Rolling Stones/Canada 2013 & more Complete

Completely recorded from the “50 & Counting” US tour, the first day of the tour was in Montreal, Canada on June 9th and in Boston on the 12th. The Montreal sound source is for completers. The sound image is stable, and the sound quality itself is not unpleasant to listen to, and it is actually not that bad, but the overall sound quality is a little muffled, the sense of separation is not good, and there is a bumpy analog sound between songs. Honestly, it’s a bad recording with a lot of noise. However, it is a sound source that has cleared a certain level, so if you ask beforehand that it’s not a big deal, you’ll be able to enjoy it with the feeling that you can listen to it, so core enthusiasts can get it with confidence. . Wild Horses, etc. in the listening area are recorded with a relaxed and beautiful tone, and although the sound gets muddy when it comes to the chorus part, Mick’s solo part is quite good, and you can enjoy the feeling of listening to a high-quality old tape. The request number for this day is Dead Flowers, which is a great place to listen to. This, combined with the sound quality that makes you feel like you’re listening to a tape from the 70’s, is actually very good. I don’t like it if the sound is cracked or the low range is excessive, but this is the only sound from this day on the market, so in that sense, it’s a must-have for collectors. Next, guest Win Butler (Arcade Fire, Montreal alternative band) appears and performs The Last Time. In the following Emotional Rescue, an amazing guitar mistone suddenly enters in the second second. Midnight Rambler may be a recording mistake, but it starts with a C cut-in, which is unusual for recent recordings. However, I would like to reiterate that the sound image is stable, and the vocals, guitar, and bass are very fat and clear, and I think the sound source collectors will be impressed by the feeling that they are holding their ground somehow. Is it? The freshness of the sound is also very good, and above all, the sound is “as it is” without any artificial effects applied to it, and this surprisingly suits the Stones’ performance, so it’s quite pleasant to listen to. You can also listen to Mick’s specialty French MC between songs. Instead, it was the second day of the Boston performance. This is a complete recording with an unusual and iron-clad ultra-clear sound. The sound is well-balanced and has an edge, and the drums are recorded sharply, what is commonly called a “press-grade sound.” The band groove is the best, and the separation and separation of the two guitars is also the best, and you can enjoy the Boston performance with the best sound that makes you think, “If you’re a fan, you have to listen to this!” . On this day, Gary Clark Jr., who served as the opening act, appears as a guest on the fifth song, shares vocals with Mick on I’m Going Down, and performs a strong solo play with outstanding presence during the song. Next is a rare song called Beast Of Burden, followed by a happy set where Mick Taylor appears and plays Sway. It’s a very good recording, a very good performance, and I highly recommend it as the first day in Boston, but I’m sorry to say that the mistake is a highlight, but the chaos at the beginning of It’s Only Rock’n Roll is a must-listen for fans. there is. It goes without saying that Keith was the one who started it, and he ended up playing the intro guitar one note (not a semitone) too high, and when Keith (I think) realized his mistake, he didn’t touch the guitar for a while, but thanks to you. So, Mick sings a melody one note higher from the beginning, and from there on, the vocals and backing are completely separated, the melody is vague, and he doesn’t seem to know which direction to go with the bass or chorus, and it goes on for 22 seconds. You can listen to the most chaotic performance that I have ever heard, with the music somehow forcibly coming together. Accidental performances like this are also part of the appeal of the Stones, and even today, you can enjoy the best stage performance of the world’s most beloved band with the best sound quality. Bell Centre, Montreal, Canada 9th June 2013 TRULY AMAZING SOUND TD Garden, Boston, MA. USA 12th June 2013 TRULY PERFECT SOUND Live at Bell Centre, Montreal, Canada 9th June 2013 Disc 1(67:05) 1. Intro 2. Get Off Of My Cloud 3. It’s Only Rock ‘n Roll 4. Paint It Black 5. Gimme Shelter 6. Wild Horses 7. Dead Flowers 8. The Last Time (with Win Butler) 9. Emotional Rescue 11. One More Shot 12. Honky Tonk Women 13. Band Introductions Disc 2(76:34) 1. Keith MC 2. You Got The Silver 3. Happy 4. Midnight Rambler (with Mick Taylor) 5. Miss You 6. Start Me Up 7. Tumbling Dice 8 Brown Sugar 9. Sympathy For The Devil 10. You Can’t Always Get What You Want (with Les Choeurs des Petits Chanteurs de Laval) 11. Jumping Jack Flash 12. Satisfaction (with Mick Taylor) Live at TD Garden, Boston, MA. USA 12th June 2013 Disc 3(63:13) 1. Intro 2. Get Off Of My Cloud 3. It’s Only Rock ‘n Roll 4. Paint it Black 5. Gimme Shelter 6. I’m Going Down (with Gary Clark, Jr.) 7. Beast Of Burden 8. Sway (with Mick Taylor) 9. Emotional Rescue 10. Doom And Gloom 11. One More Shot 12. Honky Tonk Women 13. Band Introductions Disc 4(78:38) 1. Keith MC 2. You Got The Silver 3. Before They Make Me Run 4. Midnight Rambler (with Mick Taylor) 5. Miss You 6. Start Me Up 7. Tumbling Dice 8. Brown Sugar 9. Sympathy For The Devil 10. You Can’t Always Get What You Want (with Boston University Marsh Chapel Choir) 11. Jumping Jack Flash 12. Satisfaction (with Mick Taylor)