboards, Accordion, Backing Vocals Blair Cunningham: Drums