Description
In 1980, from the American performance accompanying “The Wall”, which was held on February 26th and 28th on the 3rd and 5th day at Nassau Coliseum in Long Island, New York, which was held for 5 consecutive nights. Also completely recorded with the highest level of audience recording. Both days are recorded at the highest level of sound comparable to modern DAT recordings, and while the sound quality is very clear, there is almost no sense of equalization, so you can enjoy the whole show with a miraculous level of sound. In particular, the final day, the 28th, is recorded with an astonishingly high sound quality that is unthinkable for this era, and is definitely a must-listen for all Floyd fans. The February 26th performance recorded on Discs 1 & 2 is originally of high quality, but around the 50 second mark of the opening song, In The Flesh, there is a moment when the sound changes to a very high quality sound, as if the microphone was firmly facing the speaker. there is. The 3 minute freeform guitar solo in Another Brick In The Wall Part 2 is amazing. Nick spontaneously beats the cymbal along with it, and Rick’s organ solo that follows is also splendid, allowing you to enjoy a dynamic performance that is different from the usual wall live. The loud cheers for the popular Mother song were amazing. There is tape deterioration with Mother, but there is no problem with Goodbye Blue Sky. Before Young Lust, there is a bad boy who shouts Dark Side Of The Moon! Money!, but the powerful performance of this song is the best, and Gilmore’s intense riff and Rick’s organ solo in the second half are also powerful. Be sure to experience the strangely vivid power of One Of My Turns ~ Don’t Leave Me Now ~ Another Brick In The Wall Part 3, which is the climax of the first half. You can hear ABITW Pt3’s Rick’s unique string synth play, and the band’s dramatic performance in the second half is also great. The second part, Hey You, has a good sound, but at first it sounds like the microphone is not facing the speaker, but it disappears halfway through. Vera’s thick and spacious sound is a must-hear. Comfortably Numb is a disappointing part where tape deterioration is somewhat noticeable. The Show Must Go On eliminates the problem of deterioration and the sound image becomes clearer from 1:18. On the contrary, you may be surprised at the amount of hiss in the MC part, but in the following In The Flesh, you can enjoy the sound with thick bass, and the percussion in the middle is recorded with an amazing sound that I have never heard before. . At the beginning of Run Like Hell, Roger shouts “Raus, Schnell!” in a German accent. The mix of percussion and synths in the second half of Run Like Hell is incredibly powerful. A technical problem occurred during The Trial, causing the tape to twist and stop during the intro. The trouble seems to continue even after the song starts, and Roger’s vocals become unsteady, and he can’t sing the School Master part at all, and ends up in a karaoke state. Anyway, I’ve never heard a trial that’s as shabby as this, so in a sense it’s an interesting place to listen to it. This is a must-listen take for fans, completely recorded in uncut and excellent sound quality. Instead, the last day of Discs 3 & 4 is February 28th, and unlike the 26th version, which has excellent sound quality but has some negative points, it is completely recorded with an extremely stable and flawless ultra-high quality recording. . The takes on this album, which were recorded with an exceptional quality that even exceeds “The Warm Thrill Of Confusion” which recorded the Earl’s Court performance on August 6, which is highly regarded as the highest sound quality album in the history of wall live albums, will astonish enthusiasts. I’ll probably pull it out. Recorded in genuine master quality, the clear sound that can be said to be the ultimate analog recording at the time is overwhelming, and it is an unprecedented sound that you can say “You can’t talk about wall live without listening to this”. You can experience super sound. I’m sure you’ll be thinking, “How long will this god-level sound quality last?” as you listen, but don’t worry. This quality lasts until the end. The deep bass of Empty Spaces, the punchy drum sound of What Shall We Do Now, and the sticky guitar riff of Young Lust are all recorded with the highest sound quality that surpasses any wall live performance you’ve ever heard. There is a tape change after the performance of What Shall We Do Now, but there are no musical or MC cuts. The sound of One Of My Turns and others is so good that you get the illusion that you are listening to an official live album. Another Brick In The Wall Part 3 is also amazing. The only disappointing part of Hey You is that there is a cut in the intro of the acoustic guitar arpeggio, perhaps because the REC button was delayed. I’ve never heard the chorus of Hey You’s mid-range instrumental sounds so beautiful. Why is there a delay in the guitar arpeggio at the end of Is There Anybody Out There?? The sound of In The Flesh, which follows the MC, is so amazing that there really is no voice. Everything is really perfect. The agitation at the beginning of Run Like Hell is also very powerful! Of course, the unprecedented ultra-high sound quality of the guitar and drums that follows is amazing, and you can enjoy a tremendous performance that all Floyd fans should experience. There will be a tape change after the Run Like Hell performance, but no songs will be cut. The Trial, who showed a shaky performance two days ago due to technical trouble, will be able to listen to a perfect performance on this day. Has there ever been a take where the S.E. of the collapsing wall was recorded so clearly? (Truly Sensor Round!) Introducing a super quality sound source that reigns at the top of all wall live sound sources. Nassau Coliseum, Uniondale, Long Island, New York, USA 26th February 1980 TRULY AMAZING SOUND Nassau Coliseum, Uniondale, Long Island, New York, USA 28th February 1980 PERFECT SOUND Live at Nassau Coliseum, Uniondale, Long Island, New York, USA 26th February 1980 Disc 1 1. MC Intro 2. In The Flesh 3. The Thin Ice 4. Another Brick In The Wall Part 1 5. Happiest Days Of Our Lives 6. Another Brick In The Wall Part 2 7. Mother 8. Goodbye Blue Sky 9. Empty Spaces 10. What Shall We Do Now 11. Young Lust 12. One Of My Turns 13. Don’t Leave Me Now 14. Another Brick In The Wall Part 3 15. Goodbye Cruel World Disc 2 1. Hey You 2. Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring The Boys Back Home 6. Comfortably Numb 7. The Show Must Go On 8. MC Intro 9. In The Flesh 10. Run Like Hell 11. Waiting For The Worms 12. Stop 13. The Trial 14. Outside The Wall Live at Nassau Coliseum, Uniondale, Long Island, New York, USA 28th February 1980 Disc 3 1. MC Intro 2. In The Flesh 3. The Thin Ice 4. Another Brick In The Wall Part 1 5. Happiest Days Of Our Lives 6. Another Brick In The Wall Part 2 7. Mother 8. Goodbye Blue Sky 9. Empty Spaces 10. What Shall We Do Now 11. Young Lust 12. One Of My Turns 13. Don’t Leave Me Now 14. Another Brick In The Wall Part 3 15. Goodbye Cruel World Disc 4 1. Hey You 2. Is There Anybody Out There? 3. Nobody Home 4. Vera 5. Bring The Boys Back Home 6. Comfortably Numb 7. The Show Must Go On 8. MC Intro 9. In The Flesh 10. Run Like Hell 11. Waiting For The Worms 12. Stop 13. The Trial 14. Outside The Wall
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