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In 1995, he was in the midst of a cold war with the record company he belonged to after abandoning the name Prince. It was also the second peak of his energetic composing career, and on the other hand, Prince celebrated his second birthday after changing his name and gave a fulfilling performance at Glam Slam Miami. This time, we will focus on the period from his birthday in 1995 to just before he came to Japan in 1996, and although all of them are audience recordings, we will record in almost chronological order the live performances at Paisley Park, where it was considered impossible to infiltrate and record at all. We will release a total of three 6CD titles. The name is Lost Open Sessions. Yes, it covers Open Sessions released on the 4Dafunk label, as well as sound sources not included in it. Part 3, Paisley Park on September 18, 1995. When the woman’s narration ends or it doesn’t, the drums come in and The Jam begins. The performance is tight and has tremendous tension until I Believe In You. The Cross from Prince’s era also approaches with a magnificent sound even though there are no guests, and The Ride features a relaxed Prince playing the guitar in a good mood. The funky development from Now also appears in the Japan performance, and Prince sings the chorus of “Rock N Roll Is Alive And It Lives In Minneapolis” in the instrumental, has the audience sing along, and uses it to jam. There is also an after-show development where they add a groove, change to a loose funk, and play with the audience with the bass sound. Then, The Return Of The Bumpsquad, which is suddenly played as Emergency, and Get Wild, where Prince sings the chorus with chants of Rock N Roll Is Alive recorded on September 9th, are always the same. It includes the one and only Prince-like development without a performance. A short flight away to Paisley Park on October 23rd. It opens with the lighthearted Glam Slam Boogie, which features Walter Chancellor Jr., which makes you think so because of the freaky saxophone notes. I would like to listen to the following The Ride with this atmosphere, but I end it halfway and transition to Count The Days with a teasing intro. Kirk Johnson participates in 18 & Over, which features Walter’s saxophone, and plays a 12-minute freaky, loose but comfortable groove, and the funk of Hide The Bone, where the saxophone plays first without starting to sing, is Prince. The groove goes on and on, with Tommy Barbarella making a Barney Worrell-like buzzing sound and asking for a clap, until the song finally starts singing after seven minutes. Then, Funky Stuff’s jam, cutting, dry drumming, and other interesting effects intertwine to create a different groove that makes the audience dance. After only the saxophone is played, Santana Medley suddenly seems to start, but it ends with only the beginning of Jungle Strut, and then the guitar is introduced and Zannalee’s intro is played, but the song ends without singing. P. Control is a slightly broken version that emphasizes the singing groove, and Letitgo is also moving forward with momentum, singing Starfish & Coffee well and diving into the funk jam of Days Of Wild. Here, Walter on the saxophone and Jellybean Johnson of The Time, who is also a well-known guitar player, participated with their guitars, and the performance was quite lively and noisy, except that they stopped midway through the performance and became like a solo saxophone player. version. The second half has a hooky keyboard riff, probably by Prince, that goes on and on and it’s really cool. Then, the keyboard riff of Girls & Boys plays, and from there it descends into Race. The jelly bean’s crisp cut adds to the funk vibe. Just the backing screams “Race”, and what follows is a funk mix of saxophone blowing in all directions and rhythmic cutting, making it so unexpected that it would turn out like this. Johnny’s groove is gradually being created while the spacey keyboard is pounding. This time, the audience was making strange noises as the sound hit their hips. The saxophone also appears and the event ends with an anything-goes jam competition. November 11th will begin with the long-awaited Hide The Bone, which has the audience screaming, “Yay! Hide The Bone.” Everyone around him is excited, but Prince moves on with his performance and transitions into The Jam. However, Prince must have realized that the audience was impressed, so he continues to play this song for 10 minutes, making extensive use of call and response. The oriental-style instrumental with its impressive