Description
“LOS ANGELES 2024 1ST NIGHT: IN EAR MONITOR RECORDING”, which contains amazing in-ear sound sources that give you a sense of fun from the latest Rolling Stones tour, is currently causing a big sensation, but of course there is also an audience recording on this day… with great sound quality. In the first place, this tour has been producing high-level audience recordings, and the quality is also great on this day as usual. “LOS ANGELES 2024 1ST NIGHT: IN EAR MONITOR RECORDING”, which provided a shocking sound board experience, was put together with a bold piano mix balance, so it is natural for a maniac to want to experience the live sound of the day with a recording captured from the audience. It is natural to think that Keith and Ronnie’s guitar parts are sounding firmly. Even if not, the quality of this audience recording is suitable for release. As with the best audiences from this tour so far, the recording on this day was also very on sound image. And yet the texture was extremely clear. Even if there was no in-ear monitor sound source, it seemed necessary to release it. There are some rare cases where the localization shakes, but the sound quality is so good that it doesn’t bother me at all, which is exactly the anchor level of this tour. As a result, if “LOS ANGELES 2024 1ST NIGHT: IN EAR MONITOR RECORDING” is positioned as a record from the stage side, this audience recording can be said to be a record from the audience seats. After all, Keith’s guitar explodes from the opening “Start Me Up”. Furthermore, “Sympathy for the Devil” and “Honky Tonk Women”, where Keith’s presence is overwhelming from the intro, are of such quality that if you are a maniac, you will smile and say “Stones’ live performance should be like this”. On the other hand, even when listening to the voting song for this day, “Beast of Burden,” you can see that Keith started playing very softly, and you will be reminded that the balance of the in-ear monitor recording was exquisite for this song. The next song, “Wild Horses,” and the corner of the only song of the day continued with a relaxed melody, which turned out to be a good thing for the keyboard mix of “LOS ANGELES 2024~.” On the other hand, when it came to Keith’s corner, the in-ear monitor recording had a balance where his singing voice was pushed aside by the performance, but here, the strength of the audience recording is that it captures the sound that reverberates widely throughout the venue without such a thing. In addition, the new song “Tell Me Straight” is also a valuable record because this was the last performance on this tour. And the performance on this day is outstanding. The danger has been eliminated and the strength of the entire band shines everywhere. In particular, Chanel Haynes, a new member who joined from this tour, is competing with Mick with a magnificent presence. That’s what’s going on in “Gimme Shelter”, and the scene where she and Mick go head to head is so wonderful that it makes you think it might be the best take of this tour. She even decides to shout in the finale “Satisfaction”, and it’s nice to see that she’s finally able to show her true colors. Also, when you listen to “Paint It Black”, which had Steve Jordan’s sharpness that stood out from the in-ear recording, in this audience recording, it’s even more powerful, and it seems like it might be the best take of this tour. The best part is “Midnight Rambler”, where Mick incites the band with high tension. In this song, the sense of incongruity from Jordan’s drums has been completely wiped away, and Mick is now able to go wild to his heart’s content. It even exudes the wildness of the 70s. After all, the Stones’ unique rugged guitar sound and the dynamic performance from the stage, which was absorbed fully into the air of the day, can only be enjoyed through audience recording… Not only is it a superb recording full of such charm, but it also has a completely different feel from “LOS ANGELES 2024 1ST NIGHT: IN EAR MONITOR RECORDING”, so it’s also extremely fun to compare. Once again, it’s the best audience from the latest tour! Ultra-high quality AUD…of course, the guitar is recorded on from start to finish. After all, this is how the Stones’ live performance should be! SoFi Stadium, Inglewood, CA, USA 10th July 2024 TRULY PERFECT/ULTIMATE SOUND Disc:1 (65:01) 1. Intro 2. Start Me Up 3. You Got Me Rocking 4. It’s Only Rock ‘n’ Roll 5. Angry 6. Beast of Burden 7. Wild Horses 8. Mess It Up 9. Tumbling Dice 10. You Can’t Always Get What You Want 11. Band introductions 12. Tell Me Straight 13. Little T&A 14. Before They Make Me Run Disc:2 (58:53) 1. Sympathy for the Devil 2. Honky Tonk Women 3. Midnight Rambler 4. Gimme Shelter 5. Paint It Black 6. Jumping Jack Flash 7. Sweet Sounds of Heaven 8. Satisfaction
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