Description
The main role is the audience recording when KISS performed as the opening act for BLACK SABBATH at “August 3, 1975 Providence Performance”. Moreover, it’s not just the same location. This work was also recorded by Dan Lampinski. These are two works that were recorded consecutively at the same venue and the same location. For that reason, the quality of this work has a lot of unity with the SABBATH edition, and it is also of the same superb quality. A core with a direct feel, ultra-detailed details, and a sound with even elegance… It’s easy to call it “just like a soundboard,” but it’s too bad to settle for just that. In the SABBATH edition, there was a decisive contact failure in the original sound, but no such trouble occurred in the undercard KISS. The sound world that crystallizes the “aesthetics of guest records” by Lumpinski, who is praised alongside that Mike Millard, is expanding. Furthermore, the greatness of this work is not only the sound, so it is amazing. The essential show is also “DRESSED TO KILL TOUR” which gave birth to “ALIVE!”. Here, let’s also keep track of the show position in conjunction with the recording date of “ALIVE!”. 《March 19th “DRESSED TO KILL” released》・March 19th – May 15th (32 performances) ・May 16th: Detroit (ALIVE! Recording date) ・May 17th – June 20th (18 performances) ・June 21st : Cleveland (ALIVE! recording date), June 22nd – July 5th (7 performances), July 20th: Davenport (ALIVE! recording date)・July 23rd: Wildwood (ALIVE! Recording date) ・August 2nd – August 28th (13 performances) ←★Here★《Production of “DESTROYER” starts on September 3》《《September 10th “ALIVE !” released》 This is the whole picture of “DRESSED TO KILL TOUR”. “ALIVE!” has been edited from four shows, but the Providence performance of this work is after all of them are over. It is a concert that is the second performance after taking a break for about a week at the end of July to improve the condition and just starting the final August edition. As a result, the band’s potential as a famous historical band is fully exploited, but they are not tired, and they also have the confidence and response that comes from playing a famous album. The energy packed into “ALIVE!” is concentrated and blown away in the short duration of the undercard performance. Not only is it “100% real life ALIVE!”, but an even more intense and intense live performance explodes, and you can experience it 100% real life with the miraculous Lampinski sound. This work itself is a famous album that has been revered by KISS fans as “the highest peak audience of DRESSED TO KILL TOUR” (Currently, the headliner set “LONG BEACH ARENA 1975” is treated as the pinnacle, but it is a masterpiece that has both quality and depth.) This work is better). The true identity of such a super famous recording was also the sister of BLACK SABBATH’s strongest recording. By combining both works, the “August 3, 1975” that Lumpinski was present on becomes complete. A superb set of top live albums that are perfect for fans of both KISS and SABBATH. Live at Civic Center, Providence, RI, USA 3rd August 1975 PERFECT SOUND 1. Intro. 2. Deuce 3. Strutter 4. Hotter Than Hell 5. Firehouse 6. She 7. C’mon And Love Me 8. 100,000 Years 9. Drum Solo/Paul MC 10. Black Diamond 11. Cold Gin 12. Rock And Roll All Nite Paul Stanley – Guitar & Vocals Gene Simmons – Bass & Vocals Ace Frehley – Guitar Peter Criss – Drums & Vocals
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