Pink Floyd/Netherlands 11.7.1970 Upgrade

One of Pink Floyd’s best performances in 1970, the sound quality has been dramatically updated with the “4th gen” source!! The sound source is now inferior to the upper generation source, which has followed a different route from the previous one. !!The Rotterdam performance on November 7th, the second day of the European tour that began on November 6th, 1970 in conjunction with the release of the album “ATOM HEART MOTHER”, has long been noted for its excellent performance expression. is. This became a hot topic when it first appeared on an unofficial record as “REMERGENCE” in 1998, but even though it was a valuable sound source that was finally made into a record, the sound quality was not good enough. I think there were many. “GROTE ZAAL”, which was announced in 2009, appeared as a sauce that surpassed this. The superior sound (probably 1st or 2nd gen), which is close to the master tape even though it is the same source, became a hot topic, and this has become a standard worldwide standard title to this day. However, this year, October 2020. This “4th gen” source was quietly published on the Internet, with such a world standard title in mind. As mentioned above, the source used for “GROTE ZAAL” is a good sound quality disc that is presumed to be 1st or 2nd gen, and it would be nice if a higher-level source of this was released, but what value is a lower 4th generation source worth now? …. Many fans around the world opened the file with such a lighthearted feeling and received a shocking shock that has rarely been seen in recent years. Yes, even though it is 4th gen, it was a shocking high-quality sound source that completely defeated “GROTE ZAAL”. …But is there such a thing? In order to explain how good the sound of this source is, it seems necessary to first write about the reason.As far as it is currently known, Recorder 1 is the only known recording from this day. The world standard “GROTE ZAAL”, the old Highland edition, and the 4th gen that will appear this time are all Recorder 1. But these three identical sources are not sources that follow the same line. In other words, “GROTE ZAAL” is not what it was before the sources used, and this 4th gen is not what it was after. Although there are variations in generations, each one is the 2nd, which was derived from the master at different times and followed a different route, and is the 4th. In the first place, it is strange to think that there is only one 1st gen created from the master; if the owner of the master tape creates and provides the 1st gen to multiple people, multiple 1st gens already exist at that point. , it is only natural that each 1st has its own 2nd and 3rd. When multiple people who received multiple 1st gens create 2nd gens in their own recording environments, of course each person’s equipment, grade of tape prepared, recording technology and knowledge will be affected. Due to the difference in the sound quality, multiple 2nd gens will be created with considerable variations in sound quality. The 3rd gen created from this should have a more varied and diverse sound image, and even the same 2nd gen and 3rd gen can have very different results. In view of this, it is appropriate that the source used for the Highland edition is the 3rd gen, which was recorded in a not-so-good recording environment, and the source used for the world standard “GROTE ZAAL” was mastered on a different occasion than the Highland source. It can be inferred that it was a reasonably good 1st or 2nd edition created from . However, the 4th gen that appears this time has high-resolution sound that easily surpasses such world standards. The origin and history are completely different from the sources heard on each previously released edition, and the original master sound has been carefully inherited by tapers with recording experience and equipment knowledge, creating a “thoroughbred 4th generation sound”. That’s it. This is why the original sound of Recorder 1 is maintained with miraculous freshness and resolution of a different level, and that is why the sound is at a far higher level than the two previously released releases even though they are generations apart. What’s more! Before the performance of “Atom Heart Mother”, about 1 minute and 45 seconds of tuning and a long song introduction MC by Roger, which had been completely missing from both previously released editions, appeared for the first time. Of course, this is the first scene in history, and the fact that the original recording, which was completely unknown, still exists, is the source of this 4th gen taking a different route from the known route. I think you’ll understand. On the other hand, it is interesting that there are omissions that are unique to the 4th gen, and there are strange cuts in scenes that can be seen normally in the existing sources. The reason for this is the number of minutes of tape used; this 4th gen consists of one 90-minute tape and one 60-minute tape, so the tape reverse point is approximately every 45 minutes. A trace appears every 30 minutes. However, what is missing here is the 3rd gen source left in a different system (*Although the sound quality is slightly inferior to this 4th gen, it is a 3rd gen that has a different path from both previously released releases and this 4th gen. (The sound quality is better than the previously released version!!) The show was completely restored using the original version. As a result, the 1970 Rotterdam performance, which is the longest version with the highest sound quality ever including the first appearance scene in history, was born!!!