Rush/NC,USA 1992 Upgrade & Longer Version

From the tour accompanying her 17th album “Roll The Bones” released on September 3, 1991, Charlotte performed at Blockbuster Pavilion (the venue has a capacity of 19,000 people) on June 14 of the following year, the final stage of the tour. ) performances are recorded on a stereo soundboard. (There are three types of sound sources for this tour: the Charlotte performance, which is said to have the best sound quality, the full-length performance at Auckland Coliseum on January 30th, and the Wembley Arena performance on April 17th, which contains about 50 minutes. (There is a sound board sound source) This item uses a DAT master leaked by the people involved, and since Gene is younger than the previous releases, it is clearly a fresh and extremely natural sound image! The sound quality is outstanding in all aspects, including the sense of separation and directness of the instruments, and the powerful sound effects of Force Ten’s intro and the vividness of Geddy’s edgy phrases that follow will definitely leave you stunned. ! The intro is 1 minute and 23 seconds long, and it is recorded on the soundboard until 1:29 of 2112 (the best song that has already been released, “Because It Happens”, switches from 2112’s head to the audience). , Fortunately, both the total time and the soundboard part are the longest ever. This is their first large-scale tour since 1988, and they have toured Europe for the first time in four years.It started on October 25, 1991, and held 31 performances until the end of the same year, and 71 performances from January to June 1992 the following year. It was done. (MR.BIG was the opening act for the Charlotte performance on this day) In terms of the set list, there were three songs by Vital Signs, The Analog Kid, and The Trees, who were added to the set list from late May in the latter half of the tour. It gives off a uniqueness and creates a wonderful balance, but above all, the five tracks from “Roll The Bones” – Dreamline, Bravado, Roll The Bones, Ghost Of A Chance, Where’s My Thing? There is no doubt that even non-fans will be amazed by the extremely tight and flexible ensembles that are unique to Rush. In particular, it would be no exaggeration to say that all the charm is packed into these five minutes.The performance of Where’s My Thing? is very wonderful, and Geddy’s bass has a clear fretless jazz approach in the intro, which is based on a spacey arrangement. – Alex’s exciting guitar solo in the second half, the exquisite unison with the use of 5 time signatures in the middle of the solo, will give you goosebumps. The 18 minute long medley of bursting riffs from The Spirit Of Radio to the last song, Cygnus X-1, is definitely a must-listen! In a sense, it was Rush’s peak (following their previous album, “Presto,” Rupert Hine produced “Roll The Bones,” and it was in the top three on the U.S. chart since “Moving Pictures,” so it was actually the biggest hit in Rush’s long history.) The ultimate item for Rush fans, luxuriously packaged with the best sound quality ever! Live at Blockbuster Pavilion, Charlotte, North Carolina, USA 14th June 1992 STEREO SBD(Best Version Ever: from Original DAT Master) Upgraded & Longer Version Disc 1 1. Intro. 2. Force Ten 3. Limelight 4. Freewill 5. Distant Early Warning 6. Time Stand Still 7. Dreamline 8. Bravado 9. Roll The Bones 10. Show Don’t Tell 11. The Big Money 12. Ghost Of A Chance Disc 2 1. Vital Signs 2. The Analog Kid 3. The Trees 4. Where’s My Thing? 5. The Rhythm Method 6. Closer To The Heart 7. Xanadu 8. Superconductor 9. Tom Sawyer 10. The Spirit Of Radio 11. 2112: Overture 12. Finding My Way 13. La Villa Strangiato 14. Anthem 15. Red Barchetta 16. The Spirit Of Radio/Cygnus X-1 Geddy Lee – Bass & Vocals Alex Lifeson – Guitars Neil Peart – Drums STEREO SOUNDBOARD RECORDING