UFO/Aichi,Japan 1992 DAT Master

UFO in 1992, who rebuilt with his friends Pete Way and Lawrence Archer and returned to Japan. The original recording that brings the scene back to life is here. This work is recorded on “June 18, 1992: Nagoya Bottom Line Performance”. It is the best audience recording. Speaking of the 1992 visit to Japan, the official live album “LIGHTS OUT IN TOKYO” was also left behind, but of course this work is a completely different performance. It’s a good opportunity to look back on the schedule for the visit to Japan at that time and check the position of the show. ・June 16: Osaka Moda Hall ・June 18: Nagoya Bottom Line ←★This work★ ・June 19: Club Citta Kawasaki ・June 20: Club Citta Kawasaki ←※Official LIGHTS OUT IN TOKYO All four performances. The official one was the last day, titled “TOKYO”, but it was actually a common story that it was Kawasaki, while the Nagoya performance in this work was the second performance. This work, vacuum-packed at such a show, is an audience recording that depicts the “best”. What’s most wonderful is the strong core and super clear details with a close contact. It’s hard to say “it’s like a soundboard” because there was a really recent official live performance, but I would normally say it with all my might. Although the sharp edge is one step behind the official version, the response and clarity are not lost. The reason for this is of course the recording artist’s technique, but the venue is also related. After all, Nagoya Bottom Line is a live house with a standing capacity of 750 people. You can really feel the closed room feeling. And that closed room feeling is a little different from the soundboard and is the best. Even though it is in close contact, it gives a slight sense of space, giving the performance and singing voice an indescribable luster and extension. Phil Mogg’s wet voice is even more humid, and Pete’s groove is full of the deliciousness of black candy. What’s even more wonderful is Lawrence’s guitar. The guitar tone, recognized by the two Phils, Mogg and Lynott, is truly beautiful, and the sweetness and sadness are enhanced. Such an exquisite closed-room sound depicts a full show that is similar but not the same as the official live album. As expected, there are not many people who memorize the 1992 set, so let’s organize it by comparing it here. 70’s Classics (8 songs) Phenomenon: Doctor Doctor / Rock Bottom Force It: Shoot Shoot New Murder: Too Hot to Handle / Love to Love / Lights Out Conquest of Space: Cherry / Only You Can Rock Me 80’s and Later (6 songs) Heavy Metal Experience: Mystery Train (★) On the verge of explosion! : Running Up the Highway / Borderline / She’s the One / Back Door Man / One of Those Nights *Note: The “★” mark indicates a song that cannot be heard on the official album “LIGHTS OUT IN TOKYO”. …And so it is. In fact, both the 70’s classics and the new “HIGH STAKES & DANGEROUS MEN (On the verge of exploding!)” are the same as the official live performance. The only difference is at the end, where “Mystery Train” is played in Nagoya, instead of “C’mon Everybody” from “LIGHTS OUT IN TOKYO”. Rather than being a repertoire from “NO PLACE TO RUN”, it was adopted as an encore as a cover of a standard number. UFO in the Lawrence Archer era, who had returned to European blues rock with his ally Pete, in a complete change from the Atomic Tommy M era, which followed the glamorous era. If you think about it, it was also the first step on the road to the return of Michael Schenker, MOGG/WAY, and even the modern Vinnie Moore era. The superb audience recording of the original master of the treasure “June 18, 1992: Nagoya Bottom Line Performance”, which allows you to experience such a moment in a closed room with the best sound. This is an original recording only for this work, and what is most wonderful about it is the strong core and super clear details. In addition to the recording artist’s technique, the closed room feeling of the live house is wonderful, and the band feels right in front of you. Moreover, that closed room feeling is a little different from the sound board and is the best, giving the performance and singing voice an indescribable luster and growth. This is a delicious treasure live album of “Mystery Train” that you couldn’t hear on the official album “LIGHTS OUT IN TOKYO”. The Bottom Line, Nagoya, Japan 18th June 1992 ULTIMATE SOUND(from Original Masters) Disc 1 (49:01) 1. Intro 2. Running Up the Highway 3. Borderline 4. Too Hot to Handle 5. She’s the One 6. Cherry 7. Back Door Man 8. One of Those Nights 9. Love to Love Disc 2 (40:24) 1. Only You Can Rock Me Lights 2. Out 3. Doctor Doctor 4. Rock Bottom 5. Shoot Shoot 6. Mystery Train Phil Mogg – lead vocals Laurence Archer – guitar, backing vocals Pete Way – bass Clive Edwards- drums Jem Davis – keyboards