Paul McCartney/London,UK 2018 IEM Recording Ver.

Thank you for waiting! The sound board quality in-ear monitor sound source of the London O2 Arena performance, which became a new legend with surprise guest appearances by Ringo Starr and Ron Wood, is now available for the first time!　I apologize for suddenly coming up with a personal matter, but I have always disliked so-called in-ear recordings of live sound sources. It’s true that the sound is close (or rather, the sound board) and the clarity is excellent, but isn’t it too different from the sound I heard at a live venue? and. In fact, it’s good that many in-ear sound sources have appeared before Paul in the 2010s, but when you hear the word “in-ear sound”, you imagine a unique instrument balance with a lack of low range, and you can’t help but get defensive. It’s something. So when he was asked to write about Paul’s performance in Japan last year, which would be released as an earphone recording, he was as expected. Even though I’ve always written a lot of crap about our store’s items, I was a little worried, thinking, “Hmm, that’s annoying…” It was the rare masterpiece “RYOGOKU KOKUGIKAN 2018: ORIGINAL IN-EAR MONITOR RECORDING” that broke my rigid thinking. Not only is it clear, but the balance between each instrument is good (the keyboards don’t stand out too much), and you can listen to it as a normal live album…this is “Ali!” Since then, masterpieces by the ear monitor master have been released one after another, including “NAGOYA DOME 2018 ORIGINAL IN-EAR MONITOR RECORDING” and “LIVERPOOL 2018 ORIGINAL IN-EAR MONITOR RECORDING” which was followed up until after the Japan performance. I think it was “GLASGOW 2018 ORIGINAL IN-EAR MONITOR RECORDING” that made me feel that I had reached this point. The flashy instrument balance and textures have finally subsided and you can listen to the latest live performance with a “Paul-like” sound. The recording by the master, who everyone thought would only be performed in Japan, unexpectedly crossed the ocean, and the fact that the recording was first revealed in “LIVERPOOL 2018 ORIGINAL IN EAR MONITOR RECORDING” surprised enthusiasts all over the world. That was enough. The impact was also a considerable release, but I did not know that “GLASGOW 2018 ORIGINAL IN-EAR MONITOR RECORDING” would be released subsequently. Naturally, expectations were high on the last day of the tour, and on the last day of the tour, an extraordinary surprise occurred at London’s O2 Arena. Naturally, you want to listen to it with the best in-ear stereo sound like Liverpool or Glasgow. There is no way that such expectations would not rise. Of course, your expectations will not be disappointed! The master did a great job in London as well. Rich but unobtrusive stereo sound. In terms of trends, it can be said that it is more similar to last week’s Glasgow than Liverpool, and it is rounded without being overly clear. After all, this kind of taste fits well with Paul’s live sound, and his bass line is captured perfectly. However, in London, there are noticeable parts of noise in “Let It Be” and “Live and Let Die”. Fortunately, these concerns are limited to a limited number of areas, and do not cause serious listening stress. Ironically, that noise seems to make us reconfirm the recording path (= ear monitor) of this sound source. Regarding this day’s live performance, as was widely reported in real time, attention tends to be focused only on the surprise encore, but as expected, it was the last day of last year’s Freshen Up tour. Paul’s spirit is high from the opening, and his voice is also good. As the two previously released performances have proven, the current Paul is getting better as the tour progresses. For example, “Let ‘Em In” was a huge difference compared to the first day at Tokyo Dome. The tension is so high that the MC, who has been asked before, “What is the best in Japanese!”, is asked before “I’ve Just Seen a Face” as usual, and the MC says, “Where do you all come from?” ” was heard in front of “Lady Madonna.” Since it is such a tone, it is probably because Paul made a mistake in the composition in “Queenie Eye”. Anyway, the sound quality is so realistic that it even feels like the band members are holding back their laughter while continuing the chorus. What’s interesting about this earphone sound source is that the cheers that can be heard on a smaller scale are picked up from the microphone on the stage. Approximately 11 minutes and 30 seconds into track 1, a scene of cheers going up during Coming Up was captured, and Ringo Starr actually appeared from the right aisle of the arena at this point and was responding to handshakes from nearby audience members. The situation is being picked up by a microphone installed on the stage. The voltage of the audience, anticipating something, was at its maximum from the get-go. If you listen to it knowing that he appeared as a surprise guest, this track 1 is also an interesting sound source. The encore that became a hot topic was a surprise from the beginning, and John Hamel, who had been Paul’s roadie for many years, appeared for the first time in a while and handed the bass to Paul (he introduced it as “Johnny Hummel”). That was used as a trailer, and an even bigger surprise was the appearance of Ronnie Wood and Ringo. Even with this sound source whose cheer level is low, you can clearly understand the tremendous cheers when the latter appears. “Get Back” was played with them, Ronnie was swung by Paul and played a solo in the second interlude and reprise, but the play was perfect. Furthermore, Ringo hit the song even more before the reprise (lol). Even the drumming was clear. The Liverpool and Glasgow releases that have been released so far have had a considerable impact, but this co-starring with Ringo and Ronnie, which has made maniacs all over the world go crazy, has outstanding clarity, and it’s only been less than a month and a half since that day’s live performance. I’m sure you’ll enjoy it! This is the ultimate album where you can enjoy the touching scene of Paul Paul and saying, “We have a little surprise for you guys. It was a surprise for us too” in the best sound quality, and the Chishu Raku from the 2018 Freshen Up Tour to your heart’s content. item! Live at the O2 Arena, London, UK 16th December 2018 TRULY ULTIMATE SOUND(from Original Masters) Original In-Ear Monitor Recording (Stereo) Disc 1(67:27) 1. Intro. 2. A Hard Day’s Night 3. Junior’s Farm 4. All My Loving 5. Letting Go 6. Who Cares 7. Got to Get You Into My Life 8. Come On to Me 9. Let Me Roll It 10. I’ve Got a Feeling 11. Let ‘Em In 12. My Valentine Disc 2(58:20) 1. MC 2. Nineteen Hundred and Eighty-Five 3. Maybe I’m Amazed 4. I’ve Just Seen a Face 5. In Spite of All the Danger 6. From Me to You 7. Dance Tonight 8. Love Me Do 9. Blackbird 10. Here Today 11. Queenie Eye 12. Lady Madonna 13. Eleanor Rigby 14. Fuh You 15. Being for the Benefit of Mr. Kite! Disc 3(69:23) 1. MC 2. Something 3. Ob-La-Di, Ob-La-Da 4. Band on the Run 5. Back in the U.S.S.R. 6. Let It Be 7. Live and Let Die 8. Hey Jude 9. Birthday 10 Wonderful Christmastime (with Capital Children’s Choir) 11. Get Back (with Ringo Starr & Ronnie Wood) 12. Sgt. Pepper’s Lonely Hearts Club Band (Reprise) 13. Helter Skelter 14. Golden Slumbers 15. Carry That Weight 16. The End