Description
On May 15, 1971, the outdoor concert at the Crystal Palace Bowl in London was held at the Crystal Palace Bowl, with Pink Floyd at the top, and the best and longest ever recording. The definitive edition of the performance, which was recorded for 1 hour and 40 minutes, is now available on the popular Sigma label. This performance is very important in that you can listen to the earliest (oldest) live sound source of Echoes (at that time it was called Return Of The Son Of Nothing). Previously, there was “Crystal Echoes” released by the HL label in 2005, but the youthfulness of Gene in the take used in this edition can be seen at a glance, and it is the best freshest song ever. You can enjoy this historic concert to your heart’s content. Judging from the tuning time before the start of Atom Heart Mother, it is recorded a whopping 1 minute and 40 seconds longer, and the freshness and closeness of the sound due to the difference in generation makes it a completely different sound that jumps out from the speakers. Masu. It is said that the 1st Gen DAT master from the cassette master that has appeared in recent years is used, but this label has adjusted the high pitch, adjusted the left and right balance (originally a monaural sound source), and removed the occasional analog noise from the original sound. We have created the best version that has been carefully removed so as not to affect the . According to the literature, the first performance of Echoes was performed in Norfolk on April 22nd, but the sound source of this concert has never been released, and as mentioned above, it is currently the oldest live sound source of Echoes. Masu. Similarly, according to the literature, “the fish in the pond in front of the stage died of shock,” but regardless of whether this is true or not, the performance was full of power, with an unusually raw, raw, raw feel that seemed to confirm this. You can listen to This early version of Ehoes, called Return Of The Son Of Nothing, features an endless two-voice chorus that is not in the final version in the 20-minute ending section (it’s truly ethereal), and is completely different from the official version. It has a different arrangement. Also, as you know, the lyrics at this stage are completely different from the final version. Since it was a special outdoor stage, one of the features of this day (sound source) was that you could listen to a straight performance that did not rely on special lighting or sound equipment, even more so than a normal live performance, and the fans couldn’t stop watching the raw and stoic performance. Probably not. The last songs, A Saucerful Of Secrets and Astronomy Domine, have not yet been recorded, but for the main part, the recorder is spinning the tape endlessly (although there are some cuts), so the long tuning times between songs are vividly recorded. This is a feature of this sound source. The 1971 Crystal Palace, which was a maniac sound source, has now been transformed into the best album that anyone can enjoy. Introducing the ultimate upgraded version of a famous sound source that is sure to become one of the representative Floyd titles of this year. Garden Party at the Crystal Palace Bowl, London, UK 15th May 1971 TRULY AMAZING SOUND(HUGE UPGRADE) Disc 1(48:24) 1. Tuning 2. Atom Heart Mother 3. Tuning 4. Careful With That Ax, Eugene 5. Tuning 6. Fat Old Sun Disc 2(50:13) 1. Tuning 2. The Return Of The Son Of Nothing 3. Tuning 4. Set The Controls For The Heart Of The Sun 5. Tuning 6. Embryo
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