Description
The latter two works of the highly acclaimed and highly acclaimed “Nippon Broadcasting Complete Edition Series” have been decided to be released. The final episode that concludes the approximately 15-hour live broadcast has been decided to be released! [Final volume of the series containing the 7th and 8th fully recorded master] This work is the final volume of the blockbuster series of “2 DVDs x 4 series”. The overview and overall structure of the series has been repeated in previous explanations, so let’s get into the content right away. What time period was this part? Let’s organize them by the artists/bands you’re interested in… [DISC 1: VOL.7] ★9:00/Phil Collins★9:10/LED ZEPPELIN ★9:39/CROSBY, STILLS, NASH & YOUNG《Prince “4 the Tears in Your Eyes” PV》★9:46/DURAN DURAN ★10:20/Patti LaBelle [DISC 2: VOL.8]★10:50/Hall & Oates★11:15/ Mick Jagger★11:39/Bob Dylan (with Keith Richards & Ronnie Wood)★11:55/USA FOR AFRICA *Note: All at JFK Stadium in the United States. The numbers are the start times converted to Japan time. [Japan studio unfazed by the reunion of ZEPPELIN] …and this is how it turned out. The Japanese broadcast started one hour later than the local time, but perhaps because it was suddenly around “VOL.5 & 6″, in this work it almost caught up to the local time. Three hours of highlights are recorded from 9:00 a.m., exactly 12 hours after the start of the program, to the finish at 12:00 noon. This final edition also has amazing Japanese studio talk. We will start with the reunited LED ZEPPELIN with Phil Collins, and here too the differences between the late Mr. Itsumi○takashi and Mr. Minamiko○setsu are explosive. Masaru Itsumi: “(While reading materials) Well, Robert Plant, Phil Collins, and Jimmy Page.Anyway, this Phil Collins is a great service.”Kotsu Minami: “That’s right.However, the LED ZEPPELIN plant… It’s amazing that Paige is on stage! No, it’s really amazing!” Masataka Itsu○: “Hmm, yes. It’s a bit of a commercial here.” To Mr. Kouse○’s comment, “This is amazing. ! Separate!!” is clearly visible, but it doesn’t make any sense to Mr.○mi, who has no taste in Western music. Normally, Mr. Itsu○ might have tried to get the conversation out of him, but he had been fighting for 12 hours on a completely different field of live broadcasting, and he had no energy left. I am barely able to continue the program while feeling half-stunned. What’s more, when Page plays the arpeggio from “Stairway to Heaven,” he says, “This program is brought to you by…” and just when I thought it was finally time to play, Boo! It cuts out. Oh my god… Then, when the historic performance that I had managed to witness ended, Mr. Itsu○ said, “It’s getting dark even at JFK Stadium” without ZEP’s “Z”. Mr. ○mi, who is one year younger than Page, was 26 years old when ZEP first came to Japan. I think it’s okay to have a little reaction, but this is probably the difference between the general public and Western music fans. On the other hand, the music-related guests were too honest, even though they were understanding. “When I watch something like QUEEN, there’s a lot of energy, and it makes the viewers feel excited,” which is good, but Oda○masa says, “Robert Plant didn’t really have a good voice.” ” he said simply. Maybe that comment is forgivable because it’s him. [TV commercials that become more interesting in the second half] The point of this work is the sense of the times in the commercials that appear between live performances and studio performances. I had a lot of fun in the first half, but the second half gets even more amazing. The same can be said for “VOL.5 & 6”, but since it is a long 15-hour program, there are a wide variety of sponsors, and commercials that are different from the first half pop out one after another. What’s more, in the morning, there are more major products that can withstand high advertising fees, and there is a rich variety. Late at night, there were strange commercials that made me think, “This is the era,” but at this time of day, there were also commercials that made me think, “Ah, nostalgic!” “This is why I quit my job,” “Hairy, high, high, high,” “Castella