U2 U2/CA,USA 04.14.1987 Complete

U2’s “The Joshua Tree” era saw them leap from one of the most successful bands of their generation to become giants in rock history. Two superb live albums capturing the glorious moment have been released simultaneously. This is the second of a two-part series. It’s a superb audience recording of the April 14, 1987, San Diego performance. The two albums are sister works, recorded at the same venue and on adjacent dates. And above all, they’re live albums that are close to the two historic pinnacles, “Cow Palace 1987 2nd Night” and “Rosemont 1987.” To understand the situation, let’s take a look at the band’s activities at the time and examine their position in this album. “THE JOSHUA TREE” released on March 9th: April 2nd – May 16th: North America #1 (29 performances) ←★Here★; May 27th – August 8th: Europe (31 performances) ←※LEEDS 1987 and others; September 10th – October 13th: North America #2 (19 performances) ←※SYRACUSE 1987; October 20th – December 20th: North America #3 (32 performances) ←※OAKLAND 1987 and others. This is the overall picture of “THE JOSHUA TREE Tour.” Each leg has produced a masterpiece, but the most outstanding of them all is the opening “North America #1.” Let’s focus on the dates further and experience the ultra-rich recording circumstances. Details of “North America # 1” * April 2nd “TEMPE 1987” April 4th-12th (6 performances) ◎ April 13th “SAN DIEGO 1987 1ST NIGHT” ◎ April 14th: San Diego performance ←★This work★ April 17th + 18th (2 performances) * April 20th “LOS ANGELES 1987 3RD NIGHT” April 21st-25th (4 performances) ◎ April 25th “COW PALACE 1987 2ND NIGHT” ◎ April 29th “ROSEMONT 1987” April 30th-May 16th (12 performances) … and so on. The two masterpieces that make up U2’s entire history, “COW PALACE 1987 2ND NIGHT” and “ROSEMONT 1987,” are already impressive enough, but this two-part series adds another layer to the list. Not only are they released around the same time, but these two albums are also sequels to “COW PALACE 1987 2ND NIGHT” and “ROSEMONT 1987.” All of them were mastered by the same overseas researcher, and each represents a masterpiece of the highest peak sound. Of course, each of the four albums, including this one, has its own unique character. The strength of this album is its blistering clarity. The atmosphere is crystal clear, and even the subtlest details are crystal clear. The drums and vocals are easy to hear, and the guitar, bass, and even the synth embellishments are clearly defined, boasting a crisp, tight feel. Moreover, the core is powerful and direct, with a truly impressive sound. There are some unique aspects of the audience, such as the cheers of the crowd at the height of their popularity and the spectacle of the detailed, widespread chanting, but if you just pick up the sound of the performance, it almost sounds like an IEM recording. It’s a contradiction in terms to call it a “natural matrix sound,” but the combination of naturalness and clarity is just what it feels like. This other-dimensional, ultra-clear sound depicts a full show that is similar but not identical to the sister work “SAN DIEGO 1987 1ST NIGHT.” Let’s organize the set by comparing them here. Joshua Tree (8 songs) – Where The Streets Have No Name / I Still Haven’t Found What I’m Looking For / Bullet The Blue Sky / Running To Stand Still / Exit / In God’s Country / With Or Without You / Mothers of the Disappeared (★) Others (11 songs) – WAR: Sunday Bloody Sunday / New Year’s Day – ?: MLK / The Unforgettable Fire / A Sort Of Homecoming (＊) / Bad / Pride (In The Name Of Love) – Others: I Will Follow / October / Gloria (＊) / I Shall Be Released (＊: performed with Maria McKee) *Note: * indicates songs not included in the sister album “SAN DIEGO 1987 1ST NIGHT” released the following day. * indicates songs not included in the classic pressing “COW PALACE 1987 2ND NIGHT”. While the position of “Gloria” has changed from the previous day’s “1ST NIGHT (Wardour-679),” what’s even more significant is the encore ending. While the previous day’s performance featured the classic “40,” this album switches to the rare “Mothers of the Disappeared” from “THE JOSHUA TREE.” Moreover, this is the world premiere of the album. Enjoy a unique live performance with superb sound. Even more special is the Bob Dylan cover “I Shall Be Released.” While the song itself is rare, it features guest appearances by Maria McKee of LONE JUSTICE, who also served as the opening act. A beautiful duet awaits. The dynamic “1ST NIGHT” and the brilliant clarity of this album. While both albums have distinct personalities, they are both superb live albums that rival the two greatest albums, “COW PALACE 1987 2ND NIGHT” and “ROSEMONT 1987.” This new masterpiece offers a full experience of rock’s most cherished moment, a masterful update that only a longtime U2 researcher could have. This is a superb audience recording of the April 14, 1987 San Diego concert. Delivered via the same unique route as the two pinnacle albums, “COW PALACE 1987 2ND NIGHT” and “ROSEMONT 1987,” this new masterpiece is a worthy culmination. Its crystal-clear clarity is astounding, revealing even the most subtle nuances. The contours of each note, even the most subtle ornaments, are clearly defined, boasting a tight, crisp feel. Moreover, the core is powerful and direct. The world premiere of “Mothers of the Disappeared” and “I Shall Be Released,” featuring guest appearances by Maria McKee, are also must-listen tracks. San Diego Sports Arena, San Diego, CA, USA 14th April 1987 TRULY PERFECT SOUND(from Original Masters) Disc:1 (55:38) 1. Where The Streets Have No Name 2. I Will Follow 3. I Still Haven’t Found What I’m Looking For 4. MLK 5. The Unforgettable Fire 6. Bullet The Blue Sky 7. Running To Stand Still 8. A Sort Of Homecoming 9. Sunday Bloody Sunday 10. Exit 11. In God’s Country Disc:2 (48:32) 1. Bad 2. October 3. New Year’s Day 4. Pride (In The Name Of Love) 5. With Or Without You 6. Gloria 7. I Shall Be Released 8. Mothers Of The Disappeared San Diego Sports Arena, San Diego, CA, USA 13th April 1987 TRULY PERFECT SOUND(from Original Masters