Queen/Tokyo,Japan 4.25.1979 Upgrade

The most famous “April 25, 1979: Nippon Budokan” performance of the popular “JAZZ JAPAN TOUR”. A major decision board that updates the longest and highest peak is now available. This show became famous when it was later broadcast on TV, but this work uses professional shots, soundboards, and even two types of audience recordings to vacuum pack the day at its highest quality. . This is a 3-disc set of “2 full live albums + professional shot DVD”. Our store has archived the 1979 tour under numerous titles, so let’s first organize the collection by date. ・April 13th “BUDOKAN 1979 1ST NIGHT” ・April 14th “BUDOKAN 1979 2ND NIGHT” ・April 19th + 20th “DEFINITIVE OSAKA 1979” ・April 21st “KANAZAWA 1979” ・April 23rd “PRIDE” AND JOY (Nippon Budokan)” April 24th: Nippon Budokan April 25th: Nippon Budokan ←★This work★ April 27th “KOBE 1979” April 28th “NAGOYA 1979” April 30th + May 1st “MEMORIAL GYM (Fukuoka)” / May 2nd “YAMAGUCHI 1979” May 5th and 6th: Makomanai Ice Arena *Note: Only representative works are shown on each day. [Disc 1-2: Full live album with SBD + first appearance AUD] Above, 15 performances in total. It was the largest tour in their history of coming to Japan, and the Nippon Budokan of this work was the 8th performance in the middle of it. This show is most famous for its professional shots that were broadcast in Japan. However, what was broadcast was about 32 minutes of 11 songs, which was far from a full show. This work takes full advantage of the sound board audio and supplements the unaired parts with masterpiece audience recordings. It is a full live album that conveys the complete form of the show. Moreover, the sound board used and the audience recording used for supplementation are not just things. The most shocking thing is the audience recording. In fact, it is a new recording that will appear for the first time in the world! Moreover, it was recorded by the same recording artist who recorded the 1985 treasure “AT LAST BUDOKAN”, and it is a masterpiece created from the original cassette. Speaking of this day’s highest peak recording, it will be “DREAMER’S BALL” which became popular at our store, but this master goes even further. Although it is a real sound that absorbs the enthusiasm of the peak, the performance sound and singing voice that cut through the enthusiasm are neat and clear. Although it doesn’t feel up close, you can jump straight into your hands without being disturbed by the yellow chirping voice, and you can clearly see even the subtleties. And the soundboard is also unusual. Basically, it is a sound board sound source for TV broadcasting, but it was carefully selected from many top masters. Of course, the high quality is the pinnacle, but what was equally important was the compatibility with the newly discovered audience. Uses recording that minimizes the discomfort of matching. Furthermore, they are carefully polished and connected through mastering. An outstanding audience recording that I never thought existed, and a sound board with a similar balance. To be honest, I had to hesitate to combine the “DREAMER’S BALL” master with a sound board, but with the appearance of the two masters, a complete live album was realized. Of course, since it was a cassette recording at that time, cuts due to tape changes were inevitable. I was able to capture most of it on the soundboard, but some cheering parts (after the end of Let Me Entertain You, Somebody To Love, Don’t Stop Me Now) were missing, so those parts were not included in DREAMER’S Supplemented with “BALL” master. With 3 types: “Broadcast Soundboard + New Audience + DREAMER’S BALL”, the show is completely recorded seamlessly without missing a second, from the “We Will Rock You” tape that announces the start of the performance to “God Save The Queen”. is. It’s great to be able to fully experience the show with a series of top-notch sounds, but there are also some interesting ways to enjoy it and surprising discoveries. For example, “Let Me Entertain You.” I casually listened to both the TV pro shot and the audience recording, but when I synchronized it accurately, the second half of the TV pro shot, “1:48-2:44” was completely cut out. It was suddenly connected to the ending. Similarly, the drum solo of “Keep Yourself Alive” has been edited short, and “We Will Rock You” is even more interesting. Brian’s guitar comes in at the end, but for some reason he keeps playing the guitar solo a half step higher. The next song “We Are The Champions” is correct, so (probably) this was Brian’s mistake, not Roadie’s. In the broadcast, most of the solos that were out of tune were cut out, but they were edited to make up for it with a good introduction and ending. Both exciting mistakes and extremely skillful editing will be revealed by the combination of sound board and audience. [Disc 3: The highest version of the classic professional shot] In addition to such a full live album, this work also includes the highest version of the classic professional shot. Of course, this video is a compilation of “The Live QUEEN Live at Budokan PART? & II”, which was broadcast twice for about 15 minutes each in the late-night slot of a certain commercial broadcasting station in the early 1980s. It is a classic among the classics that has produced countless previous releases, but this work is a version that was also loved as “BUDOKAN 