Description
“Nippon Broadcasting’s complete series” has received rave reviews, with comments such as “Isn’t this the most amazing thing about LIVE AID?” and “The ultimate in nostalgic footage!” The latter two works have been decided to be released! [The third volume containing the 5th and 6th volume of the complete recording master] “VOL.1 & 2” and “VOL.3 & 4” that we introduced last time received an unprecedented response, but for those who missed it. First, let’s briefly review the basics. This work is a professional shot of “LIVE AID”, the biggest music event of the 20th century, held on “July 13, 1985″. Of course, we have delivered various versions so far, but this time we present the ultimate and biggest one. At the time, this event was broadcast live for approximately 15 hours in Japan. It is a transcendental series that has made the complete master version into DVD. Since the program is 15 hours in total, eight VHS tapes were recorded, including studio talks and commercials. They have been converted into DVDs one by one, and this work is a two-disc set that couples the fifth and sixth movies. In other words, it is the third volume of the 8 full-length discs compiled into a “2-disc set x 4 series”. And what time period was this part? Let’s organize by the performing artists/bands you’re interested in. [DISC 1: VOL.5] ○3:59/THE WHO ★4:21/SANTANA (with Pat Metheny) ○4:50/Elton John★5:27/Madonna ○5:48/Freddie Mercury & Brian May [DISC 2: VOL.6]○5:51/Paul McCartney○5:57/BAND AID ★7:06/Neil Young★7:42/THE POWER STATION ★6:30/Kenny Loggins ★8:21／THOMPSON TWINS ★23:47／REO SPEEDWAGON ★8:38／Eric Clapton Note: “○” indicates Wembley Stadium in the UK, “★” indicates JFK Stadium in the US. The numbers are the start times of the show, Japan time. *However, there is a discrepancy between Japanese broadcasting and local broadcasting, and in Japan it is approximately “DISC 1 = 5:00-7:00” and “DISC 2 = 7:00-9:00”. [Studio talk that explodes with the feeling of being broadcast live] …and it goes like this. The four hours recorded were from 5:00 a.m. to 9:00 a.m., when the sky was beginning to turn white. We have already introduced the live content and the fun of Nippon Broadcasting’s unique subtitles and simultaneous interpretation many times in previous works. Of course, this work also includes a complete recording of such live scenes, but this series has an amazing real-time feel that includes studio talks and commercials. It’s already intense from the beginning of “VOL.5”. The last song in “VOL.4” was David Bowie, and in response to that, the main caster, the late Mr. Itsumi○takashi, aired a song. Masataka Itsumi: “How old is David Bowie?” Female announcer: “42 years old. You can’t see it.” Masataka Itsumi: “Young! I think he’s about the same age as Beat Ta○shi (38 years old at the time!) You’re older than me. I’m 40 years old. I have to make sure I don’t get called “Ojin.” It’s such an old-fashioned word, but I can’t stand it. Or should I say, ○mi doesn’t look like she’s 40 years old… Moreover, this is wrong. I ended up getting calls from viewers to correct me, saying, “Bowie is 38 years old!” The comment itself, “There’s someone you like who knows everything,” reveals the information standards of the time. The assistant to Mr. Itsu is Mr. Kootsu Minami. Although his knowledge of Western music is perfect, he is always concerned about “The Beatles reunite!” and “Will Sean come?!” Of course, it was actually Paul’s solo, but at that moment I was immediately excited. I can see that he’s trying his best in terms of character, but his voice is clearly weaker than in the first half, and it’s funny to see him say with that smile, “Being the Beatles…um…it ended up being just a dream.” is. [Broadcasting accident that involved the world] Also, Japan is not the only country that is in trouble. “LIVE AID” was revolutionary in not only the event but also the worldwide simultaneous broadcast, but the feeling of fumbling is also amazing. Even during