Skid Row/Tokyo,Japan 10.8.1992

In 1992, SKID ROW brought “SLAVE TO THE GRIND” to No. 1 in the United States and came to Japan for the fourth consecutive year. The best professional shot is now available. This work was filmed at the “October 8, 1992: Nippon Budokan” performance. This is a multi-camera professional shot that records the whole story. They came to Japan for the fourth time and stood at Budokan for the first time, but first of all, let’s look back at that time from the schedule and check the position of the show.・September 30th: Sendai Sun Plaza Hall ・October 1st: Kawaguchi Cultural Center ・October 2nd: Yokohama Cultural Gymnasium ・October 3rd: Nagoya City Public Hall ・October 5th: Osaka Castle Hall ・October 7th: Nippon Budokan ・October 8th: Nippon Budokan ←★This work★ A total of 7 performances. Although it was their first visit to Japan in a year, the “SLAVE TO THE GRIND TOUR” itself was carried out for three years from 1991 to 1993. In other words, two full-fledged Japan tours were held with one album, and it was the moment when they were at the height of their popularity. Among them, the Nippon Budokan performance of this work was the highlight. This show was broadcast live on a certain satellite broadcasting station at the time, and the pro shot has been loved as a classic for many years. This work is one of them, but it is not a copy of the previously released group, but a direct DVD of the newly excavated air check master. At our store, we have archived numerous music programs from the best masters of core record enthusiasts in Japan, and the master of this work is also by such enthusiasts. Of course, it has not undergone any dubbing, and there is no noise or distortion at all. As expected, there is an analog feeling of broadcasting in terms of pixels, but it is as fresh as if it was broadcast yesterday or today. It was probably stored in a perfect environment and had never been played. It is an exquisite visual beauty as if 27 years of time did not exist. What is depicted with that quality is a full show filled with the brilliance of its prime. Its richness is clear even when looking at the set. Let’s organize this here. ●SKID ROW (8 songs)・Big Guns/Here I Am/Makin’ a Mess/18 and Life/Piece of Me/Midnight/Tornado/I Remember You/Youth Gone Wild ●SLAVE TO THE GRIND (7 songs)・Slave to the Grind/Riot Act/Wasted Time/Psycho Love/Mudkicker/Get the Fuck Out/Monkey Business ●Cover (3 songs) Psycho Therapy (RAMONES)/C’mon and Love Me (KISS)/Holidays in the Sun ( SEX PISTOLS)…and it looks like this. Just perfect. A concentrated version of the two great albums “SKID ROW” and “SLAVE TO THE GRIND”, and a selection of 3 cover songs. It’s much richer and best than the bad best album. This is what they do with intense live music. Yes, the biggest flavor of this work is the real performance. They’re not a band that sells themselves with perfect playing ability, so they may be rough, but that’s why their momentum is so great. Anyway, the singing, playing, and movements were all intense and sharp. Buzz’s signature move of holding the microphone like a bean bag is different, but the speed of his hands is different, and the sense of synchronization with the beat is different. There are times when the song becomes rough due to excess energy, but it won’t be a buzz unless there is excess energy. Rather, it’s the messy, messy look that makes me happy. Even though he doesn’t do anything particularly eccentric, his explosive tension alone draws you in. He is truly a rare entertainer. Of course, I’d be an idiot if I lost my temper alone, but SKID ROW is at its best because it doesn’t. Although it seems like the showmanship is left to the buzz, once the song starts, the pitch and the sound that pops out are intense and explosive. Even when the buzz goes wild, it never rises, but rather the band feeling comes out. Furthermore, Buzz’s service spirit explodes between songs. For example, the Japanese MC before “Here I Am”. While watching the contest, I said, “Tonight is a special show. Will it be broadcast on TV?”, but I fail many times. Furthermore, in front of “Psycho Therapy”, he speaks so much that I can’t understand what he’s saying. Even so, even if you try your best and fail, it doesn’t feel painful at all, and in fact, it’s amazing how exciting it is. He also acted as MC with an impromptu song, and showed off the “Congratulations Skid Row Budokan” hanging scroll that was a gift from the audience. In any case, each song is rich, and there is no gap between songs, making it an enjoyable video work. After a highlight performance at the Budokan, they performed several shows in Hawaii and Europe, and their “SLAVE TO THE GRIND TOUR” came to an end. You know what happened after that. This work was also the climax, and it was also the last brilliance of the short-lived golden age. However, because it burns out in an instant, its shine is dazzling. This is a piece where you can enjoy such a full show with the best professional shots. Live at Budokan, Tokyo, Japan 8th October 1992 PRO-SHOT 1. Pre-Show 2. Fight For Your Right 3. Slave to the Grind 4. Big Guns 5. Here I Am 6. Makin’ a Mess 7. 18 and Life 8. Piece of Me 9. Drum Solo 10. Riot Act 11. Psycho Therapy 12. C’mon and Love Me 13. Wasted Time 14. Psycho Love 15. Midnight / Tornado 16. Mudkicker 17. Get the Fuck Out 18. Monkey Business 19. Holidays in the Sun 20. I Remember You 21. Youth Gone Wild 22. Outro. Sebastian Bach – lead vocals Rachel Bolan – bass, backing vocals Scotti Hill – guitar, backing vocals Dave Sabo – guitar, backing vocals Rob Affuso – drums, percussion PRO-SHOT COLOR NTSC Approx.114min.