number 1, phone number 2”, “No way, I’m a birdman”, etc. are famous in history and are stuck in our memories. The masterpiece commercial is too wonderful. You can also watch in superb quality a performance by a famous actress and famous president who recently passed away, saying, “This tenacity is what makes a company prosperous.” Of course, the social conditions at the time were also intense. The selling points of Tokyo Disneyland, which had just opened, were “Pirates of the Caribbean”, “Country Bear Theater”, and “Canoe Exploration”, and baseball players lined up in the drink commercial were Nishimoto, Matsumoto, Sadaoka, Kawano, Nakahata, and Yamakura. Egawa, who was still on duty, also gulped down peach juice. Kent, who wears giant glasses, advertises nigiri sushi toys and air conditioners, the first Sukeban Detective laments, “My throat is parched from being stared at,” and Oginome○ko, who was just about to star in “Dancing Hero,” stuffs her face with ice cream and says, “ “It looks delicious if it’s a little thicker,” he said. What’s more, there’s a new cherry-flavored Coke, that George Tokoro has black hair, and that the word processor recommended by Seiko Matsu○ costs 100,000 yen… Of course, music is also perfect. Asako Kobayashi’s “Chiffon’s Lament” is also a spider web-covered version that is different from the late night version, Lionel Richie sings Pe○shi, FRANKIE GOES TO HOLLYWOOD plays, and John Travolta with Diana & Treasures in the background. “Tokyo drink” he said with a smile. Ringo Starr’s valuable commercial, which was a highlight in the first half, will also reappear. [The mood accelerates towards the highlight] Furthermore, this work has the real pleasure of being the final chapter. The program forcibly builds up its mettle toward the highlight of a long event. As the end approached, he repeated, “As of 11 o’clock, the total donations amounted to 168.88 million yen!” He repeated, “Live broadcast from 84 countries! For the first time in the history of broadcasting! 2 billion people on 500 million TV sets!” “I’m watching you!!”, conveying the scale to the viewers who watched the show midway through. However, the relays from Yoyogi Park and Alta-mae are in vain. The reporters shouted, “It’s getting even more exciting in the morning!” However, as if the band they were looking for had finished, there were only a few people sitting in front of the monitors, and if the camera’s perspective shifted even slightly, it would be a mess. It may be good to interview a person who bought a T-shirt for 2,000 yen at a charity auction, but if the only other person who is seen is a passerby, “(the auction) was a big deal!” is empty. Too much. Even though they were tired, the words of Western music fans who said enthusiastically, “○○ was cool!” might be a relief. When they returned to the studio, they enthusiastically said, “(The long hours) didn’t feel like a chore at all,” “It went by in a blink of an eye,” and “We just have to wait for the final Bob Dylan, and the finale is going to be amazing!” In response to Mr. Tsu, Mr. Itsu○ was covered in injuries and could barely say “Yes” or “I see.” Still, he musters up the last of his strength to bring the show to a close, and says, “I’m really happy that I was able to be involved in a program like this.I want to utilize this in my future work.”I also use music for charity. It’s also blown away somewhere. It may seem like I’m complaining when I write this, but it’s not. Mr. Mi spent 15 hours listening to music he knew nothing about, kept preparing for satellite broadcasts that could be cut off at any moment, endured complaints from genuine Western music fans, and single-mindedly defended the live broadcast. Because this is a film that allows you to deal with that struggle, this scene also makes you want to say “Thank you for your hard work” with all your heart. Even in this final volume, performances by Japanese artists (Ueda○ki’s “Tokyo Express”, Yanagi Joe○’s “Having A Party”, Office○○○’s “Endless Nights”) had to be cut, especially those appearing on music programs. I wanted to show you a shocking