Nirvana/France 1992 Complete Upgrade

The latest AI technology brings a new dimension to the “REMASTER & REMIX” project. The Matrix album is the first in the NIRVANA series! This work contains the “1992 Paris Le Zenith performance.” Yes, it was held two years ago at the same venue as “Paris 1994,” released at the end of last year! This is a superb audience recording of that performance. A new musical experience created by the ultimate audience and AI remix AI technology has sparked various technological innovations, but this “REMASTER & REMIX project” is not a generated thing made up from nothing. General generation AI and AI technology used for remastering and remixing are different things. Using only real vintage records as materials, AI technology breaks down each instrument into tracks. It remixes them like official works. So far, masterpieces such as Oasis, Jimi Hendrix, Pink Floyd, and The Who have been very well received, and this work is the NIRVANA edition. Moreover, this time it is an audience recording. The source material was two top-class recordings called “AUD#1a” and “AUD#4” by collectors. Each of these was broken down into nine tracks: “drums (4 tracks) / guitar / bass / vocals / vocals / cheers”. The “9 tracks x 2 sources = 18 tracks” were remixed to create a full live album. It may be difficult to imagine a one-shot audience remix, but it is actually an audience recording that shows the power of AI remix. In fact, the sound of this work is so amazing that it is hard to believe that it was originally an audience. By disassembling it once, it is possible to individually master each instrument, completely eliminating bleeding and mixing. It is not influenced by other instruments and a sound that is suitable for each sound is realized. Moreover, since it has been reassembled, the musical balance is beautifully balanced. For example, the cheers of “AUD#4”. This recording is known as a recording in which the chorus is recorded loudly, but this work is mixed so as not to interfere with the performance. The reality of the chorus and the reality of the audience are fully absorbed, while at the same time the musical work is highly complete. The effect of rearrangement is not just balance, but rather the true value lies in the three-dimensional effect it creates. To give an image, a normal matrix feels like recordings are layered on top of each other in a slide. In contrast, the AI ​​remix is ​​like a cat’s cradle, where each instrument is broken down into individual strings and reconstructed into a three-dimensional object. The full show of the “NEVERMIND” era that turned the whole world upside down The new dimension of the “Audience x AI Remix” sound depicts the full show of the revolutionary who spread the impact of “NEVERMIND” all over the world. 1992 was the year when the only performance in Japan was realized, and the official video “LIVE AT READING” is also familiar. Let’s take a bird’s-eye view of the activities at that time and check the positional relationship of each.・January 2-11: North America #1 (4 performances) ・January 24-February 9: Australia (12 performances) ・February 14-19: Japan (4 performances) ・February 21 + 22: Honolulu (2 performances) ・June 21-July 4: Europe (10 performances) ←★Here★ ・August 30: Official “LIVE AT READING” ・September 8-October 4: North America #2 (6 performances) ・October 30: Buenos Aires performance This is NIRVANA in 1992. The Paris performance of this work was about four months after the Japanese performance and about two months before the official “LIVE AT READING”. It was the third concert of the “Europe” leg. It is similar to “LIVE AT READING” because it is close to each other, but it is not exactly the same. Let’s compare the sets here. Nevermind (11 songs) Drain You/Stay Away/In Bloom/Breed/Polly/Lithium/On A Plain/Come As You Are/Smells Like Teen Spirit/Territorial Pissings/Endless, Nameless (★) Others (9 songs) Bleach: School/About A Girl/Scoff (★★)/Blew/Negative Creep/Love Buzz Singles: Aneurysm/Sliver/Been A Son *Note: The ★ mark indicates songs that were not heard on the official “LIVE AT READING”. …And so on. “Endless, Nameless” was heard on “LIVE AT THE PARAMOUNT”, but “Scoff” was not played. This “Scoff” is also perfect for experiencing the power of AI remix. Each drum intro is terrifyingly powerful and beautiful. If you are familiar with the original recording, you will be amazed at the power of AI remix. It is often said that “nothing makes you feel the progress of technology as much as audience recording,” and AI technology was no exception. 2025 is an era when audience recordings can produce music works that are the same as FM soundboards and official works. A new dimension of real live album that allows you to experience the cutting edge of such an era. Superb audience recording of the “1992 Paris performance”. Two types of superb recordings are decomposed into 18 tracks and remixed with AI technology. Not only can each instrument be carefully treated, but the musical balance is also well-balanced and the three-dimensional effect is upgraded to a different level. You can fully experience the “NEVERMIND” era with a sound that combines the reality of an audience and the perfection of an official level. This is a live album that allows you to experience a new dimension of music like never before. Le Zenith, Paris, France 24th June 1992 TRULY PERFECT SOUND UPGRADE (79:58) 1. Smells Like Teen Spirit (Tori Amos Version from Tape) 2. Aneurysm 3. Drain You 4. Stay Away 5. Sliver 6. School 7. In Bloom 8. Breed 9. About A Girl 10. Scoff 11. Polly 12. Lithium 13. Blew 14. Been A Son 15. On A Plain 16. Negative Creep 17. Come As You Are 18. Love Buzz 19. Smells Like Teen Spirit 20. Territorial Pissings 21. Endless, Nameless Kurt Cobain – Lead Vocals, Guitar Krist Novoselic – Bass Dave Grohl – Drums