Poison/Netherlands 1990 Complete

POISON in 1990, who was in the midst of their heyday after releasing “FLESH & BLOOD”. The best original recording that conveys their live performance has been decided to be released. This work was recorded at the “Utrecht performance on August 26, 1990”. It is a super-excellent audience recording from the performance in the Netherlands of the “MONSTERS OF ROCK Tour”, which swept Europe as a festival tour. This festival tour featured a total of four groups, AEROSMITH, POISON, and QUIREBOYS, with WHITESNAKE as the final act. This work is the POISON edition. Speaking of the “FLESH & BLOOD” era, there are many masterpieces left, such as the official live album “SWALLOW THIS LIVE” and the pro shot “IRVINE MEADOWS 1991”, so let’s organize them together with the schedule at that time. 1990, February 11: Troy performance (“FLESH & BLOOD” released on July 2) ・August 3: Santa Clarita performance ・August 15-September 4: Europe (12 performances) ←★Here★ ・September 19-December 31: North America #1a (62 performances) 1991, January 3-March 28: North America #1b (53 performances) ←※Official SWALLOW THIS LIVE ・May 12-July 7: North America #2 (32 performances) ←※IRVINE MEADOWS 1991, September 5: Appearance at MTV Video Music Awards This is POISON in 1990/1991. Up until then, POISON had toured North America, Japan, Oceania, etc., but this was the first time they invaded Europe. The Utrecht performance of this work was the 7th performance of the “European” tour. It was also a concert 11 days after the masterpiece “PLAYS ROCK CITY”. This work, which vacuum-packs such a show, is an original sound source excavated by a unique route. It is a masterpiece among masterpieces that was awakened from the original master in the same way, by the same recording artist on the same day as AEROSMITH’s press masterpiece “MONSTERS OF ROCK NETHERLANDS 1990 (Zodiac 573)”. The sound is extremely thick. As soon as the performance begins, a roar suddenly explodes and you have a bad feeling, but it only lasts 30 seconds. The equipment settings are immediately adjusted and the best settings are found within a minute. After that, the sound transforms into a sound that approaches the AEROSMITH version, which was praised as “super high quality sound like a sound board”. Each instrument has an abnormal outline and a sense of separation, and each sound is clear and clear. Bret Michaels’ singing voice is not only every word of the lyrics, but even the nuances contained in it are firmly in the ears. The reason for this sound is probably the environment. The stadium, “Stadion Halgenwart”, is an open-type soccer stadium that opens up into the sky, with zero echoes. Of course, if you are far from the PA, it will be sparse, but there is no need to worry about this work. The sound emitted from the PA is sucked in without any sense of distance, resulting in a superb, extremely direct sound. It is just my imagination, but considering the excavation route, it may have been recorded in the seats of the people involved. Such a superb sound is depicted as the ultimate greatest hits that are even more concentrated than “SWALLOW THIS LIVE”. Finally, let’s organize the contents. Fresh & Blood (4 songs) Poor Boy Blues / Unskinny Bop / Ride The Wind / Let It Play Others (6 songs) Poison Damage: Look What The Cat Dragged In / Talk Dirty To Me First ***AHH! : Look But You Can’t Touch / Every Rose Has Its Thorn / Fallen Angel / Nothin’ But A Good Time Since it is a short set for a festival tour, the number of songs does not reach “SWALLOW THIS LIVE” in terms of volume, but the heat and reality of the scene at its peak are the sole stage of the audience recording. This work is the highest peak. It is the sub-text of AEROSMITH’s “Zodiac 573”, and at the same time, this work itself is a masterpiece of POISON at its peak. An original recording that conveys the scene of the “FLESH & BLOOD” era has been released. It is a sister work of AEROSMITH’s same name album, recorded by the same recorder / simultaneously, and you can experience the scene at the height of its popularity with a thick sound. Galgenwaard Stadion, Utrecht, Netherlands 26th August 1990 TRULY AMAZING/PERFECT SOUND(from Oringinal Masters) (48:03) 1. Intro 2. Look What The Cat Dragged In 3. Look But You Can’t Touch 4. Poor Boy Blues 5. Unskinny Bop 6. Every Rose Has Its Thorn 7. Ride The Wind 8. Let It Play 9. Fallen Angel 10. Nothin’ But A Good Time 11. Talk Dirty To Me Bret Michaels – Vocal CC DeVille – Guitar Bobby Dall – Bass Rikki Rockett – Drums