Paul McCartney/MA,USA 2013 Upgrade

This work contains the “July 9, 2013 Boston performance”. This is an audience shot. This work is also a masterpiece of the finest quality that was outstanding in “OUT THERE” in 2013. It is a one-camera shot taken from the left side of the stage, but it is a masterpiece with a super high level of “intense digital image quality, excellent visibility, and superb sound”. First of all, the image quality is amazing. It is probably taken from a distant seat, but it continues to follow the whole body of the pole with a bold zoom. Even with that zoom, it is beautiful, and even the smoke floating in the light of the lighting appears vividly. What is even more amazing is the visibility. There is not even a trace of shadow in the front row, and you can look directly at the stage. Sometimes the camera crane for the venue screen just covers the pole (to be honest, it is undeniable that this point is an eyesore at the beginning of the live), but the efforts of the photographer to follow it are wonderful. The shots are taken in between the movements of the pole and the crane. Of course, it is physically impossible to get a direct shot of Paul sitting at the piano, so the screen is used to follow up. When Paul starts playing the acoustic guitar, the crane starts to move less and it becomes much easier to see. With all that ingenuity, the stability is amazing. There is no camera shake or camera pointing into the air, which is common in audience shots. You can follow Paul walking back and forth on the stage exactly in the center of the screen, and keep staring at a crisp, unshaken view. The final blow to such a superb shot is the beautiful sound of the 3CD. The sound of the original camera was also good, but it was replaced because it was decided that the best sound was suitable for the best view. In reality, it was shot from a distant view, but the zoom was used throughout, so there was no sense of distance, and the super clear and direct sound fit perfectly. “OUT THERE” with such quality is exceptional. It makes you feel as if you are watching Paul’s stage at a venue in Boston. For example, in “Being For The Benefit Of Mr. Kite!”, Paul and the other members are happily jumping around the stage while playing, which is a peaceful scene that makes you smile. Furthermore, in the encore “Hi, Hi, Hi”, Paul makes a mistake in the composition of the song, and Brian Ray looks puzzled by it. The continuous “scenes that are fun to watch” are the real pleasure of the video. Although it is a one-camera shot, the visual beauty is beautiful and timeless. It is the definitive video work that upgrades the CD… This is the biggest reason why this video was loved. Live at Fenway Park, Boston, MA. USA 9th July 2013 AMAZING SHOT (Synchronized with CD Audio Masters) Disc 1(1:17:03) 1. Introduction 2. Eight Days A Week 3. Junior’s Farm 4. All My Loving 5. Listen To What The Man Said 6. Let Me Roll It (incl. Foxy Lady) 7. Paperback Writer 8. My Valentine 9. Nineteen Hundred And Eighty-Five 10. The Long And Winding Road 11. Maybe I’m Amazed 12. I’ve Just Seen A Face 13. We Can Work It Out 14. Another Day 15. And I Love Her 16. Blackbird 17. Here Today 18. Your Mother Should Know 19. Lady Madonna 20. All Together Now Disc 2 (1:26:20) 1. Lovely Rita 2. Mrs. Vandebilt 3. Eleanor Rigby 4. Being For The Benefit Of Mr. Kite! 5. Something 6. Ob-La-Di, Ob-La-Da 7. Band On The Run 8. Back In The U.S.S.R. 9. Let It Be 10. Live And Let Die 11. Hey Jude 12. Day Tripper 13. Hi, Hi, Hi 14. I Saw Her Standing There 15. Yesterday 1 6. Helter Skelter 17. Golden Slumbers 18. Carry That Weight 19. The End COLOR NTSC Approx.163min.