Description
The best, strongest and most important live album in the history of WHITESNAKE is reprinted with the highest quality ever. The true identity of the “best” album is “June 13, 1988: Yoyogi Olympic Pool Performance”. It is a stereo soundboard album known for its FM broadcasting. First, let’s recall the popularity of the time from the dates. ・June 11: Yoyogi Olympic Pool ・June 12: Yoyogi Olympic Pool ・June 13: Yoyogi Olympic Pool [This work] ・June 15: Yoyogi Olympic Pool ・June 16: Yokohama Cultural Gymnasium ・June 18: Nagoya City General Gymnasium ・June 21: Osaka Castle Hall The huge Yoyogi Olympic Pool alone is amazing, but it was a raging four days. The schedule also shows how amazing the popularity was at the time. This work is the third day of such a Yoyogi performance. This soundboard is a super-famous sound source that has continued to embody the “dream of WHITESNAKE fans”. After all, it is the only full soundboard of WHITESNAKE at the peak of its popularity, which swept the world as the darling of the times. That is why, since then, countless air checks have been produced, as well as a number of previously released groups that cannot be listed here. And every time a new work is released, it has become a global topic of conversation, with people asking, “Is this the top this time?” and “Which title is the strongest!?” It was seven years ago that the summit battle was settled. It was the appearance of the imported title “THE NIGHT SERPENT”. The impact was tremendous. After all, the previous previously released groups were too powerful and noisy, or the pitch was crazy. There were some drawbacks. However, “THE NIGHT SERPENT” had no drawbacks. It had a beautiful, glossy, noiseless sound that was completely different from before, a crisp, well-balanced pitch, and a vividly separated mix. In fact, even specialist magazines at the time praised it, saying, “The sound quality is incomparable to existing sound sources,” and “There is no noise peculiar to air check materials.” Everything was of flawless quality. Because it was such a shocking work, it sold out and went out of print in an instant. It had disappeared from the market for a long time, and it was a piece that had always been desired to be restocked. This work is a remaster of “THE NIGHT SERPENT” obtained and refinished with the latest and meticulous remaster. Of course, “THE NIGHT SERPENT” was perfect, and we cannot taint its super-beautiful sound. In the midst of all this, this work aimed for an “official feeling.” Before explaining that, let’s organize the GEFFEN era trilogy and its apex soundboard album. [SLIDE IT IN era] ・6-person formation: DEFINITIVE GLASGOW ・5-person formation: LIVE IN ‘84: BACK TO THE BONE (official) ・4-person formation: LIVE IN ‘84: BACK TO THE BONE (official) [SERPENS ALBUS] ・This work [SLIP OF THE TONGUE era] ・LIVE AT DONINGTON 1990 (official) I’m a little reluctant to name the roughly edited “LIVE IN ‘84: BACK TO THE BONE” as the pinnacle work, but in any case, this is surely the best work group for the introduction of each tour. In this way, as the official side has been excavating over the past seven years, it has become possible to touch on the live performances of the golden GEFFEN era. Naturally, the golden era of the golden era, the “SERPENS ALBUS” era, will also be reprinted… but it is silent no matter how long you wait. It is precisely because of this modern era that this work needed a clear and powerful sound that would not be out of place in an official product. Therefore, this work focuses on the separation and contour of the sound. The drums, which had a dense nuance, have a relaxed sound. The show depicted by that sound is full of the brilliance of the peak period. After all, this lineup is the most famous in the world, but they did not leave any official records. In particular, Adrian Vandenberg and Vivian Campbell give us a twin that is not just flashy. Unlike the genius Steve Vai and Warren DeMartini, who lost himself in the blues, their chemistry and balance are the best of all time. In “Guilty Of Love”, even the twin riffs are arranged smartly to increase the dynamism, and in “Is This Love”, Vivian makes us cry in the style of Gary Moore, and in “Love Ain’t No Stranger”, Adrian peeks out a sweet phrase in the style of Michael Schenker. Whether he plays flashy, inserts his own melody, or plays a harmony solo, the European aesthetic sense remains unshakable. Furthermore, even Coverdale, who is the most important, is amazing. His throat, which woke up to high notes in “SERPENS ALBUS”, is in top form. In “SLIP OF THE TONGUE”, he started to get worn out early, and then he just kept going downhill, but this work does not crack or distort even when he screams. His deep whispering voice remains the same, and even the high tones stretch straight and beautifully. In Coverdale’s career as a vocalist, you can enjoy the “peak voice” that was only a moment ago in a full show. It’s the climax. The mood of historical success, the vivid and beautiful ensemble, and the strong and lustrous voice all shine. A superb stereo soundboard album of five people who left nothing behind officially. A super masterpiece live album that may even surpass the existence of the band “WHITESNAKE”, the highest quality version. Live at Yoyogi Olympic Pool, Tokyo, Japan 13th June 1988 STEREO SBD(UPGRADE) Disc 1(43:40) 1. Intro. 2. Bad Boys incl. Children Of The Night 3. Slide It In 4. Slow An’ Easy 5. Here I Go Again 6. Guilty Of Love 7. Is This Love 8. Love Ain’t No Stranger Disc 2(45:55) 1. Adrian & Vi vivian Guitar Solo 2. Crying In The Rain 3. Tommy Aldridge Drums Solo 4. Crying In The Rain(reprise) 5. Member Introductions 6. Still Of The Night 7. (Ain’t No Love) In The Heart Of The City 8. Give Me All Your Love 9. Tits David Coverdale – Vocal Adrian Vandenberg – Guitar Vivian Campbell – Guitar Rudy Sarzo – Bass Tommy Aldridge – Drums STEREO SOUNDBOARD RECORDING
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