O○ course. That said, it is a rare music document that vacuum-packs everything else. This is a masterpiece that conveys “Japan of that day” realized by “LIVE AID” of the century. It’s 9 o’clock in the morning, and the commercials have been completely redesigned, so it’s quite interesting using 8 beautiful, standard-recording VHS tapes provided by enthusiasts. The performance scenes of the 22 Japanese artists were unavoidably cut. Everything else is recorded from beginning to end. The third edition is a 2-disc set Live Broadcast 14th July 1985 (9AM-12PM)*Japan Time Disc-1 JFK Stadium, Philadelphia, USA 13th July 1985 (100:25) 1. CM “Tachikawa Silky Garden” sexy CM. It’s great, but now I’m at the complaint level 2. Studio 3. CM 4. Studio “It’s been exactly 12 hours since the broadcast started.” Thank you for your hard work. (Unrecorded) Ueda Ueda “Tokyo Express” cut Phil Collins 5. In the Air Tonight Led Zeppelin 6. Introduction Worst interpreter “This is Robert Powers and John Thompson” 7. Rock and Roll 8. Message from Jimmy Carter 9. CM Lionel Richie sings Pepsi. Anritsu’s laser commercial is interesting 10. Studio 11. CM “Technology for the future with light” Anritsu 12. Stairway to Heaven 13. Studio 14. CM Video floppy FUJI Has a great impact no matter how many times you watch it 15. Studio (not recorded) Yanagi Joe ○ and Harlem Boys Choir “Having A Party” cut 16. CM Morinaga Mizore Bar Yoko Oginome holds an ice cream bar in both hands, “It looks like it’s going to be a little thicker this year too” → Complaint level now Crosby, Stills, Nash & Young 17. Daylight Again/Find the Cost of Freedom It’s funny to see Hisumi’s blank face when it starts 18. Studio Prince 19. 4 the Tears in Your Eyes(PV) Duran Duran 20. A View to a Kill 21. Union of the Snake 22. Save a Prayer ★The next song is “Save A Cross?” 23. The Reflex 24. CM Nectar CM starring Takashi Egawa! ! All of Anritsu’s commercials are interesting. 25. Studio (unrecorded) O○ course “Endless Nights” (FULL) cut 26. CM 27. Studio Patti LaBelle 28. Imagine 29. Forever Young 30. CM Asahi Beer commercial music FGTH The rumored poncho, Seiko Matsu○’s Hit Bit Word CM Yamaha’s Electone CM ★A series of worth watching CMs 31. Studio 32. CM NTT’s Howdy series CM featuring Popeye Valuable 33. Shinjuku/Yoyogi/Studio Yoyogi Park The scene is one of the precious and best scenes 34. CM Car Rex combination 498,000 yen cheap 35. Studio An○ Appearance Kazumasa Ko○ “Robert Plant’s voice didn’t come out” Cool review (well, that’s right) An ○”When I watched Queen, I saw that they were in high spirits, and the viewers were also encouraged.” “They were in high spirits.” ★This is the only comment praising Queen on the show, which is amazing 36. Yurakucho/Studio (Galaxy Studio) 37. CM The newly released Cherry Coke, the last Sharp Video card pre-order CM is the best. PRO-SHOT COLOR NTSC Approx.100min. Disc -2 JFK Stadium, Philadelphia, USA 13th July 1985 (68:06) Daryl Hall & John Oates 1. Out of Touch 2. Maneater 3. Get Ready (with Eddie Kendricks) 4. Ain’t Too Proud to Beg (with David Ruffin) 5. CM Ringo Starr “Schweppes”, Seiko-chan Word Processor CM, Takeshi Nagatanien CM, Hakone Kowakien Children’s Village, Tokyo Gas 100 Years, Victor Video ★Amazing CM Repeat 6. The Way You Do the Things You Do (with Eddie Kendricks & David Ruffin) 7. My Girl (with Eddie Kendricks & David Ruffin) 8. CM Paula’s XYZ 9. Studio Mick Jagger 10. Lonely at the Top 11. Just Another Night 12. Miss You 13. State of Shock (with Tina Turner) 14. It’s Only Rock ‘n Roll (with Tina Turner) 15. Studio At 11 o’clock, a total of 168.88 million yen (38,000 donations) was collected. above). 16. Yoyogi/Shinjuku/Yurakucho/Studio Bob Dylan with Keith Richards & Ronnie Wood 17. Jack Nicolson Introduction 18. Ballad of Hollis Brown 19. When the Ship Comes In 20. Blowin’ in the Wind USA for Africa 21. Lionel Richie Introduction 22. We Are the World Sponsored by Ministry of Foreign Affairs 23. CM PRO-SHOT COLOR NTSC Approx.68min. Thank you to everyone involved for your hard work. . . PRO-SHOT COLOR NTSC Approx.169min.(TOTAL)
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