Rolling Stones/France 2007 Upgrade

Following the highly acclaimed “Stones In The Dome”, the 2007 live masterpiece “Paris Was Hot” will be released again. This time too, it was a masterpiece CD that used the legendary high-quality audience recording by the person who recorded “Stones In The Dome”, but after all, you can feel the “powerful score” just by hearing the opening SE sound. That’s probably true. Moreover, this recording is not only impressive, but it is surprising that it captures the stereo feeling of the SE that runs from left to right at the opening and at the end of the show. The scene where such a three-dimensional sound image is heard should feel a different force from that of “Stones In The Dome”. The sound sources left by this recorder in 2007 are of really great sound quality, so I think you will definitely be satisfied with the press CD that was finally realized. For this CD version, by re-equalizing the sound to give it a more defined sound, we succeeded in transforming the “sound image with a sense of distance” that might have been felt in 2007 into a much more “on sound image.” did. There is no doubt that those who own the 2007 CD-R will be able to feel the upgrade in sound quality and sound image at first listen. Of course, even though it is called “equalization,” there is no “unnaturalness” that such corrections sometimes produce, so you can enjoy this upgrade in the natural finished sound without worrying about the so-called equalization feeling. You should be able to get it. Furthermore, unlike the recording of “Stones In The Dome”, I was concerned that the sound image sometimes changed slightly, perhaps because the position of the recording person was not comfortable, but this was also the case with this release. By applying corrections, we have suddenly created a sound image with a sense of stability. This point can also be said to be a major upgrade point (although I can’t shake the feeling of discomfort in B-stage). And the fact that the performance on this day is very interesting is a point that I would like you to reconfirm with this release. Practically speaking, it was the third year since the tour started, so high-quality performances were heard on every day in 2007, but on this day as well, until Waiting On A Friend, there was an ironclad performance that could be called 2007. They will be shown in quick succession. However, in Can’t You Hear Me Knocking, Keith suddenly starts playing a slow intro, and the performance itself continues to unfold as it is (though it picks up with Ronnie’s solo at the end). On Tumbling Dice, however, Keith begins to play the intro in a slightly forward manner, and there is a confusion that the band may not be able to keep up with. On the contrary, Keith pulls the band in a sluggish manner in the two songs he sings, but the MC seems to be in his usual nervous tone (was he just tired?). Despite such a scene where Keith is fully open, the performance of the entire group is wonderful without any blurring like 2007. Please enjoy this mysterious masterpiece, which is definitely different from the common stage where the performance collapses around Keith, with this upgraded sound quality. Live at Stade de France, Paris, France 16th June 2007 TRULY AMAZING/PERFECT SOUND(from Original Masters) Disc 1 (66:20) 1. Opening 2. Start Me Up 3. Let’s Spend The Night Together 4. Rough Justice 5. All Down The Line 6. She Was Hot 7. Waiting On The Friend 8. Can’t You Hear Me Knocking 9. I’ll Go Crazy 10. Tumbling Dice 11. Band Introductions 12. Happy 13. I Wanna Hold You Disc 2 (49:32) 1. It’s Only Rock’n Roll 2. It’s All Over Now 3. You Got Me Rocking 4. Honky Tonk Women 5. Sympathy For The Devil 6. Satisfaction 7. Brown Sugar 8. Jumping Jack Flash Darryl Jones – Bass, Backing Vocal Bobby Keys – Tenor Saxophone Chuck Leavell – Keyboards, Backing Vocal Lisa Fischer – Backing Vocal, Percussion Bernard Fowler – Backing Vocal, Percussion Blondie Chaplin – Backing Vocal, Guitar, Percussion Tim Ries – Saxophone, Keyboards Michael Davis – Trombone Kent Smith – Trumpet