Queen/WI,USA 1975 Upgrade

The masterpiece that recorded the best performance of the “SHEER HEART ATTACK TOUR” has been brushed up. The masterpiece was recorded at the “Milwaukee performance on March 7, 1975”. It is a full-scale audience recording. This recording is truly a treasure. The panoramic recording of the “SHEER HEART ATTACK TOUR” is valuable, but the sound is also wonderful, and above all, the show itself is the ultimate great performance. Even on overseas QUEEN specialty sites, it is called “the most wonderful record of early QUEEN”, and because of its greatness, it was once kept secret only by core collectors. It is a legendary recording that maniacs all over the world wanted to hear but could not hear, and they were gritting their teeth. This work brushes up the best version of such a historic recording. It is a piece that has been permanently preserved with the highest quality in history. Before the contents of the interest, let’s start with the position of the show. Speaking of 1975, there was also the first visit to Japan that shines in QUEEN history, but let’s check it from the schedule at that time. ●1974 October 30-November 20: UK (19 shows) 《November 8th release of “SHEER HEART ATTACK”》 November 23-December 13: Europe (11 shows) ●1975 February 5-24: North America #1 (16 shows) March 5-April 6: North America #2 (21 shows) ←★Here★ April 19-May 1: First visit to Japan (8 shows) This is the whole picture of “SHEER HEART ATTACK TOUR 1974-1975”. The final destination was Japan, but this work was the third concert of “North America #2” just before that. In fact, “North America #1” and “North America #2” were originally scheduled to be continuous. However, Freddie’s throat broke during the tour. Seven shows were canceled due to a doctor’s stop. The Milwaukee performance in this work was a show that was started immediately after the return. This work, which recorded such a show, is a wonderful vintage audience that can be said to be legendary. What is most wonderful is the strength of the core that penetrates straight and the fine details. It is not the type that you would mistake for a sound board, but the air is transparent and vivid to every corner. Every guitar riff and every drum beat is clear, and Freddie’s singing voice is clear without stagnation. Even when Roger and Brian’s chorus overlap, you can feel every word of each person. Even the audience noise is wonderful. Although it absorbs the enthusiasm that makes you feel the popularity of the right soaring, it is only between songs. A grand applause rises and calms down, listening to each song as if savoring it. The atmosphere that is not like America is unique to the early days, and it is easier to listen to than Japan, where the popularity suddenly exploded. What supports the vividness is the excellent recording itself, as well as the superb master freshness. Speaking of the 70s audience, dubbing marks and tape twisting are like a fate, but this work is almost not felt. The only degradation is the tape change part in the middle of the guitar solo. The tape twist occurs for about a minute because it is at the end of the tape, but other than that, there is no deterioration that seems to be deteriorated, and the freshness continues as if it was recorded at DAT. You can feel the vivid freshness that is full of the secret for many years. Moreover, this work brushes up such a famous recording. Of course, the accurate pitch is important, but what is even more important is the sound. Of course, since it is a legendary recording, we did not do anything unrefined like dirtying it with unnecessary sound pressure. The point of this work is rather a natural feeling. While keeping the clarity and beautiful sound of the recording itself to the maximum, we tried to reproduce the “sound that would have sounded at the scene”. In the original sound, the mid-range sounds such as vocals and guitars had an unnatural and vintage feel, but this was sorted out. As a result, not only does it feel more natural, but it also has excellent separation. The full recording with the highest peak sound is a masterpiece, but the biggest point of this work is the show itself. This is already a wonderful performance. As mentioned above, Freddie’s poor condition caused a cancellation, but after a rest, his voice is in top form. The high notes stretch out comfortably and are powerful to each word. Moreover, he is in high tension. Freddie himself sings as if he is excited by his voice that comes out as he wants, and spells out melodies in various voices as if testing the limits of his throat. Of course, Freddie’s revival also directly leads to the motivation of the performers. The powerful and sharp rhythm section and the unwavering guitar are in top form. A specialized site that deeply studies QUEEN calls it “the most wonderful record”, and you can enjoy plenty of great performances. The sound, performance, and the brilliant early masterpieces. This is a treasure that enthusiasts want to keep secret, and it has been updated to the highest peak and permanently preserved. Speaking of “SHEER HEART ATTACK TOUR”, it has become widely known in recent years for the official work “LIVE AT THE RAINBOW ’74 (CD version)”, but the peak show is still only for enthusiasts. Live at Uptown Theater, Milwaukee, WI, USA 7th March 1975 TRULY AMAZING/PREFECT SOUND*UPGRADE (78:28) 1. Procession 2. Now I’m Here 3. Ogre Battle 4. Father To Son 5. White Queen 6. Flick Of The Wrist 7. In The Lap Of The Gods 8. Killer Queen 9. The March Of The Black Queen 10. Bring Back That Leroy Brown 11. Son And Daughter 12. Guitar Solo 13. Son And Daughter (reprise) 14. Keep Yourself Alive 15. Stone Cold Crazy 16. Liar 17. In The Lap Of The Gods…Revisited 18. Big Spender 19. Modern Times Rock ‘n’ Roll 20. Jailhouse Rock 21. God Save The Queen