Rolling Stones/MA,USA 6.12.1975

The Boston series reached its peak in terms of Mick’s intensity and unrestrained singing that was unique to the 1975 American tour, but Joe Maloney also recorded the second day, and Krw_co recorded the latest. It is being transferred through technology. On this day, several songs have seen the light of day on the Stereo Audience recording LP “TO KNOW THEM IS TO LOVE THEM” for a long time, and in the CD era, VGP’s “BOSTON TEA PARTY” and SCREAMER’s “A An upper version such as “FANFARE FOR THE COMMON MAN” was released. This was known to enthusiasts as “recorder 1”, and it was due to the taper that recorded “recorder 2” from the previous day. Therefore, this Odins recording by Maroney will be the first appearance of “Recorder 2”, but “Recorder 1” has the same taper, but unlike the previous day, it was attractive that it was captured with quite a sound image and stereo sound quality. In that respect, Maroney’s sound source is also a monaural recording, but the sound image is sufficiently on and wonderful, centering on Mick’s vocals, and it is also attractive that it can be heard with a solid sound quality that seems to be monaural. Another big advantage is that it doesn’t pick up surrounding sounds compared to “Recorder 1”. And just like the day before, the freshness of the tape transferred using the latest technology in 2019 is wonderful and really natural. Also, this was a problem that applied to the Maroney sound source from the previous day, but the pitch was about 10% to 30% higher throughout the sound source, and it was released in an unstable state. Therefore, this issue has been thoroughly adjusted for this release. I think enthusiasts who have already obtained the original sound source via the internet will find it much easier to listen to this point alone. By the way, although it is not as bad as “Recorder 1”, this sound source also reduces the tendency for bass sounds to resonate, and has been appropriately processed to highlight the contours of the performance, just like the previous day. And Mick flies as hyper as he did the day before. The day before, it was from the opening, but on the second day, his switch was turned on from “All Down The Line.” Mick of this song and the following “If You Can’t Rock Me / Get Off My Cloud” overwhelms the venue with a song that is too hyper. Here again, it feels like the voltage boosted by drugs is fully open, but the singing is so wild and unrestrained that it feels good (actually Mick would have been pleasantly surprised lol). This is the scene that should be called 75 years ago, and it explodes from the beginning of the live performance. However, “Star Star” sounds as if the band can’t keep up with Mick, who flies by for two days in a row. This song is also one of Mick’s crisp songs in 1975, and on this day he sings more sharply and wildly than ever. It’s interesting that the band’s performance is a little slower than usual for Mick. Perhaps the momentum was finally over, and something happened in “Tumbling Dice” where Mick made a mistake in the composition of the song. This must be the ultimate scene. Not only these two days, but speaking of the first half of the 1975 tour, it is also a big attraction that “Luxury” is being played. It was a regular repertoire for a while after the tour started, but it was a new song at the time that was unfortunate to not be played before the tour reached Madison Square Garden. The performance here in Boston belongs to the later period, and both performances showed great performance, but the performance here is especially outstanding. The strange voice that Mick calls repeatedly in the latter half of the performance, which seems to be from 1975, also fits well. It is a repertoire with a strong sense of existence that is only known to enthusiasts because it was not picked up at MSG and LA Forum after this, but the appeal of Boston sound source is that it can be enjoyed throughout the two days. And on the second day in Boston, you can enjoy the ultimate hyper-mic, surprisingly, two slow numbers played in the middle of the show. In both “Angie” and “Wild Horses”, Mick sings with much more intensity than usual, and the former’s singing is too wild here. In the first place, Mick rode on the hyper momentum and boldly attacked “Angie” with the same melody as the record, but on this day, he sang the whole song with that melody until he strained his voice. Not only the intense performance at the beginning of the live performance, but also the slow numbers are crisp. As with the previous day, please enjoy Mick to your heart’s content on this day with the solid texture of monaural recording unique to Joe Maloney. (Remastered memo) ★Corrected the pitch that is 20% – 35% higher than the semitone ★The sound quality is closer to the bass, so I adjusted the balance to make the whole thing clearer. Boston Garden, Boston, MA, USA 12th June 1975 Disc 1 (62:16) 1. Intro 2. Honky Tonk Women 3. All Down The Line 4. If You Can’t Rock Me 5. Get Off Of My Cloud 6. Star Star 7. Gimme Shelter 8. Ain’t Too Proud To Beg 9. You Gotta Move 10. You Can’t Always Get What You Want 11. Band Introductions 12. Happy 13. Tumbling Dice 14. Luxury Disc 2 (64: 38) 1. Doo Doo Doo Doo Doo 2. Fingerprint File 3. Angie 4. Wild Horses 5. That’s Life 6. Outa Space 7. Brown Sugar 8. Midnight Rambler 9. It’s Only Rock ‘n Roll 10. Rip This Joint 11 Street Fighting Man 12. Jumping Jack Flash 13. Closing Mick Jagger – lead vocals, harmonica Keith Richards – guitar, lead and backing vocals Charlie Watts – drums Ronnie Wood – guitar, backing vocals Bill Wyman – bass guitar Billy Preston – keyboards backing vocals Ollie E. Brown – percussion backing vocals