Description
Paul’s latest tour last year, “MADRID 2024 2ND NIGHT ORIGINAL IN EAR MONITOR RECORDING”, which realized the fastest and best soundboard-like listening experience, “BUENOS AIRES 2024 1ST NIGHT REMASTER & REMIX”, which eliminated the shortcomings of the broadcast sound source at the beginning of the tour, and the latest “GOT BACK” that made enthusiasts all over the world say “GOT BACK” are still surprising releases, and finally the day that should be called the master of last year’s tour is released with amazing quality! As is the custom when Paul tours Europe, the final day of the tour was the O2 Arena in London, but like the past O2, it was full of special content that seems to be the final day. Therefore, it was a performance that caused a big stir, but the releases so far… or rather, the items are limited to gift items based on YouTube videos taken from the audience seats, and there is no release as a sound source. This time, the long-awaited sound release of enthusiasts all over the world will be realized on CD, but of course it can’t be just an audience recording. Yes, just like the still-released masterpiece “MADRID 2024 2ND NIGHT ORIGINAL IN EAR MONITOR RECORDING”, this time we will deliver the final day of the tour, which is a hot topic, with an exclusive in-ear monitor recording, with the best stereo sound quality like a soundboard! It seems that there was a problem with the recording start at the beginning of the live performance, and they missed recording the opening “A Hard Day’s Night” to the intro of “Junior’s Farm”. So, for this release, the missing parts were patched from the audience recording of the same day to realize a complete live recording. On the contrary, the sound quality here is also very wonderful, and I was surprised at how natural it was when listening. Although there is noise from the in-ear monitor from “Junior’s Farm” where the in-ear monitor recording began in earnest to around “Drive My Car”, it is not at a level that stands out badly enough to cause stress in listening (at all!). Also, from “Come On to Me” onwards, such sounds are completely subdued. Above all, there were no missing recordings or noises in the second half of the live performance, which was the highlight of the day, and the scene that was the talk of the town at the final performance could be enjoyed with the best stereo sound board feeling, which was also surprising. Madrid also had shocking stereo high sound quality, but this time was also wonderful. First of all, the special repertoire “Wonderful Christmastime” was played because it was less than a week until Christmas. Here, children joined the performance in chorus, and such a peaceful scene is conveyed with the clearest and most realistic texture. Next, there was a perfect scene where Paul proudly touched the Hofner bass that had returned for the first time in 50 years. In “Get Back”, which was played in response to the MC saying “I’m back”, Ron Wood, who seems to be a full-time member of the O2 Arena, appeared and participated in the performance of the same song. The video from the same day also captured him playing the lead guitar for the song, but when you listen to the outstanding clarity of the in-ear monitor recording, you can hear him playing the phrases with his characteristic rough touch. The video was already a hot topic in real time, but on this day, an explosion occurred in the wrong place due to the direction of “Live and Let Die”. This was also captured very vividly in the in-ear monitor recording, and you can clearly hear Paul continuing to sing with a wry smile in front of the literal “misfire”. What’s more, the moment of the “misfire” is also overwhelmingly vivid. And Ringo’s jump in, which can be called the ultimate. What’s surprising is that even from “Sgt. Pepper’s Lonely Hearts Club Band (Reprise)” where he joined the performance, his drumming was captured with such vividness that it seemed to jump out, and I’m sure you’ll be impressed that Ringo is definitely hitting it. In the next song, “Helter Skelter,” the performance progresses with Abe in a twin drum state, and the clarity is also amazing. No matter how good the sound quality is, the details of such a performance cannot be conveyed in an audience recording, and I can’t help but be impressed that this sound source is the best recording that has ever brought out the flavor of in-ear monitor recording. In the first place, the release of the item was longed for at the O2 Arena at the end of the tour. This is the fastest and best release that will let you hear this day that enthusiasts all over the world wanted to hear with a shocking and exquisite soundboard feeling, not an ordinary audience recording. Almost a stereo soundboard! The O2, London, England 19th December 2024 IEM(from Original Masters) Disc:1 (78:05) ★ is AUD recording. The following are perfect high-quality earphones 1. Introduction★ 2. A Hard Day’s Night★ 3. Junior’s Farm★Intro 4. Letting Go 5. Drive My Car 6. Got to Get You Into My Life 7. Come On to Me 8. Let Me Roll It 9. Getting Better 10. Let ‘Em In 11. My Valentine 12. Nineteen Hundred and Eighty-Five 13. Maybe I’m Amazed 14. I’ve Just Seen a Face 15. In Spite of All the Danger 16. Love Me Do 17. Dance Tonight 18. Blackbird 19. Here Today Disc:2 (63:54) 1. Now and Then 2. Lady Madonna 3. Jet 4. Being for the Benefit of Mr. Kite! 5. Something 6. Ob-La-Di, Ob-La-Da 7. Band on the Run 8.Wonderful Christmastime (with The Capital Choir) 9. MC about his stolen Bass guitar“We’ve been looking for it for 50 years, and I got it back” 10 Get Back (with Ronnie Wood) 11. Let It Be 12. Live and Let Die (Mistimed explosion on 2nd chorus) 13. Hey Jude Disc:3 (24:37) 1. I’ve Got a Feeling 2. Introduction of Ringo Starr 3. Sgt. Pepper’s Lonely Hearts Club Band (Reprise) (with Ringo Starr) 4. Helter Skelter (with Ringo Starr) 5. Golden Slumbers 6. Carry That Weight 7. The End
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