Metallica/CA,USA 2004

METALLICA from the “ST. Introducing an amazing original recording that allows you to experience the final day of the revival tour at its best. The final day is “November 28, 2004 San Jose performance”. It is a transcendental audience recording. Speaking of 2004, it was the revolutionary year when livemetallica.com was launched. Although it is now possible to purchase the official soundboard of each performance, this work is a transcendent DAT master that has taken the heart out of maniacs all over the world. In other words, it is a super-excellent live album that can surpass the official sound board. Before we look at the quality, first of all, the position of the show. Let’s take a look back at the entire tour that set out to reconquer the world with Robert Trujillo. 2003《“ST. ANGER” released on June 5th》・July 4th-August 10th: North America #1 (20 performances) “MADLY IN ANGER WITH THE WORLD TOUR”・November 6th-14th: Japan (6 performances) December 3rd – 20th: Europe #1 (13 performances) December 31st: Las Vegas performance 2004 January 16th – February 1st: Oceania (10 performances) March 2nd – May 15th: North America #2 (34 performances), May 26th – July 4th: Europe #2 (22 performances), August 16th – November 28th: ​​North America #3 (49 performances) )←★Here★ This is METALLICA in 2003/2004. “North America #1” is the festival-style “SUMMER SANITARIUM TOUR” with LIMP BIZKIT and LINKIN PARK, and the rest is “MADLY IN ANGER WITH THE WORLD TOUR”. The kick-off place was Japan, and this work was a tour that took place about a year later. This work recorded at such a show is an amazing sound. As mentioned above, there is also a genuine official sound board, so normally it cannot be said to be “just like a sound board”, but this work is different. It doesn’t matter whether there is an official soundboard or not. Soundboard level without any questions asked… no, “beyond the official soundboard”. The direct feeling is completely like that of a sound board, and it’s much richer and more gorgeous than the livemetallica.com sound board, which was weak and only the core was exposed. Of course, if you listen with headphones, you’ll be absorbing the sounds of the venue, but this doesn’t create a sense of distance, and it further strengthens the dynamism and creates a sense of unity among the ensemble. Moreover, even in the midst of that noise, the extremely thick core hits the brain with a straight shot, and the details and edges are glaring. The sound that easily “exceeds livemetallica.com” is an exciting full show that can only be expected on the final day. “MADLY IN ANGER WITH THE WORLD TOUR” brought an end to the long-lasting “Nightmare Groove Era,” and the rapidly changing daily set drew rave reviews. This work is the last one. Let’s organize the set here. Cliff Era (7 songs)・Kill ‘Em All: The Four Horsemen/Seek & Destroy・Ride the Lightning: For Whom The Bell Tolls・Metal Master: Disposable Heroes/Welcome Home (Sanitarium)/Battery/Master Of Puppets After the Jason Era (11 songs) ・Metal Justice: Blackened/One ・Black Album: The Unforgiven/The God That Failed/Sad But True/Wherever I May Roam/Nothing Else Matters/Enter Sandman ・Reload: Fuel・S&M: No Leaf Clover/Saint Anger: Frantic…and it looks like this. While performing the rare “No Leaf Clover”, the overall balance firmly maintains a “de-groove route” that has been rare since “LOAD”. However, it was not as much of a thrash festival as it was at the beginning of the tour, and the main focus of the day was “BLACK ALBUM”, followed by a delicious set featuring the “MASTER OF PUPPETS” number. He will also perform “The God That Failed” and the precious “Disposable Heroes” after a long time. And the performance that spins such a set is amazing. There are two extremes when it comes to Chiakiraku: either you get tired from the tour, or you get a passionate performance with a lot of openness, but this work is the latter. The ability to take the plunge and not worry about tomorrow’s condition is on full display, and it’s extremely dynamic. Although you can’t expect a tingling sense of tension or an unparalleled sense of construction, the exhilarating feeling of the full force of a single riff or drum strike, or the acceleration of each “Se-no!” is amazing. Moreover, that dynamism goes well with a set that includes many “BLACK ALBUM” numbers. It’s a glorious heavy show that makes you feel like you’ve traveled back in time to around 1993/1994. Perhaps because of the movie “Metallica: Some Kind of Monster,” the “ST. Certainly, there were such colors in the live performances at the beginning of the tour, but this work is different. A full show of METALLICA, who showed their true potential and made a complete comeback after a full year of careful touring. It is a masterpiece of a live album that you can fully enjoy with the transcendent sound that makes even the official sound board out of the question. Superb audience recording. An amazing recording that is far superior to livemetallica.com’s official soundboard, which has only the core and is weak! ! This is amazing. Live at HP Pavillion, San Jose, CA, USA 28th November 2004 ULTIMATE SOUND Disc 1(77:20) Live at hp Pavillion, San Jose, CA, USA 28th November 2004 1. The Ecstasy Of Gold 2. Blackened 3. Fuel 4 For Whom The Bell Tolls 5. No Leaf Clover 6. Frantic 7. Kirk Doodle #1 8. The Unforgiven 9. Disposable Heroes 10. The God That Failed 11. Junglessence (incl. Orion) 12. Welcome Home (Sanitarium) 13 . Sad But True Disc 2(75:18) 1. Battery 2. Wherever I May Roam 3. Melbourne (Kirk Doodle #2) 4. Nothing Else Matters 5. Master Of Puppets 6. Full Metal Jacket Intro. 7. On 8 Enter Sandman 9. The Four Horsemen 10. Seek & Destroy 11. Message from the band James Hetfield – Guitars, Vocals Lars Ulrich – Drums Kirk Hammett – Guitars Robert Trujillo – Bass