…Therefore, this sound and the full length of the show are shocking. Disc 1-(1), like the previously released version, shows the venue before the performance, tuning, and Roger’s MC, but the recording start point is the world standard “GROTE ZAAL” (*hereinafter referred to as the “previously released version”). First of all, it should be noted that it starts about 2 seconds before the song “Masu)” and is a perfect recorded version that can be listened to from the moment the record button is pressed. “Astronomy Domine” also appears with clarity and thickness that are an order of magnitude higher than the existing sound images. The outline of the sound is sharp, and your eyes will naturally widen at the amazing sound image that you can’t believe is 4th gen. From 00:00 to 00:06 and from 9:16 to the end of the track are compensated with the new 3rd gen mentioned above, but even in this 3rd gen compensated section the sound quality is about +2 better than the previously released version. The bass harmonics that accompany “Fat Old Sun” at the beginning and during the song sound even harder and more beautiful, and the euphoria of Dave’s singing reaches you with a special wave. The improvement in sound quality is especially remarkable from around 8:28 in the middle of the song, and the fusion of the long guitar solo and Rick’s organ hits you with a vividness that is an order of magnitude better than the previously released version. The beginning of the song from 0:00 to 0:13 is supplemented by a new 3rd gen, but since the sound quality is similar to the 4th gen, the connection is so perfect that you can hardly tell, and the tuning after the end of the song is also the same as that of the day. It contains more than 3 minutes and 30 seconds of the host’s announcements and sound production, and this is clear and vivid enough to blow away previous releases. “Cymbaline” is also different from the previously released version, which had a crushed midrange and was dark and muddy, but the tone and sound are full of the brightness and vividness that is unique to Thoroughbred Sauce. There is only a momentary blank space at 5:07 that is not on the previously released version, but this seems to be a trace of the creation of 4th gen, which was transferred to a 90-minute tape (*reverse point of the tape). The sound will restart from the point where it was rewound for about 2 seconds, so if you listen back to the front and back, you will be able to confirm that no scenes are missing. The tuning for about 1 minute and 45 seconds that unfolds after the end of the song and Roger’s long song introduction of the next song “Atom Heart Mother” are the first scenes in history. This seamless listening response is a considerable advantage because this part was almost completely cut in each of the previously released sources. “Atom Heart Mother” has a sound gap in the 3 seconds from 2:12 to 15 that does not exist in the same part of the previous release, and this is also a characteristic unique to 4th gen (* This is due to the fact that It must be a trace that occurred at some point). However, in terms of sound quality, there is an overwhelming upper feeling here as well, and the tuning that takes place after the performance for more than 3 minutes and 30 seconds appears with a vividness and close range that is different from the sound that has already been released. On the other hand, “The Embryo” is missing the recorded sound of the 4th gen for about 20 seconds from 1:25 to 46, so this is also a new 3rd gen adjusted + treated with a waveform of 1/1000. However, this is also a perfect patch that you would hardly notice unless it was written that it was compensated like this. Also, from 10:07 to 13, there is a tape twist, but this sense of discomfort is instantly erased by the overwhelming master original sound power that oozes out. “Careful With That Ax, Eugene” is a scene where you can tell the difference in the source, and there is a sudden sound increase that occurred at 7:28 on the previously released version. There are no traces of tampering with the switch. The sound image unique to 4th gen, which maintains the volume correctly throughout the song, will awaken an excitement you have never experienced before. “Set The Controls For The Heart Of The Sun” is the best ever, with the bass hitting a different rhythm from around 9:09, and the guitar adding strong effects to it, which is unique to this day. You will be surprised by the clarity of the mid-to-low range and the completely different way the core enters. “A Saucerful Of Secrets” has a wider spread of sound to the left and right than the previous release, so the muddy feeling in the bass range has been significantly reduced, and the rhythm pattern of the drums that starts at 5:54 seems to be different from usual. will arrive even more beautifully. The guide vocal section at the end of the song is unusual for this period, as it sings plenty of two choruses, and in contrast to the cloudy and dark sound so far, it has a clear and crisp sound. In this way, the recording of 4th gen ends at 20:03 with cheers after the end of the song, and the tuning and “Blues” after the end of the song become the exclusive domain of the new 3rd gen, but this is actually a big listening point. Especially in the middle, the performance unique to this day, which has an unusually hard development, is a sound image that surpasses the previous releases, and its ability is sure to keep your eyes open until the end. Even so, the sound quality is good. It’s definitely 4th gen on the notation, but if you try to avoid it because of the negative impression of this number, it’s an excellent sound that you will regret for the rest of your life. Please enjoy the vividness of the pure bloodline sound that does not fade even after generations, rather than the sound that has become more coarse as it has branched out. Edited to the longest version by focusing on the 4th Gen, which has the best sound quality, and filling in the missing parts with the 3rd Gen source. Grote Zaal, De Doelen, Rotterdam, The Netherlands 7th November 1970 TRULY AMAZING/PERFECT SOUND(UPGRADE!!) Disc:1 (78:09) 1. Intro ★0:18 – Compensation until the end 2. Astronomy Domine ★0:00 – 0:06 Compensation / ★9:16 – Compensation until the end 3. Fat Old Sun ★0:00 – 0:13 Compensation 4. Cymbaline 5. Atom Heart Mother 6. The Embryo ★1:25 – 1:46 Compensation Disc :2 (66:21) 1. Tuning 2. Green Is The Color 3. Careful With That Ax, Eugene 4. Set The Controls For The Heart Of The Sun ★1:33 – 2:39 Compensation / ★14:22 – Compensation until the end 5. A Saucerful Of Secrets ★0:00 – 0:41 compensation / ★20:03 – Compensation until the end 6. Blues ★Compensation for all