1979” in 2002. It is an original master that has never been surpassed to this day. Although it is a video that has been loved by many fans, it is also a fantasy. After all, this video was only broadcast once in the early 1980s. It was good until I recorded the Budokan live with a professional shot, but Freddie Mercury, who was not satisfied with the performance of the show, decided not to release it to the public. Normally, it would have been buried in the darkness of history, but a few years later, a Japanese broadcast station aired it in its late-night slot. However, since it is an NG video, there is no official archive, and there is no rebroadcast. Until now, it has only been broadcast once. And it was broadcast in the early 1980s. Although home video was gradually becoming more popular, there were still very few people who could easily record late-night programs. Given that era, there are only a few recordings left. It is a video that maniacs have watched as if they were chewing on each gene one by one. In 2002, that history came to an end. This work is a direct digitization of the original master recorded at the time of broadcast, without any dubbing. What’s more, the equipment used to record the video was of professional quality that would be impossible for ordinary households to use. At a time when very few people were able to record, it was an unexpectedly professional record. The quality of this work is proof of that. The fact is that it is an “80s air check,” but the image and sound quality are not quite what you would associate with that word. The visual beauty is so detailed that it can be used not only for current broadcasts, but also for official works, and is as fresh and beautiful as if it had been reprinted from a laser disc. Roger Taylor’s blond hair, the glitter of Freddie’s red outfit, the rays of the spotlight…and above all, the coolness of the sunglasses and black leather! Every single particle, down to the telop of the opening theme, “The Live QUEEN Live at Budokan,” is clearly detailed. In addition, two types of superb soundboards are also included, covering all the top records of the day. It is truly a masterpiece pro shot that cannot be surpassed. There used to be a professional shot DVD and a sound board CD called “BUDOKAN 1979,” but this work expands that CD version to full scale with the first appearance audience recording. This is a huge masterpiece that has been scaled up and revived, which was sold out. Also, from a different perspective, this work can be said to be the last of the Japanese trilogy. Its sister works are “DEFINITIVE SEIBU STADIUM 1982” and “DEFINITIVE FINAL CONCERT IN TOKYO”. Both live albums, which complemented the Japanese performance soundboard with the finest audience recordings, were very well received. This work is the 1979 version. It is the last one of the three remaining “Japanese sound board complete trilogy”. This 3-disc set is a must-have for those who are having trouble getting their hands on the out-of-print masterpiece “BUDOKAN 1979” and for those who are interested in a newly discovered audience. Live at Budokan, Tokyo, Japan 25th April 1979 SBD + AUD MIX: TRULY AMAZING SOUND(from Original Masters) Disc 1 (61:00) 1. Intro. ★1:38 – Until the end 2. We Will Rock You (Fast) ★All 3. Let Me Entertain You ★0:00 – 1:48 / 2:44 – 2:59 ●2:59 – 3:10 4. Somebody To Love ●6:32 – 7:24 5. Death On Two Legs 6. Killer Queen ★0:03 – Until the end 7. Bicycle Race ★All 8. I’m In Love With My Car ★All 9. Get Down, Make Love 10. You’re My Best Friend 11. Now I’m Here 12. Teo Torriatte ★0:00 – 4:10 13. Don’t Stop Me Now ★0:05 – 4:37 ●4:37 – 4:45 14. Dreamers Ball 15. Band Introductions 16. ’39 Disc 2 (54:44 ) 1. It’s Late 2. Brighton Rock 3. Guitar & Drum Solo 4. Brighton Rock (reprise) 5. Keep Yourself Alive ★0:14 – 2:54 / ★3:35 – 4:47 6. Bohemian Rhapsody ★0:00 – 2:08 7. Tie Your Mother Down 8. Sheer Heart Attack 9. We Will Rock You ★0: 06 – 2:04 / ★2:24 – Until the end ★(Listening station) We Will Rock In You, Brian plays the guitar solo a half step higher for some reason. (I’ve never heard a mistake like this before!) The next song “We Are The Champions” is correct, so (probably) this was Brian’s mistake, not Roadie’s. In the broadcast, most of the solos that were out of tune were cut out, but you can see that they edited the beginning and ending to make up for it. It is also an interesting point that both exciting mistakes and extremely skillful editing are revealed by the combination of the sound board and audience. (If this is the case, you can understand why the band strictly ordered them to not broadcast it at the time. Also, nice job on the Japanese broadcasting side!) 10. We Are The Champions ★0:00 – Until the end 11. God Save The Queen ★0: 00 – 0:04 Except for ★●, AUD new master, which is completely new to appearance, is used. ★SBD supplementary parts (TV broadcast master) ● Previously released AUD supplementary parts (using “Dreamer’s Ball” (Wardour-006)) DVD (32:19)★Highest quality version ever. Moreover, it includes 2 audios (using 2 types of broadcast sound source masters) Dual Audio Option 1. We Will Rock You (fast) 2. Let Me Entertain You 3. Killer Queen 4. Bicycle Race 5. I’m In Love With My Car 6. Teo Torriatte 7. Keep Yourself Alive 8. Don’t Stop Me Now 9. Bohemian Rhapsody 10. We Will Rock You 11. We Are The Champions PRO-SHOT COLOR NTSC Approx.32min.