Queen/London,UK 1985 Upgrade

“LIVE AID”, an audience recording that appeared late last year and caused a shock rarely seen in recent years. The “true LIVE AID” spelled out by the famous Kinney treasure master whose existence was not even known was endlessly wonderful and overwhelming. Introducing a big decision board that maximizes the potential of such a miraculous master. Of course, what is included in this work is “July 13, 1985 Wembley Stadium Performance”. This is a legendary stage that was a highlight of the movie “Bohemian Rhapsody.” “LIVE AID” was a set of two versions: “super high-quality audience recording” vacuum-packed from the scene and “highest FM sound board” that exceeds the official DVD. In addition to those two versions, this work is a live album that also includes the third “Matrix version” that combines both. Now, let’s introduce the three masters in the order of recording (the shocking Matrix Master is in Section 3. If you can’t wait, please skip this). [Section 1: Superb audience recording with night section added] First, the shocking Kinney recording. This is a direct CD version of Kinney’s original cassette, which no one had ever heard until it was discovered last year. The previous work “LIVE AID” only had the daytime stage, but this work additionally includes the night stage of another cassette that was discovered afterwards. You can also enjoy “Is This The World We Created?”, which was played by Freddie and Brian again on the same night (21:48), with Kinney Sound. I think many people know it because it was a big hit, but the sound is super superb. The atmosphere is clear, and the performance and singing voice jump straight into your hands. And the freshness unique to the original master is overwhelming. It has probably never been played in the 33 years since it was recorded. There is almost no dubbing deterioration or aging deterioration, and there is no distortion or fluctuation. The neat sound does not make a slight movement from beginning to end until the vast cheers. And what is overwhelming is the sense of realism. Cheers erupt from the appearance of the four, but as soon as Freddie plays the intro to “Bohemian Rhapsody,” the Wembley pot suddenly boils over. A detailed yet expansive chorus bursts out. Its thickness and beauty. It was a moving scene in movies and on TV, but the feeling of being on the scene was on a completely different level. After that, “Radio Ga Ga” continues to be a huge success, “Day-O” brings together 72,000 people, “Hammer To Fall” gets heated with the scene where Freddie brings his face close to the camera, and the clapping that almost drowns out the performance “Crazy Little Thing Called Love” swirls, and “We Will Rock You” finally reaches its peak and the audience loses track of even the simple beat. And “We Are The Champions” causes a miracle among miracles… It’s a legendary scene that I’ve watched so many professional shots that I’ve seen it in movies. This is the miraculous audience master who stands in the midst of it all. [Section 2: The best stereo soundboard] The second master is also the best version of the stereo soundboard recording that became very popular at “LIVE AID”. This is also not exactly the same, but a longer version that also includes scenes introducing QUEEN. Here, British comedians: the late Mel Smith and Griff Rhys-Jones appear dressed as police officers. The event excited 72,000 people. While faltering from the tremendous cheers, he humorously calls QUEEN, which leads to “that scene” where Freddie runs in lightly. This talk scene is not included in the official DVD and is a valuable scene that further enhances the mood of the show. More important than that is the sound itself. This show has been officially made into a DVD, but the one that is considered the “best” by enthusiasts is the FM broadcast at the time. There’s nothing wrong with the sound quality of the official DVD, but instead of having the loud cheers covered in stereo sound? The localization of the performance was closer to the center, and it was so solid that it was almost monaural. On the other hand, since the FM sound board is a live broadcast, the audience’s chanting is weak (though it is still loud enough to enter), and the performance and singing voice itself is super vivid. The synth sound of the “Radio Ga Ga” intro flows from the right, and John Deacon’s chorus sings from the left. [Section 3: First Appearance of the Matrix Master] Now, the last part is the most important part of this work. This is the third “Matrix Master” which is penetration. The Kinney recording mentioned above and the highest quality sound board are precisely synchronized, but the effect is amazing… or should I say, what on earth is this spectacle? Even though you’re just doing it, it’s on a completely different level. This is amazing. Too terrible. The biggest attraction of the audience recording was the chorus of 72,000 people, who sung a huge chorus, and Freddie’s singing voice, which became more powerful on the soundboard, penetrated through the middle and dominated. The scale it depicts makes the space itself feel different. Freddie’s singing voice was clearly captured in the audience recording, but it arrived as if it was “pushing through” the