Rolling Stones/NY,USA 10.29.1989

The Stones, who were revived in 1989, toured the United States from the end of August, and one of the highlights was six performances at the now-defunct legendary Shea Stadium. What’s more, the schedule was interesting; they first performed at the same venue for two days in a row, then headed to the West Coast and performed three shows at LA’s Memorial Coliseum, before returning to the East Coast and playing the remaining shows at Shea Stadium. It was to be done. Among them, the first day performance of Shea on October 10th, in which Eric Clapton jumped in, was previously released under the title “SHEA STADIUM 1989” and sold out quickly. This will be the first time since then that a title will be released that includes a live performance at Shea Stadium in 1989, but this time, the final performance on October 29th will be released to a unique audience that has never been seen before, even among traders. It is recorded as a recording. As for the sound source this time, in terms of the degree of clarity and clearness of the sound image, “SHEA STADIUM 1989” will be the winner. However, the sound quality of this sound source is also very attractive. The sound quality that captures the performance with just the right sense of distance and balance is truly an ideal recording condition, and what’s more, the soft, analog-like texture provides a superb feel to the ears. Although I could feel the power of the high sound pressure, compared to “SHEA STADIUM 1989″ which sometimes felt a rough texture, the natural, rounded and mild sound quality of analog may become addictive. yeah. It’s the last day to listen to Shea Stadium with excellent sound quality, but this is a masterpiece in terms of excitement and performance content! New York is a big city where the Stones always give energetic performances. The final performance at Shea Stadium (famous venue for the Beatles, but this was the first and last time the Stones used it) was a huge success right after the live performance started. It seems that there were female fans near the recording person, and in the first half of the live performance, their literal yellow cheers were a bit noticeable. However, it was interesting to see how excited they were, and not only were they happy to hear their signature songs being played one after another, but they were also overjoyed when the acoustic number “Play With Fire”, which was representative of their 1989 American tour, started. The beginning of singing. People who went to see this tour at the time also testified that the song was surprisingly popular, but if you were a real-time person who watched this tour in real time, the scene that proves this would make you grin. You’ll probably get lost. Also, even in New York, it’s cute compared to the insistent screams of “Satisfaction Girls” in 1975 (lol). Furthermore, you can hear the sound of a passenger plane passing overhead twice in the beginning. It’s a scene reminiscent of an outdoor stadium. Of course there is excitement unique to such a final day, but there is also something wonderful about Mick’s literally enthusiastic singing. From the opening song “Start Me Up”, the singing was even more passionate than usual! The powerful singing at the end is typical of New York, and on the final day. However, Mick shows off such a good performance at the opening, and after that he continues to sing in an upper tone. If you think about it, Mick at this time was still in his mid-40s, and with his natural restraint, he was able to sing at full throttle so far. Even if you look at the video of the day that comes with this time, you can get a glimpse of Mick’s best condition, but his passionate singing is full of a different charm from the high degree of perfection of that Atlantic City. Mick’s performance on this day is already of a high level, but “Sympathy For The Devil” climbs to an upper height again in the final stage. What on earth is this hyper shout? Please reconfirm that there was such a spectacular scene in 1989, with such a passionate performance that it could be ranked alongside “Satisfaction” at the famous Tokyo Dome. If the DVD “DALLAS 1989 2nd NIGHT” that we previously released is Keith’s day, then I can assure you that this day is Mick’s day! Also, please take your time to enjoy the fact that Keith and Ronnie’s guitars are surprisingly on and can be heard vividly. Ronnie’s solo on “Dead Flowers,” which was often played during the first half of the American tour, and Keith’s sound on “Brown Sugar” are both really vivid, and yet the latter sounds like the Eighties. . There is also a fun incident in which Keith redoes the intro of “Happy”, and the up-tempo performance of “Can’t Be Seen” makes you feel a sense of youthfulness compared to the performance that was revived this year. I think so. Live at Shea Stadium, New York City, NY. USA 29th October 1989 PERFECT SOUND(from Original Masters) Disc 1 (75:56) 1. Continental Drift 2. Start Me Up 3. Bitch 4. Sad Sad Sad 5. Undercover Of The Night 6. Harlem Shuffle 7. Tumbling Dice 8. Miss You 9. Ruby Tuesday 10. Play With Fire 11. Dead Flowers 12. Rock And A Hard Place 13. Mixed Emotions 14. Honky Tonk Women 15. Midnight Rambler Disc 2 ( 77:01) 1. You Can’t Always Get What You Want 2. Can’t Be Seen 3. Happy 4. Paint It Black 5. 2000 Light Years From Home 6. Sympathy For The Devil 7. Gimme Shelter 8. Band Introductions 9. It’s Only Rock ‘n Roll 10. Brown Sugar 11. Satisfaction 12. Jumping Jack Flash 13. Outro (Carmen)