Sting/Osaka,Japan 2017 Premium Seat Ver.

The number one performance in Japan… No, the super-excellent live album that will shine as the best masterpiece in the whole world is here. This week, the two consecutive performances of the Nippon Budokan performance, “BUDOKAN 2017 2ND NIGHT” and “BUDOKAN 3RD NIGHT”, will also be released, but in terms of audio, this work is the “king of recording” that shines at the top. This work includes the “June 10, 2017: Osaka City Central Gymnasium” performance. First, let’s imagine the position from the schedule of all the performances. ・ June 6: Nippon Budokan ・ June 7: Nippon Budokan “BUDOKAN 2017 2ND NIGHT” ・ June 8: Nippon Budokan “BUDOKAN 2017 3RD NIGHT” ・ June 10: Osaka City Central Gymnasium [This work] All four performances. The Osaka performance of this work was also the final in Japan. The master who made this work was the master “Western Japan’s Strongest Taper”. He is a master of his generation who is rumored to be familiar with all the live spaces in Western Japan, but this work is a special masterpiece even among such masters’ collections. The sound is indescribable. “BUDOKAN 2017 2ND NIGHT” and “3RD NIGHT” are also extraordinary masterpieces that are on a different level from normal audience recordings, and I thought “it couldn’t be better.” However, the Osaka master that arrived one step later was unexpectedly “abnormal”. Although the evidence of the audience recording is engraved in the vivid applause, the extremely thick “core” and super detailed “details” are “like a sound board”. No, it also has a beautiful “ringing”, so I would like to call it “like an official”. It’s a sound that is too perfect. When I asked him about the secret of the extremely wonderful beautiful sound, the answer he gave was surprisingly “about the 15th row”. Mr. “Strongest” records in various positions, such as the second floor and the front row, but all of this is done to match the acoustics of the venue. At the “Osaka Municipal Central Gymnasium,” which was the site of this recording, if you are too far forward, the balance of the instruments will be poor and the vocals will sound like they are missing. As a commentator, it would be easier to simply say “recorded from the front row!”, but if you listen to this “beautiful sound,” you won’t be able to get a root for Guu. What is particularly amazing is the main part of Sting. Of course, it is super clear and direct, second only to Joe Sumner & THE LAST BANDOLEROS, but the Sting part is much better, and it even has a rock-like dynamism. Of course, this difference is due to the sound output at the site, not the recording. The sound at the site is much more powerful and faithfully captured. What is particularly amazing is the bass. The bass tends to be a weakness in audience recordings, but this work is fat and extremely thick. It is so powerful that you can feel the gym floor shaking. And yet, it’s wonderful that it’s not just a powerful push, but a “stop just before it’s too much”. The rich vibes explode, but they don’t cloud the air, and everything is crystal clear. Mr. “Strongest” has exquisitely set up his equipment to match not only the venue but also Sting’s melodic musicality and the audience, and the design is full throttle. “Familiar with every venue” was true… it’s a super-elegant sound that proves it with a sound that speaks more eloquent than words. Anyway, it’s a super-excellent sound. When it comes to the latest performance in Japan, many people ask for a live album to permanently preserve their memories. However, this work goes beyond that dimension. No matter which venue you go to… no, even if you haven’t seen the live performance, you will be satisfied with the quality of this work. The horizon on which this work stands is not “because it’s a Japanese performance” or “because it’s Sting”. Beyond that, it’s a masterpiece that should be talked about in the dimension of “masterpiece of rock albums”. It just happened to be Japan in 2017. A world-renowned live album masterpiece born in Japan in 2017. Live at Osaka Municipal Central Gymnasium, Osaka, Japan 10th June 2017 ULTIMATE SOUND(from Original Masters) Disc 1 (69:54) 1. Intro. 2. Heading South On the Great North Road 3. Looking For Me Looking For You (Joe Sumner) 4. Don’t Change The Love (Joe Sumner) 5. Drink (Joe Sumner) 6. Jelly Bean (Joe Sumner) 7. Maria ( 13. Synchronicity II 14. Spirits in the Material World 15. Englishman in New York 16. I Can’t Stop Thinking About You 17. Every Little Thing She Does Is Magic 18. One Fine Day 19. She’s Too Good for Me Disc 2 (73:16) 1. Mad about You 2. Fields of Gold 3. Petrol Head 4. Down, Down, Down 5. Shape of My Heart 6. Message in a Bottle 7. Ashes to Ashes 8. 50,000 9. Walking on the Moon 10. So Lonely 11. Desert Rose 12. Roxanne / Ain’t No Sunshine 13. Next to You 14. Every Breath You Take 15. Fragile