koto-like tone is unusual for a Prince performance, but it is Papa’s. Then Zannalee and The Cross continue with rock songs, We March is now complete, Love…Thy Will Be Done, which makes the women in the audience go wild, and Funky, which gets even more exciting, is 6 minutes long, which is compact for this song. Days Of Wild has a fast-paced feel, which is good, If I Was Your Girlfriend is a great Sign of the Times type song, and Vicky Waiting from Batman, none of them are long, but they play the songs properly. It’s not like a medley, so it feels very fulfilling. And I Hate U is sung broken, but it’s also good, and it’s a full version that doesn’t go to 319 and sings the second half, so this is also very fulfilling. Welcome to the Gold Experience, press gold, says the narrator, and Prince’s crackling guitar The Ride begins. And as the closing song, The Glam Slam Boogie, with a crisp sound without the usual stickiness, the live ended beautifully. At the end, the women sing Happy Birthday because it’s Maite’s birthday. After performing at Paisley on September 9th, Prince will depart for Japan in January of the following year. First of all, from the 1999 intro to Endorphinmachine and then Shhh, the flow is similar to the performance in Japan. Free Slave and Days Of Wild with call and response are 10 minutes long, and although Now also includes Babies Makin’ Babies, it is a 12 minute version, which is a long performance compared to the one since coming to Japan. TMBGITW is also a 5 minute performance. On the other hand, P.Control is a version that is close to the Japan performance that includes the Get Wild phrase, but it is a 4 minute performance that feels like the original, Lettitgo is 4 minutes, there is no rapid succession, and each song is played exactly. I have the impression that there is. Starfish And Coffee can be said to be the best version of this song, with a keyboard solo and repeated drum hits in the second half. I thought this song would close, but then the sound of thunder and The Cross was played. This song is also sung in a broken manner, but it is cheerful, and the guitar is also played with a single soul. We March is also a completed version as a live version, and Love…Thy Will Be Done, which was played in the first half of the visit to Japan, includes the story of Emancipation, resulting in a version of just over 7 minutes. Sexy MF, which gradually transitions from the moist ballad of Do Me Baby, If I Was Your Girlfriend, which incorporates Camille’s voice, and Vicky Waiting, which can be said to be a good full-length with a solid performance including effects, and I. Hate U is the same, 7 including the intro, and from here on it’s an aftershow-like development, Funky Stuff has a highlight where Prince’s voice and guitar are played in unison, and I wonder if there was an intention to use it as the closing song. Slam Boogie appears to be a grand finale. Almost all of the songs are directed throughout, with no medley feel at all, and the performance was developed with the upcoming performance in Japan in mind. At the end, the studio version of One Of Us, which will suddenly be played instead of Love…Thy Will Be Done, is played in the performance in Japan. Disc 1 Paisley Park : 18th September 1995 1.Intro – The Jam 2.I Believe In You 3.The Cross 4.The Ride 5.Now 6.Babies Makin’ Babies 7.Instrumental Jam 8.Rock N’ Roll Is Alive 9 .Sex Machine 10.Johnny 11.Return Of The Bump Squad 12.Get Wild (including Rock N’ Roll Is Alive) Disc 2 Paisley Park : 23rd October 1995 1.Glam Slam Boogie 2.The Ride (intro) 3.Count The Days 4.18 & Over 5.Hide The Bone 6.Funky Stuff 7.Sax Solo 8.Santana Medley 9.Guitar Instrumental 10.Zannalee (intro) Disc 3 1.Pussy Control 2.Letitgo 3.Starfish And Coffee 4.Days Of Wild 5.Race (including Girls And Boys) 6.Johnny Disc 4 Paisley Park : 11th November 1995 1.Hide The Bone 2.The Jam 3.Papa 4.Zannalee 5.The Cross 6.We March 7.Love…Thy Will Be Done 8.Funky 9.Days Of Wild 10.If I Was Your Girlfriend 11.Vicki Waiting 12.Eye Hate U 13.Gold 14.The Ride 15.Glam Slam Boogie Disc 5 Paisley Park : 9th December 1995 1.1999 (intro ) 2.Endorphinmachine 3.Shhh 4.Days Of Wild (including Hair – Free The Slave [chant]) 5.Now (including Babies Makin’ Babies) 6.The Most Beautiful Girl In The World 7.Pussy Control 8.Letitgo 9 .Starfish And Coffee 10.The Cross Disc 6 1.We March 2.Love…Thy Will Be Done 3.Do Me, Baby 4.Sexy MF 5.If I Was Your Girlfriend 6.Vicki Waiting 7.Eye Hate U 8.Arabic Intro 9.7 10.Funky Stuff 11. Glam Slam Boogie 12.One Of Us (from PA)
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