the performance, the broadcast was cut off with a “buzz!” and each time, both the UK and the US were in a panic. Japan, which was receiving the broadcast and broadcasting, was also affected, and the studio and simultaneous interpreters were in a panic! The trouble in Mie is a strong live broadcast. It occurs with various artists, but the most representative one is THE WHO from “VOL.5″. First, there was trouble at the UK site. Roger and Pete both jumped out, but it was difficult to start playing due to equipment settings. Although he tried his best to bridge the gap in the Japanese studio, it was only improvised and it was sluggish. “There was a guy called Keith Moon, who I liked to surprise, but he passed away.” “(Keith) had a cute face,” he said, trying to squeeze out whatever came to mind. When “My Generation” finally begins, the broadcast suddenly cuts out. Then, the program switched to the American studio, and the foreign casters also said, “London has gone somewhere,” “We’ve changed our plans and we’re going to show you what’s going on in Philadelphia…Ah, we’re going to England as soon as possible…” “The power to the balloon (which connects the broadcast) has gone out. “London is back!” There was a lot of confusion. After that, it connects and disconnects again. In the end, he even says, “It’s not my fault,” and “That’s how life is.” The Japanese simultaneous interpreter who received this was completely enthusiastic and translated the title call of “Love, Reign o’er Me” into a rare translation, “This is everyone’s favorite song!” The live show, which was already very detailed, was further cut into pieces by Japanese TV commercials… Mr. Itsu○ from Nippon Studio can’t help but laugh, saying, “Seeing the expressions on the casters’ faces when something happens makes me feel relieved (that we’re not the only ones),” and it’s true that I can’t help but laugh. We now know that the event of the century was completed, but at the time it was broadcast live. There was a possibility that trouble could continue for hours, and the sense of tension that overlaps between England, America, and Japan cannot be experienced only in the live scene. The super stray scene has been a highlight in previous versions, but this time it’s a complete version that perfectly captures the commercials and Japanese studio. It is a real-time document that brings back even the question “What will happen to this program?” I’ve only mentioned two or three scenes here, but they’re still interesting. This work continues for dozens of times. Anyway, there are too many things to see, so I’ll omit it, but I’ll omit it, but it includes TV commercials and broadcasts that are inserted between live performances and studio performances, news programs (his father Bush is vice president!), and even weather forecasts (a map of Japan that looks like it was made with Pyuta). is full of sense of the times. Each of these will become a piece of the puzzle and recreate the “LIVE AID Japan experience.” As with the first half “VOL.1 & 2” and “VOL.3 & 4”, performances by Japanese artists (in this time period THE SQU〇RE “OMENS OF LOVE”, Tsuyoshi Nagako “Yuji”, Chage○ Asuka) “Toge”, Sada○shi “Mahoroba”, Tani○ Shinji “12th Avenue Carol”, and La○dones “CRAZY NIGHT” had to be cut, but other You can relive everything for 3 hours and 35 minutes. Among the many “LIVE AID” titles, this is the biggest and best documentary blockbuster series. The third part. Uses 8 beautiful standard recording VHS tapes provided by enthusiasts. The performance scenes of the 22 Japanese artists were unavoidably cut. Everything else is recorded from beginning to end. The third edition is a 2-disc set Live Broadcast 14th July 1985 (5-9AM)*Japan Time Wembley Stadium, London, UK / JFK Stadium, Philadelphia, USA 13th July 1985 Disc 1 ( 105:36) 1. CM 2. Studio (not recorded) THE SQU〇RE “OMENS OF LOVE” cut 3. CM Interesting Bic Camera CM & Tokyo Disneyland 1985 must-see CM THE WHO 4. Introduction The performance could not start. The Japanese studio can be seen endlessly. 