Rory Gallagher/MN,USA 1991 Soundboard Master

The “FRESH EVIDENCE” era, which was the last original album. The best soundboard album is now available. This work includes “March 20, 1991 Minneapolis Performance”. This is a soundboard recording leaked by those involved. Rory toured until January 1995, six months before his death, but his last world tour was in 1991. This tour also had the last performance in Japan, so let’s check the show’s position from the schedule at that time, including that. ●1990《“FRESH EVIDENCE” released on May 1st》・June 10th-27th: Europe (3 performances)・September 3rd: Performed at MILTENBERG ROCK FESTIVAL・October 17th: Performed at ROCKPALAST・December 18th Sunday – 29th: UK (7 performances) – February 19th – 24th, 1991: Japan (5 performances) – February 27th – March 1st: Australia (3 performances) – March 6th – 30th Japan: North America (20 performances) ←★Here★ This is Rory Gallagher in 1990/1991. Although they toured with different members after 1992, they only toured in Europe. This was the last of their world tour, which included stops in Japan, Australia, and North America. Under such circumstances, the Minneapolis performance of this work was the 11th performance of the last “North American” leg. This work that recorded such a show is truly the best soundboard recording. The sound board of this show has been known for a long time, but this work is a new master leaked from a different party. It is clear that it is a new master because it is about 4 minutes long, such as before the performance and the cheering part, but that is just evidence. What is important is the quality that pervades the entire story. This is a huge difference. Although it is monaural, it is the same as before, but there is no visible deterioration at all, and the sound is always glossy and stable. As for the type, it’s more like a direct connection from the desk than an official style, and the mix is ​​a little rough for on-site PAs, with cheers and far-off mixes. However, because of this, there is no harshness that creates a concert atmosphere, and the sense of synchronization with the ultra-realistic live performance is amazing. I’m especially happy that the guitar is so strong. The balance in which the guitar is much more forward than the rhythm section may not be ideal for the ensemble of the entire band, but since Rory is the master, there can be no complaints. Both the passionate notes and the rich phrases are directly connected to your ears. Although not as much as the guitar, the vocals are also focused, and the sound clearly shows who is the main character. Although the audio quality is at a level that can be called “official grade,” it is a soundboard album that is even more vivid and allows you to closely relate to the existence of an unprecedented white bluesman. The show drawn with that sound is a passionate blues rock that does not seem to be ending even though the later years are approaching. Let’s organize the contents of the set here. ●Polydor era (8 songs)・RORY GALLAGHER: Laundromat・DEUCE: Used To Be・LIVE IN EUROPE: Pistol Slapper Blues/Messin’ With The Kid/Bullfrog Blues・TATTOO: Tattoo’d Lady/A Million Miles Away・IRISH TOUR ’74: I Wonder Who ●Chrysalis era (7 songs)・AGAINST THE GRAIN: Out On The Western Plains/All Around Man・CALLING CARD: Moonchild・PHOTO-FINISH: Shin Kicker/Shadow Play・TOP PRIORITY: Off The Handle/ Bad Penny ●CAPO era (8 songs)・DEFENDER: Continental Op/Don’t Start Me Talkin’/Loanshark Blues・FRESH EVIDENCE: The Loop/Kid Gloves/Walkin’ Wounded/Ghost Blues/Heaven’s Gate ●Others (3 songs)・Goin’ Down to Eli’s (Robert Nighthawk) / Walkin’ Blues (Robert Johnson) / Tumbling Dice (THE ROLLING STONES)… and so on. While performing five songs from his latest work “FRESH EVIDENCE”, he covers a wide range of his 20-year solo career. Speaking of this period, ROCKPALAST’s pro shot is representative, but only 7 songs overlap with it, and the other 19 songs are completely different selections. In particular, it is great to be able to listen to precious numbers such as “Kid Gloves”, “Walkin’ Wounded”, and “Heaven’s Gate” from “FRESH EVIDENCE”, “Goin’ Down to Eli’s” by Nighthawk, and “Tumbling Dice” by the Stones on the finest soundboard. It’s the best. And the performance itself that spells out the set is too wonderful. At ROCKPALAST, it was a five-person group with keyboards, but here it was the same four-person group as the performance in Japan. The core of the band is a trio with his ally Jerry McAvoy and his friend from school days, Brendan O’Neill, with the addition of Mark Feltman’s blues harp. The following year, in 1992, he parted ways with McAvoy and Brendan, but this work is just before that. Aun’s rapport with McAvoy, which has been cultivated throughout his solo career and is the final destination, is amazing. In addition, Mark’s gorgeous blowjob, which rivals Junior Wells’s, is also wonderful, and it pierces through with a tremendous sense of authenticity. From sharp British hard rock to deep Chicago-like blues, this is the culmination of Rory’s music. In his later years, Rory was unable to deepen his ensemble with a new band due to his declining health, but here he will listen to a passionate performance that can be said to be the culmination of his 20-year solo career with McAvoy. A masterpiece of a live album where you can enjoy the full show on the finest sound board. Perfect official level super high quality sound board. Live at Guthrie Theater, Minneapolis, MN, USA 20th March 1991 SBD(from Original Masters) UPGRADE & SUPERB QUALITY!!! Disc 1 (63:14) 1. Intro 2. Continental Op 3. I Wonder Who 4. Moonchild 5. The Loop 6. Don’t Start Me Talkin’ 7. Tattoo’d Lady 8. Off The Handle 9. Shin Kicker 10. A Million Miles Away 11. Kid Gloves 12. Walkin’ Wounded 13. Laundromat Disc 2 (76:11 ) 1. Goin’ Down To Ely’s 2. Ghost Blues 3. Out On The Western Plains 4. Walkin’ Blues 5. Pistol Slapper Blues 6. Shadow Play 7. Bad Penny 8. Heaven’s Gate 9. Messin’ With The Kid 10. Bullfrog Blues 11. Tumbling Dice 12. All Around Man 13. Loanshark Blues 14. Used To Be SOUNDBOARD RECORDING Rory Gallagher – guitar / vocals Gerry McAvoy – bass Brendan O’Neil – drums Mark Feltham – harmonica