Nazareth/CA,USA 1978

A shocking video series from Fresno that seems to have calmed down after a period of release rush. The latest work, the best masterpiece, is now available. The protagonist of this work is the Scottish hero NAZARETH. This is an audience shot taken at the “Fresno performance on March 8, 1978”. At that time, NAZARETH was the last of the original lineup of the first season, and after releasing “EXPECT NO MERCY”, they were touring with just the four members. First, let’s check the show’s position from the panoramic view. 1977 / October 13th – November 20th: North America #1 (13 performances)《“EXPECT NO MERCY” released on November 19th》 ・November 24th – December 15th: Europe (8 performances) 1978・January 28th – March 19th: North America #2 (25 performances) ←★Coco★ ・April 10th – 16th: West Germany (6 performances ・April 25th – May 28th: ​​North America #3 ( 9 performances) [September: Zal ​​Cleminson joins] This is the whole picture of “EXPECT NO MERCY TOUR”. Until July, they were on tour in conjunction with their previous work “PLAY ‘N’ THE GAME”, but 4 months later. released “EXPECT NO MERCY.” After the tour ended, they welcomed Zal Cleminson and transitioned to a five-piece band.The Fresno performance of this work was the largest leg of the world tour, “North America #2.” This was the 21st performance of the show.This work was taken at such a show and is one of the masterpieces of the Fresno series, which is full of shocking works.There are many angles in this series that look to the right or in front of the stage. However, this work is an exception.The shot is shot at an angle from the left side of the stage (Manny Charlton’s side), looking down on what appears to be the seats in the stands.However, the only exception is the angle, and the personality of the series is well preserved… … Or should I say, it’s more amazing than ever. Direct shooting with no obstructions is extremely spectacular, and combined with the image quality of 8mm film, which far exceeds that of early VHS, it looks like a professional shot. The length of each cut defied the conventional wisdom of 8mm, but this work is especially amazing. It uses so many long cuts that you can almost watch the whole song as it is. …No, what surpasses it is the sound.I think the best audience recording is synchronized from the series, but it is only because it is customary to judge it.If you suddenly experience only this work, the sound I can only think of it as a board.In fact, the core is so thick that there is no sense of distance, and the details are super detailed and the separation of each instrument is great, even when I try my best to find the audience-like sound between songs. You can almost hear the applause in the scene.It’s actually a real sound board…The more I listen to it, the more I think of it.It’s a must-see just for this quality, but the important thing is. The show is even more amazing.Although the set with a well-balanced selection from each album of the 70’s is good, with a thick “HAIR OF THE DOG”, Dan McCafferty is even better. The screen capture on the right may be small and hard to understand, but Dan is actually sitting and singing the entire time. I don’t know what happened to him at that time, but even though he was sitting still, he was able to squeeze out that singing voice that sounded like a mixture of Brian Johnson and Axl Rose. This gap has a huge impact. Judging from the powerful and sharp tone of his voice, it might be more like he has an injury to his leg than that he’s not feeling well… In “Hair Of The Dog”, the staff is passing the bagpipes as if nothing happened, and you can listen to a wonderful solo. Moreover, this sight is not only impressive. The camerawork features Dan sitting, so there is little movement, and it alternates between panoramic shots and super-zoom shots. That sense of stability is very easy to see, which in turn helps improve the quality of this work. Although it is a Fresno series full of shocking works, this work has a special impact in terms of quality and show content. It is truly a masterpiece video that stands at the head of the masterpiece race. A piece that threatens to destroy even the very concepts of “8mm film” and “70s audience.” Live at Warnors Theatre, Fresno, CA, USA 8th March 1978 AMAZING SHOT!!!!! (32:48) 1. Telegram 2. Razamanaz 3. I Want To (Do Everything for You) 4. Changin’ Times 5. Love Hurts 6. Hair Of The Dog 7. Shapes Of Things 8. Teenage Nervous Breakdown 9. Expect No Mercy Dan McCafferty – vocals Manny Charlton – guitar Pete Agnew – bass Darrell Sweet – drums COLOUR NTSC Approx.33min.