Thin Lizzy Gary Moore Thin Lizzy Gary Moore/England,UK 1974

This work is recorded at the “Birmingham performance on February 10, 1974”. It is a vintage audience recording. When you think of “Gary + THIN LIZZY”, you might think of the super-famous “BLACK ROSE”, but that was much later. It was a work from when he joined for the third time. This work was not made in 1974, but just after Eric Bell left the band. THIN LIZZY was not yet in a twin guitar system. In order to sort out the situation around that, let’s take a look at the steps at that time. 《January: Gary Moore joins》 *January 4-17: Ireland (11 shows) *February 1-March 16: UK #1 (25 shows) ←★here★ *March 28-April 27: UK #2 (8 shows)《April: Gary leaves → John Du Cann/Andy Gee joins》・May 11-22: Germany (9 shows)《June: John/Andy leaves → B Robertson/S Gorham joins》・June 21-August 24: UK #3 (18 shows)・September 28-December 31: Europe (42 shows)《November: Gary joins COLOSSEUM II》 ※Note: The show with Gary is marked with an asterisk, and the show with a ・ mark is after Gary left the band. This is THIN LIZZY & Gary Moore in 1974. As you can see from the schedule of the main story, there was a live performance of THE GARY MOORE BAND until the end of 1973, and five days later, he was on stage as a member of THIN LIZZY. After that, he recorded singles such as “Little Darling/Sitamoia” and “Still in Love with You” which will be included in “NIGHTLIFE”, and also performed live. The Birmingham performance of this work is such a scene. It was the seventh concert of “UK #2”. This work, which records such a show, is a famous recording that represents “Gary and the trio LIZZY”. As expected, it is a vintage sound that seems to be a valuable sound source, but it is not a sound that can withstand roughness / fluffy (at all), and it is not the type that looks for a performance beyond the noise (never). The club-scale closeness is delicious, and the powerful core is close. The guitar in particular is extremely thick, and the closeness of the sound board class allows you to feel the subtleties of the subtleties right in front of you. The direct sound depicts a stage full of rare songs from the single guitar era. Let’s organize the contents here. Singles: Little Darlin’, Showdown, Black Boys On The Corner, Whiskey In The Jar, Sitamoia Others: Western Robbery: Little Girl In Bloom, My Baby Doesn’t Love Me (Slow Blues), The Rocker Others: Things Ain’t Working Out Down At The Farm, Crowlin’, Suicide, Hard Drivin’ Man … and so on. As Gary himself said, “My style was established in COLOSSEUM II,” he has not yet reached the rampage that was called “guitar crazy.” However, his extremely thick tone is already showing its scales, and his impressive phrase sense and passionate playing are in a completely different dimension from ordinary guitarists. Eric Belt can enjoy plenty of the masterpieces from the trio era that were reborn with an incomparably thick and thick guitar. As you can see from the schedule above, Gary left THIN LIZZY after only four months and met Jon Hiseman to form COLOSSEUM II. The guitar crazies that shook the scene were born. This is a live album that lets you enjoy Gary Moore just before his awakening, and it is also an essential missing link between SKID ROW and BLACK ROSE in the Lynott/Moore collection. The more you delve into this album, the more interesting and interesting it becomes. Live at Barbarella’s, Birmingham, UK 10th February 1974 TRULY AMAZING/PERFECT SOUND (72:42) 1. Things Ain’t Working Out Down At The Farm 2. Little Darlin’ 3. Crawlin’ 4. Little Girl In Bloom 5. Showdown 6. Suicide 7. My Baby Doesn’t Love Me 8. Black Boys On The Corner 9. Whiskey In The Jar 10. Sitamoia 1 1. The Rocker 12. Hard Drivin’ Man Philip Lynott – Vocals, Bass Gary Moore – Guitar, Vocals Brian Downey – Drums