U2 U2/AZ,USA 04.02.1987 Complete

“THE JOSHUA TREE Tour 1987” achieved astronomical success and reigned at the top of the music scene. The best master who can experience the full show, which can be called a monument, is here. This work was recorded at the “Tempe performance on April 2, 1987”. It is the best audience recording. Why is this show a monument? First of all, let’s unravel the outline of the activities at that time. “THE JOSHUA TREE” released on March 9th. April 2nd – May 16th: North America #1 (29 performances) ←★Here★ May 27th – August 8th: Europe (31 performances) ←※LEEDS 1987 and others September 10th – October 13th: North America #2 (19 performances) ←※SYRACUSE 1987 October 20th – December 20th: North America #3 (32 performances) ←※OAKLAND 1987 and others This is the overall picture of the historic “THE JOSHUA TREE Tour 1987”. As you can see, the tour started on “April 2nd”, about one month after the album was released. In other words, this work was a world premiere that the whole world watched with bated breath. Also, the opening “North America #1” also has a famous record of this tour. Let’s focus on the schedule here and check the collection. Details of “North America #1” * April 2: Tempe performance ← ★ This work ★ ・ April 4-18 (10 performances) * April 20 “LOS ANGELES 1987 3RD NIGHT” ・ April 21-25 (4 performances) * April 29 “ROSEMONT 1987” ・ April 30-May 16 (12 performances) … and so on. The collaboration with Bob Dylan “LOS ANGELES 1987 3RD NIGHT” is also an important work, but above all, the presence of the super masterpiece “ROSEMONT 1987” is brilliant. The Tempe performance of this work was about four weeks before that absolute masterpiece. This work, which conveys such a historic first day, is an excellent product even if you ignore the captain. This is the best master provided by an overseas researcher, but while a vivid ovation is rising, the essential performance sound and vocals are far from the audience record. The strong and on core direct feeling is tremendous, and the details are clear due to the clear air feeling while absorbing the hall sound. The bass, which tends to be a weak point in the audience, also stands out with a crisp attack sound, and even if they are connected, each grain remains clear. Of course, the mid-high range is also free of dubbing marks, and the way it stretches beautifully straight is transparent to the heart. In addition, the transparent sound creates a “feeling of pouring” that is typical of the audience, doubling the beautiful luster and dynamism. Although it is easy to listen to as much as FM broadcasting overall, it is a rare recording that allows you to fully enjoy the “beauty that only an audience can have”. The full show on the first day, which is unique, is depicted with such unparalleled beautiful sound. Actually, this set is quite different from the masterpiece “ROSEMONT 1987”, so let’s compare and organize it here. Joshua Tree (6 songs) Where The Streets Have No Name / I Still Haven’t Found What I’m Looking For / Bullet The Blue Sky / Running To Stand Still / Exit / In God’s Country Others (11 songs) WAR (fight): Sunday Bloody Sunday / New Year’s Day / 40 ?: A Sort Of Homecoming (★★) / Bad / Pride (In The Name Of Love) Others: Gloria / I Will Follow / Maggie’s Farm (★) / October / People Get Ready (★★) *Note: The “★” mark indicates a song that was not heard on the masterpiece “ROSEMONT 1987”. In particular, the “★★” mark indicates a song that is not on “LOS ANGELES 1987 3RD NIGHT”. By the time of “ROSEMONT 1987”, the number of new songs from “THE JOSHUA TREE” had increased to nine, but on the first day, there were only six songs, probably because it had only just been released. The selection was also interesting, with the precious songs “Exit” and “In God’s Country” being played, but “With Or Without You” being left out. The mood is unique to those days when it was still unclear which songs would become standard. Instead of a few new songs (?), “A Sort Of Homecoming” and cover songs make the set more varied. “Maggie’s Farm” is a Bob Dylan masterpiece, and “People Get Ready” is a Curtis Mayfield masterpiece. The glorious “THE JOSHUA TREE Tour 1987” will remain in the history of popular music for mankind. This is a cultural heritage album that allows you to fully experience the kickoff performance with the best sound. Unable to give up the dream of discovering the original master, it was introduced by the Uxbridge label, but it is a great masterpiece that should have been pressed in terms of content and quality. The best audience recording of the first day of “THE JOSHUA TREE Tour” “Tempe performance on April 2, 1987”. This is the best master provided by an overseas researcher, and it is easy to listen to as well as FM broadcasting, and at the same time, it gives you plenty of “beauty that only an audience can enjoy”. It is still fresh, and it has not yet been decided which songs from “THE JOSHUA TREE” will become standard, and you can enjoy precious songs such as “A Sort Of Homecoming”, “Maggie’s Farm”, and “People Get Ready”. ASU Activity Center, Tempe, AZ, USA 2nd April 1987 TRULY PERFECT SOUND Disc:1 (38:51) 1. Intro 2. Where the Streets Have No Name 3. I Still Haven’t Found What I’m Looking For 4. Gloria 5. I Will Follow 6. Bullet the Blue Sky 7. Running to Stand Still 8. Exit 9. In God’s Country Disc:2 (48:32) 1. A Sort of Homecoming 2. Sunday Bloody Sunday 3. Maggie’s Farm 4. Bad 5. October 6. New Year’s Day 7. Pride (In the Name of Love) 8. People Get Ready 9. 40