Rolling Stones/PA,USA 2021 Multi-cam & more

The latest multi-camera audience shot of the highly popular 2021 edition of the “NO FILTER Tour” is here. It’s the fastest release in an emergency! The first day’s “ST. LOUIS 2021: MULTICAM” and the second day’s “CHARLOTTE 2021: MULTICAM” have been huge hits, but the third installment of this series contains an audience shot from the third day, “October 4, 2021 Pittsburgh Performance”. If you’ve experienced the previous two works, you’ll already know, but this series was produced and released by overseas enthusiasts, and the level of perfection is overwhelming. In modern times, smartphone photography has become commonplace, and a huge number of fragmented images are overflowing, and multi-camera works that make full use of them have become familiar. It is a production method that can be said to be the pinnacle of digital technological innovation, but ultimately, it is analog effort and perseverance that determines the outcome. How many videos are collected, checked one by one to find the best scenes, and assembled according to the balance with the front and back and the mood of the song. The more effort is put in, the more the various angles are enjoyed, and the higher the concentration, the better the editing will be. This is exactly what makes this series so great. Although it is not advertised as “XX types of video are used” or “◇◇ time spent”, it is easy to imagine that amazing angles are used, and the sense that enhances the image of the performance and songs without destroying them is wonderful. It is a masterpiece series of craftsmen that it is natural that enthusiasts all over the world will be excited as soon as each one is announced. Moreover, the sound is also a point of this work. As was talked about in the previous work “CHARLOTTE 2021: MULTICAM”, the current “NO FILTER Tour” has many fragmented videos, but is not blessed with a continuous famous recording. Even in the third performance in Pittsburgh, there was no recording that was enough for a full live album, and in this work, the full show is composed of recordings of each song. What is often forgotten here is that it is “for each song.” The video changes angles all the time even within a single song, but the audio is consistent for each song. If the “video & audio” were cut and pasted in its entirety, the sound quality would change every few seconds and it would be extremely difficult to watch, but this work is not like that. A full live album was produced with the intervals between songs (as much as possible) aligned, and the video was applied to it, so the discomfort is minimal and it is easy to watch. What is depicted with such quality is the full experience of the Pittsburgh performance that has finally been realized. At the time of writing this article, we have progressed to the seventh performance in Minneapolis, so let’s organize the set based on the latest information. Fixed songs: Tumbling Dice/19th Nervous Breakdown/You Can’t Always Get What You Want/Living In A Ghost Town/Start Me Up/Honky Tonk Women/Miss You/Midnight Rambler/Paint It Black/Sympathy For The Devil/Jumping Jack Flash/Gimme Shelter/(I Can’t Get No) Satisfaction Daily songs: Keith Corner: Before They Make Me Run/Slipping Away Others: Street Fighting Man/Let’s Spend the Night Together/Troubles a’ Comin/Angie (★) *Note: The above is composed of set information up to the Minneapolis performance (10/24). The “★” mark indicates a song that will be making its debut in 2021. …And so it goes. There was a big change from the first day in St. Louis to the second performance in Charlotte, but the third performance in Pittsburgh had a set that was very similar to Charlotte. You can also enjoy the 2021 symbols “19th Nervous Breakdown” and “Living In A Ghost Town”, as well as “Let’s Spend the Night Together”, “Troubles a’ Comin” and “Before They Make Me Run”, which were also talked about in the Charlotte performance. However, one requested song has been changed from “Let It Bleed” to “Angie”. “Angie” was performed occasionally two years ago, so there is nothing new about it, but in 2021 it is (for now) a Pittsburgh-only song. Anyway, the editing quality is amazing, approaching professional shots. To be honest, in this day and age, “multi-camera editing” is not uncommon, but rather, it is because I have a discerning eye that I am overwhelmed by the difference in the level of completion. I was surprised just by the first day’s “ST. LOUIS 2021: MULTICAM”, but I never expected that it would be produced for three consecutive performances. It would be amazing if I could run through all the performances like this… This masterpiece video will even write out such a selfish excitement. Audience shot of the “Pittsburgh Performance on October 4, 2021”. This is the third installment of the multi-camera editing series produced by overseas enthusiasts, and the overwhelming level of perfection is still alive and well. A variety of angles are switched within a single song, from super close-ups that give a sense of scale to distant views that depict the scale of a huge venue, to screen shots that are themselves professional shots. Although no full recordings have been unearthed for the Pittsburgh performance, the audio for each song is seamlessly connected. This is a stunning, latest full-length video work that is the fruit of the passion of enthusiasts. Live at Heinz Field, Pittsburgh, PA, USA 4th October 2021 AMZING SHOT!!!! (134:07) 1. Intro 2. Street Fighting Man 3. Let’s Spend The Night Together 4. Here’s To You Charlie 5. Tumbling Dice 6. 19th Nervous Breakdown 7. Trouble’s A Coming 8. Angie 9. You Can’t Always Get What You Want 10. Living In A Ghost Town 11. Start Me Up 12. Honky Tonk Woman 13. Band Introductions 14. Before They Make Me Run 15. Slipping Away 16. Miss You 17. Midnight Rambler 18. Paint It Black 19. Sympathy For The Devil 20. Jumping Jack Flash 21. Gimme Shelter 22. Satisfaction 23. A Last Bow Extra Bonus 24. CBS Report 25. Channel4 Report 26. Ronnie Instagram COLOR NTSC Approx.134min.