Ozzy Osbourne/London,UK 11.29.1983

In 1983, Ozzy Osbourne created a fantastic lineup that was called “the strongest of all time” by core collectors. A treasured original recording that allows you to experience the full show on-site will be released for the first time worldwide. The “strongest lineup” is centered on the hero of the new era: Jake E. Lee, with the addition of Carmine Appice, a master among the best. Of course, Bob Daisley is on bass and Don Airey is on keys. They were a miraculous group of five who were masters of all parts. There are many soundboards left from the Jake era, including “US FESTIVAL ’83: THE COMPLETE SOUNDBOARD”, which shocked the whole world the other day, but most of them are drummed by Tommy Aldridge. The “carmine era” was the strongest era of extremely rare foam. This work is such a valuable record. This is a treasured audience recording of “November 29, 1983 London Performance”. First of all, let’s look back at the schedule from that time and realize how valuable the “Carmine era” was. 1983《Jake joins》・January 12th-30th: Europe #1 (13 performances)《Bridgewater→Ailey change》・February 11th-April 5th: North America #1 (34 performances)《Costa→ Daisley replacement》・May 29th: US FESTIVAL《Aldridge → Carmine Appice change》《“Howl at the Moon” released on November 15th》・November 10th – December 22nd: Europe #2 (32 performances) ← ★Coco★ January 10th – February 20th, 1984: North America #2 (31 performances)《Carmine Appice → Aldridge change》 [World’s first master appearance by a Japanese taper] This is the progress from Jake joining to Carmine leaving . From the time Jake joined until the production of “Howl at the Moon,” Tommy Aldridge was in charge, but he was replaced by Carmine Appice before the start of the tour. Although they continued touring “Europe #2” and “North America #2”, Carmine left the band because they could not reach an agreement. It was the flow of Tommy returning again. “BARK ST THE MOON TOUR” got into full swing after Tommy returned, and most of the records left were by Tommy. Under such circumstances, the London performance of this work was the 14th concert of “Europe #2”. This work recorded at such a show is a treasured master that will be released for the first time in Japan. In fact, this work was recorded by a Japanese taper who was in England at the time. This is a secret live album that has been made directly into CD from the original cassette, which has never been released to the public! That’s why the quality is so good…it’s amazing. Of course, it is not the type that can be mistaken for a sound board, but its core is strangely strong and the outline is clear. Ozzy’s vocals are clear down to the nuances of not only one word of the lyrics but also one syllable, and Jake’s guitar is clear down to every grain of rapid fire, and even a little arming can be clearly understood. Of course, the important carmine also kicks up the five organs and shakes the six senses with a powerful force. Although it cannot be said that the sound is glossy, it is an amazing recording that is so powerful and yet stable without shaking. [A full show filled with Carmine’s dramaticism] You can fully experience the “five strongest people in history” with that sound… You can’t resist this thrill. Speaking of the “Carmine era”, the TV broadcast of “POP ROCK FESTIVAL 1983” held in Dortmund is known as the only professional record, but this work has plenty of repertoire that cannot be heard there. Let’s organize the contents here. SABBATH numbers (2 songs)・Iron Man/Paranoid Randy era (7 songs)・BLIZZARD OF OZZ: I Don’t Know/Mr. Crowley/Revelation (Mother Earth) (★)/Steal Away (The Night) (★) /Suicide Solution (★) /Crazy Train (★) ・DIARY OF A MADMAN: Flying High Again (★) Bark At The Moon (3 songs)・Rock ‘n’ Roll Rebel (★) /Bark At The Moon／Centre Of Eternity *Note: Songs marked with “★” cannot be heard in the pro shot of “DORTMUND ROCK POP FESTIVAL”. …and it looks like this. The set itself follows the basics of “BARK AT THE MOON TOUR”, and the guitar and keyboard are a series of vivid passages that are familiar from many sound boards. However, Carmine’s drumming that roars there is not familiar. The key to this is your sense of phrasing. Tommy is also a master, but his style is more of a straight power push. Carmine, on the other hand, uses a percussive style that weaves flexible and flexible phrases, constantly discovering the possibilities of songs. That inspiration was seen in Dortmund’s pro shot, but I’m glad that the initial number has increased greatly in this work. Dramaticism is the key to songs from the Randy era, and Carmine’s work in enhancing it one by one shines through. If I were to compare this to BLACK SABBATH from the Cozy era. Cozy has the image of being a flashy power hitter, but in reality he is a very particular person. He takes the dramaticism of Sabbath to the extreme by hitting phrases with hooks into parts where previous drummers had to keep the rhythm. It was raised to. As expected, Carmine has not reached the depth of Cozy SABBATH immediately after joining, but he is still more dramatic than anyone else in history. A series of famous songs filled with Carmine’s taste that even Cozy admired flow out one after another. I wanted it to continue more, at least I wanted him to record “Howl at the Moon” with Carmine… It’s a wonderful show that brings back the grudges from 37 years ago. The “strongest Ozzy Osbourne band” disappeared into the darkness of history, leaving only the 30-minute “POP ROCK FESTIVAL 1983” as a professional record. This is the world’s first master who vacuum-packed the full show by a Japanese person. The essence of the dream team, which includes not only Jake, Don, and Bob, but also the hero Carmine Appice. Completely original master sound source provided by the recorder for the first time! ! Live at Hammersmith Odeon, London, UK 29th November 1983 TRULY AMAZING SOUND(from Original Masters) (71:14) 1. Introduction 2. I Don’t Know 3. Mr. Crowley 4. Rock ‘n’ Roll Rebel 5. Bark At The Moon 6. Revelation (Mother Earth) 7. Steal Away (The Night) 8. Suicide Solution 9. Center Of Eternity 10. Drum Solo 11. Flying High Again 12. Iron Man 13. Crazy Train 14. Paranoid Ozzy Osbourne – Vocal Jake E. Lee – Guitar Bob Daisley – Bass Carmine Appice – Drums Don Airey – Keyboards