Paul McCartney / Tokyo, Japan 4.27.2017 IEM Matrix Ver.

The Nippon Budokan IEM (in-ear monitor) album “BUDOKAN 2017: IN EAR MONITOR RECORDING” and its matrix version “BUDOKAN 2017: IN EAR MONITOR RECORDING” created a whirlwind. However, the impact did not end at the Budokan. A new IEM was released at the Tokyo Dome. This work is a matrix album of the shocking sound source and audience recording. This work is included in “April 27, 2017”. This is the first day of the three-day Tokyo Dome concert. The person who released this work is the same person who released “BUDOKAN 2017: IN EAR MONITOR RECORDING”. The Nippon Budokan was only an IEM, but this time it was released in a form that was matrixed with audience recordings made by the artist himself. This work is a direct disc version of that sound. The sound is astounding again this time. Last time, it was a noiseless and seamless superb product that overturned the common sense of IEM interception, and the impact is still alive in this work. In any case, the soundboard sound is direct, and there is no cut or noise that is common in IEMs. Beautiful and direct musical sounds and singing voices are poured into your ears in abundance. Moreover, this time it is a matrix. Since it is layered at the time of publication, I do not know how many types of IEMs are based on, or whether the audience recordings were recorded by the person himself, but in any case, there is no doubt that it is the best. The editing sense is also excellent, and the compatibility between the “core” of the exposed soundboard and the “ringing” of the audience is perfect, and the stereo feeling is vivid. When it comes to the bass sound that stands out clearly with each sound, it is wonderful that it easily surpasses all kinds of recordings to date. Of course, since the original is a “work mix” IEM, it feels a little different from “official grade”, but that is why it is a live album with a vivid vividness. The wonderfulness of the Tokyo Dome performance depicted by that sound… no, “amazing”. As we knew from the masterpiece live albums up to now, the release of a large number of masterpieces that cannot be compared to the Nippon Budokan is overwhelming. The Beatles’ “You Won’t See Me”, which was performed for the first time in Japan, the collaboration songs “FourFiveSeconds” and “Temporary Secretary”, “Letting Go” and “Birthday” only on the first day of the Tokyo Dome… I should have listened to all of them a long time ago, but they sound completely different. The superb IEM that has appeared again is out of the ordinary. It is a masterpiece of the Matrix album that expands its awesomeness many times over. This year’s performance in Japan has not yet been blessed with any leaked sound boards, but if you have this work, it may not be necessary… This is a work filled with such sound. In Ear Monitor Recording & Audience Recording Matrix Disc 1 (79:41) 1. Intro. 2. A Hard Day’s Night 3. Junior’s Farm 4. Can’t Buy Me Love 5. Letting Go 6. Temporary Secretary 7. Let Me Roll It 8. I’ve Got A Feeling 9. My Valentine 10. Nineteen Hundred and Eighty-Five 11. Maybe I’m Amazed 12. We Can Work It Out 13. In Spite of All the Danger 14. You Won’t See Me 15. Love Me Do 16. And I Love Her 17. Blackbird 18. Here Today 19. Queenie Eye 20. New 21. The Fool on the Hill Disc 2 (77:58) 1. Lady Madonna 2. FourFiveSeconds 3. Eleanor Rigby 4. I Wanna Be Your Man 5. Being for the Benefit of Mr. Kite! 6. Something 7. Ob-La-Di, Ob-La-Da 8. Band on the Run 9. Back in the U.S.S.R. 10. Let It Be 11. Live and Let Die 12. Hey Jude 13. Yesterday 14. Sgt. Pepper’s Lonely Hearts Club Band (Reprise) 15. Hi, Hi, Hi 16. Birthday 17. Golden Slumbers 18. Carry That Weight 19. The End