Led Zeppelin/MA,USA 1971 2Source Recorder

From the 1971 North American tour, the Boston performance on September 7th is now available as the best quality 2CD! It is definitely the best title at the moment, making full use of two types of sound sources, filling in the missing parts of the main source with sub-sources, recording all songs, although there are many cuts, and having the pitch adjusted for the first time. This performance was not released in the analog era, and first appeared in the mid-’90s. There are two types of sound sources. First of all, source 1 is a stereo AUD of over 90 minutes, from the festival in the middle of the live performance to the moby. Regarding source 1, there is a classification branch based on the texture of the sound, and when roughly divided, there are two types: a sparse sound that feels like it is covered with a thin film, and a clear sound that is rough. , recorded with the sound of one of the trends even if it has already been released. Source 2 is a monaural AUD of about 55 minutes, and contains short fragments from the beginning of the live performance to Moby, but Source 1 includes the unrecorded middle part of the live performance (from the festival to Moby), although it is short (about 14 minutes or less), but is the only one. The point is that it is recorded, and the intro part before the live performance is also longer than Source 1. The situation of the two sound sources is as above, and the recorded contents of the previously released titles also differ depending on the appearance and distribution time of the sound source. First of all, the CD that first appeared in the ’90s contained only source 1, but as mentioned above, source 1 with different textures appeared at this point. New Tara editions released after 2000 feature only Source 2. Similarly, EVSD, which was released in the 2000s, is composed of two types of sources and aims to be as full-length as possible, and the recording concept is different for each title. Furthermore, as mentioned earlier, regarding the stereo sound source of Source 1, there are branches with different sound textures, so it is difficult for fans to classify and position them.Moreover, these two types of sound sources are rare and not available on the Internet, so in recent years, There have been no update releases, so it seems that the overall picture is still difficult to grasp. In this edition, the main stereo Aud source 1 is supplemented with monaural source 2, and although it is far from a complete recording, we aim to record the full length as much as possible. The recording concept is similar to EVSD, but in EVSD, the main source 1 was recorded from the one covered with a thin film according to the classification mentioned above, but in this version it is rough but clear. Recorded with the sound of someone. There is an issue as to which type of sound is better for source 1, but at the moment, the “coarse” sound has high-frequency noise and textures that feel noisy (especially those caused by raising a certain frequency range too much). Isn’t it better to master in a way that alleviates the harsh hissing noise? Therefore, this album has been carefully mastered to soften the rough sound. The effect is felt enough, the clarity remains the same, the rough and rough texture has been somewhat alleviated, and the pitch has been adjusted correctly for the first time on the source 1 recording disc, making it much more stressful compared to the previous release. The sound is easier to hear with less noise, and is slightly easier to hear compared to the same rough CD version, and even compared to the thin film source 1 part of EVSD, it still feels rough in some places, Even the texture of the hiss noise sounds modest, and the performance itself is definitely a clear sound, and it can be said that the source 1 part has the best sound on this album. In addition, regarding this source 1, in the previously released CD, the part between the songs of Dazzle and Heaven was cut due to the disc change, but this title is naturally uncut. Also, the tape noise at the end of the disc after the final R&R performance has been intentionally left long to differentiate it from the CD. The parts recorded in Source 2 are not online or copied, but have been carefully mastered, although there are many fragmented sounds. The sound quality is monaural AUD, and it sounds like Dango, but the sound is fresh and the performance was captured close enough, so it can be said that the sound quality is sufficiently high. In the main part of the CD, the intro section is supplemented, and the parts from the festival to Moby that are missing in the main source 1 are recorded in this source 2, albeit in fragments. The recording time in the section from the festival to Moby is about 14 minutes, and you can see that there are quite a lot of omissions in Source 2, but this is the same for the previous episodes. In addition, the area before and after the cut part was heavily edited with crossfades etc. in the previous release, but in this version, there are slightly more cuts before and after the cut part to differentiate it from the previous release. . In addition, the second half of Disc 2 includes Source 2, which is not used in the main part, as a bonus track. The live intro part overlaps with the head of Disc 1, but it has a volume of about 42 minutes with bonuses ranging from the live intro to the dazzling. This means that all of Source 2 is included, including the main part and the bonus part. Previously, this was a standalone version of Source 2, but there were some problems such as over-level distortion, misalignment of the localization, and gap noise at track changes, so the localization was also centered, and there were no problems such as gap noise or distortion. This edition will be the best title regarding the 2nd part of the source. Also, there is a cut in the source 2 of this bonus track, and there is a part in Since I’ve Been where the level drops for about 1 minute (the audio is faint) (this is also the case with previous releases). No compensation has been made for this bonus track section. In order to differentiate it from the previously released version, the editing before and after the cut section has been kept to a minimum here, making it closer to the original sound source state than the previously released version. Anyway, there is no doubt that you will enjoy this bonus part alone, and the total length of the two discs is about 150 minutes, making it the most fulfilling version of the ’71 Boston performance version ever. The 1971 Boston performance is back for the first time in a while! The current best recording of the full length from two types of sources that are not on the internet (not on the internet in the first place), and a bonus recording of Src2 that is not used in the main story! Disc 1 (74:04) 01. Introduction ★Src2 02. Immigrant Song 03. Heartbreaker 04. Since I’ve Been Loving You 05. Black Dog 06. Dazed And Confused 07. Stairway To Heaven (cut out) 08. Celebration Day (Src2 fragment) 09. That’s The Way (Src2 fragment) 10. Going To California (Src2 fragment) 11. What Is And What Should Never Be (Src2) 12. Moby Dick (Src2 fragment) Disc 2 (75:35 ) 01. Whole Lotta Love (cut in fragment) 02. Communication Breakdown 03. Organ Solo 04. Thank You 05. Rock And Roll Bonus Trax: Src2 06. Introduction 07. Immigrant Song 08. Heartbreaker 09. Since I’ve Been Loving You ★Level down for about 1 minute 10. Black Dog 11. Dazed And Confused (cut out)