Rolling Stones/NY,USA 6.22.1975 Remastered

The Rolling Stones performed at Madison Square Garden in 1975 for six consecutive nights. Among them, the June 22nd performance has long been famous as the day Eric Clapton jumped in. There are two types of audience recordings that capture that pattern, but “Recorder 2” appeared ten years ago. It was recorded by the master Joe Maloney, and it was a famous sound source that produced many items because of his clear monaural sound quality. However, this summer, a new version appeared that borrowed the master tape directly from Maroney and transferred it digitally using the latest technology by Krw_co, which is familiar to enthusiasts. As mentioned at the beginning, the Maroney sound source appeared ten years ago. However, the new version, which was carefully transferred from the master using the latest technology in 2019, has a wonderful upper feel. Compared to the version from ten years ago, the freshness and clarity of the sound has clearly increased, as if the thin skin that had been clinging to it at the end had finally been removed. It’s really refreshing, yet natural and clear. Past items released 10 years ago have been equalized to a greater or lesser extent, and some even had their bass resonant. However, as a result of Krw_co bringing out the original characteristics of the sound source to the utmost, it was reborn as a wonderful upper version. In order to take advantage of the new version that appeared this summer, we have not made any changes to the sound quality itself. This is normal. What can we do without taking advantage of something that is natural and has improved freshness? Rather, what we focused on in this release was just fine-tuning the coarse parts that are typical of vintage audiences, including adjusting the pitch that was out of order. That’s how good this version was. The biggest drawback of this sound source is the cuts that occurred during some performances. Regarding the reprise part of the most famous song, “You Gotta Move,” we adjusted the sound quality of “Recorder 1” and then connected it with smooth editing that doesn’t feel strange using another sound source, which is often the case with supplements. This is also an adjustment method that has been common since past items, but I think I was lucky that the sound quality was similar to “Recorder 2”. This also applies to the intro of “Brown Sugar”, but that part has also been adjusted exactly. And regarding the weak cut that occurred at the end of “Midnight Rambler”, we used crossfade processing to make it completely unnoticeable. Although it is a night that tends to attract attention due to Clapton jumping in, this day was the first day of the MSG performance that was held for 6 consecutive nights, and it was also the stage where the Stones’ dilemma, which is full of spirit when it comes to big cities, was fully demonstrated. . Among them, “All Down The Line” captures the sound of Keith’s guitar with a fairly on-balance, and the way Mick screams while his cutting is clear is what 1975 is like. In this way, it has become a common sight on this tour for the early stages of the show to see a hyper performance centered around Mick, but on this day, even songs like “Ain’t Too Proud To Beg” were quite brutal. I guess it’s typical of the stage at MSG where you can hear a flying performance. Also, on this day, Mick’s voice did not come out at the beginning of “Brown Sugar”, and the intro of “It’s Only Rock’n Roll” played by Keith sounded sluggish. The disordered tone of the PA, which is common, is also captured, so even when Clapton started playing the lead in the encore “Sympathy For The Devil”, which is the highlight, the sound was surprisingly smooth. Even so, it is wonderful to hear phrases that are full of slow hand playing from around 5 minutes into the performance. However, on that day, “Sympathy~” itself suffered from the same PA trouble, and the unusual formation in which Keith played bass while Clapton played backfired, and the performance began in a sloppy manner. I appreciate your respect now. It can be said that Joe Maloney has also recorded an example of how the band would fall into disarray if Keith’s rhythm guitar, which was the cornerstone of the Stones’ sound, was gone. Such turbulence is also typical of 1975, and even so, this is an excellent album where you can enjoy the Stones’ wild progress to the fullest. Anyway, the natural and clear listening experience is outstanding. And as Maroney himself attests, Clapton’s appearance on this day’s hyper masterpiece Ali like “Star Star” is also a new definitive version of the legendary day! Live at Madison Square Garden, New York City, NY, USA 22nd June 1975 PERFECT SOUND (Remastered Memo) Pitch correction Phase correction Left and right band adjustment Correct sound cutouts on one channel as much as possible Fill in missing parts (some crossfades Compatible) Disc 1 (71:17) 01. Fanfare For The Common Man 02. Honky Tonk Women 03. All Down The Line 04. If You Can’t Rock Me 05. Get Off Of My Cloud 06. Star Star 07. Gimme Shelter 08. Ain’t Too Proud To Beg 09. You Gotta Move★Compensation for cuts in songs near the ending 10. You Can’t Always Get What You Want 11. Band Introductions 12. Happy 13. Tumbling Dice 14. It’s Only Rock’ n Roll Compensation for cuts between songs 15 Doo Doo Doo Doo Doo Disc 2 (73:11) 01. Fingerprint File 02. Angie 03. Wild Horses 04. That’s Life 05. Outa Space 06. Brown Sugar Compensation for beginning cuts 07. Midnight Rambler Crossfade processing of the middle cut of the final song 08. Rip This Joint 09. Street Fighting Man 10. Jumping Jack Flash 11. Sympathy For The Devil (★with Eric Clapton) 12. Closing Mick Jagger – lead vocals, harmonica Keith Richards – guitar lead and backing vocals Charlie Watts – drums Ronnie Wood – guitar, backing vocals Bill Wyman – bass guitar Billy Preston – keyboards, backing vocals Ollie E. Brown – percussion, backing vocals Special Guest: Eric Clapton – guitar