5. My Generation cut in the middle, panic all over the world, WHO fans are shocked! ! 6. Message from Kirk Douglas Kirk Douglas suddenly inserted! 7. Studio 8. George Segal & Marilyn McCoo Conversation between the two American hosts 9. Pinball Wizard 10. Love, Reign o’er Me In response to the title call, “This time it’s everyone’s favorite song!” (rare) 11. CM 12. Won’t Get Fooled Again Cut due to line trouble, you can see that the broadcast was in a mess until the end 13. George Segal & Marilyn McCoo From a pitch black screen 14. Won’t Get Fooled Again 15. MC It was such a tragic broadcast that I was comforted by WHAM’s TDK commercial 16. Studio Bowie received phone calls from fans due to age difference SANTANA 17. Primera Invasion 18. Open Invitation 19. Studio (not included) ) Nago Tsuyoshi “Yuji”, Cha○ & Asuka (*Congratulations on winning the Kendo tournament) “Thorn” not included 20. CM Kobayashi○mi Chiffon Lament Alternate version 21. Studio “Bob Geldof “Go to Japan” We had a meeting and said, “I want to do LIVE AID IN JAPAN” by the end of the year.” The studio gets excited.) (Hearing → Unrealized) 22. Yoyogi/Shinjuku/Yurakucho The night is falling 23. Studio ELTON JOHN 24. Introduction 25. I’m Still Standing 26. Bennie and the Jets 27. Rocket Man Member Introduction Translation is waived 28. Don’t Go Breaking My Heart (with Kiki Dee) 29. CM 30. Studio 31. Don’t Let the Sun Go Down on Me (with Wham!) 32. CM 33. Can I Get a Witness 34. CM 35. Studio/Yoyogi Hisumi is so funny 36. CM 37. Studio MADONNA 38. Bette Midler Introduction 39. Holiday 40. Into the Groove 41. Love Makes the World Go Round (with Thompson Twins and Nile Rodgers) 42. Chevy Chase Introduction FREDDIE MERCURY & BRIAN MAY ★Freddie is spelled differently “FREDIE” 43. Is This the World We Created…? Mixed lines PRO-SHOT COLOUR NTSC Approx.106min. Disc 2 (108:58) 1. Studio PAUL McCARTNEY (with David Bowie, Bob Geldof, Alison Moyet & Pete Townshend) 2. Let It Be Mic Off…BAND AID 3. Bob Geldof Introduction 4. Do They Know It’s Christmas? 5. Studio 6. CM NEIL YOUNG 7. Sugar Mountain 8. The Needle and the Damage Done 9. Helpless 10. Studio 11. CM 12. Studio (unrecorded) Sada○shi “Mahoroba” deleted Western music The best performance among all the artists included. 13. CM Sankei Shimbun commercial is interesting 14. News FNN Sankei Tele News Reagan surgery (Vice President Bush) Nakasone-Mitterand meeting Nakasone’s lecture scene in French (valuable) Noto Line derailment accident 15. CM 16. Weather Report 17 . CM A masterpiece commercial representing the 80’s “Non-Smoking Paipo” appears “I quit my job with this” THE POWER STATION 18. Get It On 19. Studio (unrecorded) Shinji Tani○ “Carol on 12th Street” ”Delete 20． CM Kasioward CM 21. Message from Shoroku Onoe(Kabuki actor) KENNY LOGGINS 22. Footloose 23. Studio / Shinjuku Young female comment model answer nice 24. CM Kozo Sushi and AJIOKA’s CM valuable 25. Studio (not included) ) Loudness “CRAZY NIGHT” deleted 26. Message from Shigeo Nagashima ★Shigeo Nagashima appears! ! ! Comes with an intro from the American broadcast (rare) 27. Studio/Yoyogi Impact on both women and men. Boy’s powerful remark, “After all, it’s Judas Priest!” Wonderful THOMPSON TWINS 28. Hold Me Now 29. Revolution (with Madonna, Steve Stevens & Nile Rodgers) 30. CM Roland JUNO106S Valuable 31. Studio/Yurakucho “It’s started! Who?” (You can hear the staff panicking in the studio) REO SPEEDWAGON 32. Can’t Fight This Feeling The tape is broadcast shaking, an impossible broadcast accident level → In fact, it was cut midway due to the American decision ERIC CLAPTON 33. White Room From the introduction of two foreign female MCs Japan The studio is also visible 34. CM Pip Electric Van Oronamin AXIA A series of wonderful CMs 35. She’s Waiting 36. Layla 37. Studio 38. CM PRO-SHOT COLOR NTSC Approx.109min. PRO-SHOT COLOUR NTSC Approx.215min.(TOTAL)
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