Rainbow/London,UK 1977

The definitive audience sound source of the 1977 tour that surprised all RAINBOW fans has finally been revived and released in response to hot requests! RAINBOW’s UK tour in 1977 after the release of “ON STAGE” was a great success, with all four consecutive days of performances at London’s Rainbow Theater sold out. This work, which includes a high-quality audience recording of the show on November 14th, the final day, received great support from fans immediately after its previous release, and received high praise in specialized magazines. This ’77 tour has outstanding recognition for the professional shot video of the official Munich performance, so I think it’s a time when every RAINBOW fan has experienced the live performance at least once. Even for core enthusiasts, it was an unforgettable tour despite flashy episodes such as the Vienna performance in Austria, where Richie was arrested before the Munich performance, and the Paris performance, where it is said that he lifted the promoter onto the stage. I am. However, the biggest attraction of this ’77 tour is that the performance was outstanding above all else. The so-called “triumvirate” of Richie, Ronnie and Cozy, plus Bob Disley and David Stone, boasted undoubtedly the highest level of technical ability even during Ronnie’s era, and was a fantastic band that was unique to RAINBOW at the time. The performance, which unfolds on a magnificent scale throughout the entire live performance, will captivate and overwhelm any listener. Because this sound source was mastered using a 90-minute cassette tape, Discs 1 and 2 each contain approximately 45 minutes and 30 seconds, so unfortunately they are not complete versions. Disc 1 ends in the middle of the guitar solo in the second half of “Catch The Rainbow” (15:23), and Disc 2 ends near the ending of “Still I’m Sad” (Reprise) (3:01). However, the sound that more than compensates for the incomplete recording will never get tired of listening to it no matter how many times you listen to it. The strength of master quality is the freshness that makes you feel the passage of 33 years and the clarity that hardly bothers you.From the opening song “Kill The King”, Ronnie’s vocals and Richie’s guitar are outstandingly clear and enjoyable to listen to. It’s clearly captured. The echoes from the venue are also captured to the bare minimum, as if they were measured, and everything from each person’s play to the outline of the entire performance is recorded with clear sound that does not blur. In addition, the overall fat and powerful sound is a very desirable sound image when listening to the following “Mistreated” and “16th Century Greensleeves”. The rich sound enhances the sharp development of the song, allowing you to fully enjoy the hard rock dynamism that is one of RAINBOW’s charms with maximum force. In addition, the sound image with excellent stability accurately captures everything from Richie’s delicate tone to his destructively powerful play. In particular, the grace of the first half of “Catch The Rainbow” and the dramatic excitement of the second half are full of sensationalism that completely intoxicates the listener. Disc 2 starts with a fade-in from the intro of “Long Live Rock ‘n’ Roll”. The set-in prior to the release of “LONG LIVE ROCK’N’ROLL” in 1978 seems to have made a great impression on fans at the time, and at the beginning of “Greensleeves”, the audience around the taper (probably watching the previous show) ) Voices talking about this new song have been picked up, indicating high expectations. The quality of the performance fully meets the expectations, and the pleasant driving groove is reflected in the fun atmosphere in the interaction between the audience and Ronnie. “Man On The Silver Mountain” starts with the intro where Richie plays “Lazy” and the whole venue is already excited. The long arrangements, including “Blues” and “Starstruck,” have a solid sense of stability, with the playfulness of the high-level players shining through, and you won’t feel bored at all. In the second half of the same song, Ronnie sings mellowly “Night People” (of course, it’s different from DIO’s song of the same name), and the laid-back atmosphere in a good sense is also great. On this day, “Still I’m Sad” had a different start than usual. The opening, which gradually builds up and starts like an avalanche, is full of tension and power, and is sure to attract the attention of enthusiasts who have listened to this song many times. It’s a shame that there is a cut in the introductory keyboard solo (around 0:43), but David continues to play excellently throughout the song, making the listener groan. His solo that follows “Beethoven 9th” also incorporates progressive elements, and his deep, black-glowing sound is very different from the glittering playing of his predecessor, Tony Carley, and has a sound that is suitable for experts. I am asserting myself. Cozy’s drum solo, of course, is as usual as he rushes forward with a no-questions-asked masculinity, and the promised “1812 Overture” brings the ultimate catharsis. As mentioned above, the recording fades out just before the coda of the reprise “Still I’m Sad”, and the encore “Do You Close Your Eyes” is not included. However, the show that engulfs the listener with its overwhelming power and performance is the best part of the set alone, and is guaranteed to leave you feeling full! Please enjoy the peak of the “triumvirate” RAINBOW, which has reached a state of maturity in two years since its formation. For those who weren’t able to get it last time, this is definitely the one they’ve been waiting for. Live at Rainbow Theatre, Finsbury Park, London, UK 14th November 1977 TRULY AMAZING SOUND Disc 1 1. Over The Rainbow 2. Kill The King 3. Mistreated 4. Greensleeves 5. 16th Century Greensleeves 6. Catch The Rainbow Disc 2 1. Long Live Rock ‘n’ Roll 2. Lazy/Man On The Silver Mountain 3. Blues 4. Man On The Silver Mountain incl. Starstruck 5. Keyboard Intro. 6. Still I’m Sad 7. Beethoven 9th 8. David Stone Solo 9. Cozy Powell Solo feat. 1812 Overture 10. Still I’m Sad (Reprise) Ritchie Blackmore – Guitar Ronnie James Dio – Vocal Cozy Powell – Drums Bob Daisley – Bass David Stone – Keyboards