Ozzy Osbourne/PA,USA 1984 Upgrade

Finally, finally, this day has arrived. The best masterpiece live album that permanently preserves “the strongest Ozzy band” is born! [Ozzy band from the Carmine era where everyone is a master] What is engraved in this work is “Bethlehem performance on January 17, 1984”. The “strongest band” is a five-piece group that includes Jake E. Lee, Bob Daisley, Don Airey…and the historical master Carmine Appice (!). This is a powerful audience recording containing a full show of a phantom lineup that never left an official work. Speaking of stools from the “Howl at the Moon” era, one might think of them as reserved seats for Tommy Aldrich, but Carmine was also a member for a time. This time, it is also the definitive edition of the Carmine era, which is perfect for beginners, so let’s explain it again from the whole tour view. 1983《Jake joins》・January 12th-30th: Europe #1 (13 performances)《Bridgewater→Ailey change》・February 11th-April 5th: North America #1 (34 performances)《Costa→ Daisley change》・May 29th: US FESTIVAL　←※THE COMPLETE SOUNDBOARD《Aldrich → Apis change/“Howl at the Moon” released on November 15th》 *November 10th – December 22nd: Europe #2 (32 performances ) 1984 *January 10th – February 20th: North America #2 (31 performances) ←★Coco★《Apis → Aldrich change》・March 3rd – June 10th: North America #3 (61 performances) ← *Official video ・June 28th – July 7th: Japan (8 performances) ← *ULTIMATE BARKS: TOKYO 1984 ・August 4th: Puerto Rico ・August 18th – September 2nd: Europe #3 (5 performances) ) January 16th + 19th, 1985: ROCK IN RIO (2 performances) ← *Pro shot [Aldrich/Daisley/Ailey left] *Note: Dates marked with an asterisk (*) are from the Carmine era. This is the whole picture of the tour related to “Howl at the Moon” since Jake joined. Carmine joined just before the release of “Howl at the Moon” and only participated in “Europe #2 + North America #2”. Then Tommy Aldrich came back. Although it was such a foamy lineup, the content of the live performance was unparalleled. Carmine’s drumming is not only powerful, but also more lyrical, diverse, and colorful than any of his predecessors. Of course, not to mention Bob’s singing lines and Don’s brilliant keyboard, Jake’s guitar is also the most vocal in history. Beyond the rarity of having no official works and being a super band full of celebrities, the “strongest performance” has captured the hearts of enthusiasts, and numerous audience recordings have been unearthed. [Finally unearthed extremely thick recording] It has become quite long with just the introduction, but this work is a new unearthed live album from the “strongest era”. It is a masterpiece audience recording of permanent preservation class that has finally appeared. The sound is truly the “strongest”. It has been digitized directly from the original master who was recently discovered, but the most amazing thing is the close contact and extremely thick core. I wouldn’t mistake it for a sound board because of the on-site feeling of boiling Carmina Burana that announces the start of the performance, but I would be mistaken for the on-on performance sound that suppresses the enthusiasm in an instant and slams it in front of me. In terms of the neatness of the sound, “BARK ST THE PARIS”, which has been considered the highest peak of the Carmine era, may be more beautiful, but the close contact / front feeling of this work cannot be compared. The powerful sound depicts Ozzy classics colored by Carmine’s vocal drumming. Speaking of the Carmine era, the pro shot of the Dortmund performance in 1983 is famous, but that was a short 30 minute shot that fit the broadcast time frame. On the other hand, this work allows you to enjoy a full show of over 70 minutes. Let’s organize the sets while comparing them here. Classics Paranoid: Iron Man/Paranoid/Blizzard of Oz: I Don’t Know/Mr. Crowley/Revelation (Mother Earth) (★)/Steal Away The Night (★)/Suicide Solution (★)/Crazy Train (★)・Diary of a Madman: Flying High Again (★) Bark At The Moon・Rock ‘n’ Roll Rebel (★)／Bark At The Moon／Center Of Eternity *Inside: “★” mark is a major standard A song that cannot be heard even on the ROCK POP DESTIVAL pro shot. …and it looks like this. The volume is incomparable to “ROCK POP 1983″, but the timing is just as important. In fact, during the Carmine era, “North America #2” in 1984 was rated higher than “Europe #2” in 1983. In “Europe #2”, there were some parts that I had to explore depending on the song, but after 32 performances I completely understood it. Furthermore, perhaps because they had been rehearsing over the year-end and New Year holidays, they devised a unique rhythm pattern for “North America #2” and added playfulness throughout. It is now possible to listen to a performance with a much higher degree of perfection. Listen to the beat reminiscent of a train in “Crazy Train”, do whatever you want in “Revelation (Mother Earth)” like a full-length drum solo, and the following “Steal Away The Night” is almost like Ian Pace from “Burn”. It’s not just that it takes a lot of work, but the drumming follows the song’s mood…no, the percussion is at full throttle. Not only the guitar and keyboard, but also the bass and drums are melodious. Moreover, while everyone seems to be doing their own thing, they bring out the dramaticism of the classical songs to the utmost…this is truly the “strongest” and “miraculous” show. The absence of the full sound board of “Carmine Era Ozzy” is nothing but a loss in rock history, but from now on there will be this work. Why do enthusiasts around the world love the Carmine era, and why do they even call it the “strongest”? A piece that explodes the answer with extremely thick direct sound. A masterpiece from the Carmine Appice era, which is hailed as the “best Ozzy band.” This is a very thick audience recording of “January 17, 1984 Bethlehem Performance”. The sound digitized from the newly discovered original master has a strong core that is close to zero distance. “Crazy Train” has a beat that reminds you of a train, “Revelation (Mother Earth)” has a full-length drum solo that you can do whatever you want, and “Steal Away The Night” is almost like Ian Pace from “Burn”… This is a historical masterpiece where you can fully experience the “super band’s strongest show” with melodious not only guitars and keyboards, but also bass and drums. Stabler Arena, Bethlehem, PA, USA 17th January 1984 TRULY PEFECT SOUND (71:28) 1. Carmina Burana 2. I Don’t Know 3. Mr. Crowley 4. Rock ‘n’ Roll Rebel 5. Bark At The Moon 6 . Revelation (Mother Earth) 7. Steal Away The Night 8. Band Introductions 9. Suicide Solution (tape flip edit at 00:41:27:10) 10. Center Of Eternity 11. Drum Solo 12. Flying High Again 13. Iron Man 14. Crazy Train 15. Paranoid Ozzy Osbourne – Vocals Jake E. Lee – Guitar Bob Daisley – Bass Carmine Appice – Drums Don Airey – Keyboards