chorus of the large audience. In other words, the sense of space in the audience seats is that “the QUEEN is on the other side of the audience.” On the other hand, this matrix is ​​a different space. While feeling Freddie’s voice up close with the feeling of being directly connected to the sound board, the large audience can also feel it. When depicted with that fifty presence, the chorus of 72,000 people really stands close to Freddie, creating a feeling of “following” Freddie. That feeling sends shivers down your spine from the opening song, “Bohemian Rhapsody.” At that arpeggio, the applause that rose like a midsummer shower wailed and transformed into a melody accompanied by lyrics. Moreover, this creates a tremendous sense of unity and unity. Even though it is covered with a 100% real audience recording, there is no loud noise, and the chanting is clear. It synchronizes perfectly with Freddie’s singing voice without the slightest time lag in the air. This feeling is more of a conductor and orchestra than a band and audience. Everyone on the set, without exception, is concentrating on Freddie’s every move and each word of the lyrics, creating music together. The heavy rain sings beautifully, and Freddie becomes one with it and freely conducts it…it’s truly a different-dimensional feeling. Of course, this sense of unity extends not only to the chorus but also to the performance. If the guitar is delicate, the beat is also straight forward. The vivid soundboard and the clapping of 144,000 palms were completely integrated with the rhythm section. Especially the clapping numbers like “Radio Ga Ga” and “Crazy Little Thing Called Love” are amazing. It’s as if Wembley Stadium itself becomes one giant speaker and spits out the beats. If the sea of ​​applause in the “We Will Rock You” intro that collapses when the big wave hits is vast, Freddie’s singing voice that quickly becomes orderly is also terrifyingly strong on the sound board. And that “We Are The Champions”. In the audience recording, it was a spectacle in which Freddie’s voice poured down from the heavens and gently guided the crowd’s chant, but this work is different. Freddie stands at the front, blending with the huge crowd, singing in triumph, “We are the winners!” Its strength surpasses the audience recording, and the elation that rises is not even close to even the highest sound board. Furthermore, Freddie’s singing voice itself is even more beautiful. The sound board provides a solid core, and the audience recording adds a thick sound to it. If you experienced the previous edition, you know that the audience recording also has a sound without echo that is unique to open venues, but there is growth even without reflection. It was so relaxing that it felt like being sucked into the clear skies above the heads of 72,000 people. This gives the sound board sound with its core exposed even more spectacle and elation. How beautiful is “Is This The World We Created?” drawn with just a simple acoustic guitar and singing voice… His performances in which he freely manipulated gigantic stadiums have become legendary, and have now been made into movies. In this work, you can experience that huge exchange with a different dimension of sound. Why was this show a miracle? Why did it stir the hearts of 72,000 people, and why did it transcend the test of time and become a legend? Because it is a matrix that has both the sound board on the stage side and the audience on the audience side, you can feel the huge sense of scale and awesomeness even more vividly. Depending on the personality of the master, the matrix may not necessarily be good, but this work creates a wonderful synergistic effect. The Miracle Stage is causing multiple miracles. It is a live album that makes you tremble at the fact itself. An audience version where “Is This The World We Created?” was also discovered, and a soundboard version with an introduction added. And then there is the Matrix Master, whose combination of miracles and miracles draws him to unprecedented heights. This is the ultimate version of a shocking work that was a big hit. A bliss that all rock fans living in 2019 should experience. Live at Wembley Stadium, London, UK 13th July 1985 PERFECT SOUND(from Original Masters) (77:29) Original Audience Recording ★Kinney tape. Audience recording 01. Intro 02. Bohemian Rhapsody 03. Radio Ga Ga 04. Day-O 05. Hammer To Fall 06. Crazy Little Thing Called Love 07. We Will Rock You 08. We Are The Champions Freddie Mercury & Brian May 09. Intro 10. Is This The World We Created? Stereo FM Broadcast Recording ★Stereo recording as it is a radio broadcast sound source 11. Griff Rhys-Jones & Mel Smith Introduction ★FM stereo version 12. Bohemian Rhapsody 13. Radio Ga Ga 14. Day-O 15 Hammer To Fall 16. Crazy Little Thing Called Love 17. We Will Rock You 18. We Are The Champions Freddie Mercury & Brian May 19. Is This The World We Created? MATRIX: Audience Recording & FM Broadcast Recording ★Miracle Matrix・Sound 20. Griff Rhys-Jones & Mel Smith Introduction 21. Bohemian Rhapsody 22. Radio Ga Ga 23. Day-O 24. Hammer To Fall 25. Crazy Little Thing Called Love 26. We Will Rock You 27. We Are The Champions Freddie Mercury & Brian May 28. Is This The World We Created?