Kiss/IN,USA 1974 Complete

50 years ago, KISS made their debut and launched out into the world. The best recording of the best master, who can experience the scene of the dawn, is here! This work is engraved with “August 4, 1974: South Bend performance”. It is a super-excellent audience recording that vacuum-packed the whole story. This work is the highest peak update of the legendary record called “the strongest recording of the debut tour”. Before the quality of the show, let’s first check the position. Let’s take a bird’s-eye view of the schedule at that time and check the positional relationship while mixing in the early collection that our shop is proud of. 1974 January 8th + 26th: New York (2 performances) “KISS Tour” February 5th-21st: North America #1 (7 performances) March 22nd-August 4th: North America #2 (64 performances) ←★Here★《August “HOTTER THAN HELL” Production》 September 13th-October 4th: North America #3 (13 performances) ←※TORONTO SEPTEMBER 1974 “HOTTER THAN HELL Tour” October 16th-December 31st: North America #4 (42 performances) ←※EAST LANSING 1974 A collection of masterpieces from the debut era This is KISS in 1974. The South Bend performance in this work was one act of the main leg, “North America #2”. “North America #2” has a large number of performances, so many famous recordings have been unearthed. It is archived as a masterpiece. Let’s focus on the schedule further here. Details of “North America #2” March 22-April 5 (11 performances) * April 7 “DETROIT 1974 1ST NIGHT” April 8 + 12 (2 performances) * April 13 “DETROIT 1974 (DVD)” April 14-17 (4 performances) * April 18 “MEMPHIS 1974 2ND NIGHT” April 19-August 3 (43 performances) * August 4: South Bend performance ←★ This work ★ … and so on. The name of the soundboard album “DETROIT 1974 1ST NIGHT: PRE-FM REEL (Zodiac 652)” that was a hot topic the other day is also visible, but this work is much later than those. It was the last day of “North America #2” and the last concert before producing the next work “HOTTER THAN HELL”. No.1 recording comparable to a soundboard masterpiece This work conveys such a scene, and is a truly superb masterpiece. As usual, it is the highest peak master unearthed through our own related route, and it is extremely thick and clear. Since we have just introduced “DETROIT 1974 1ST NIGHT”, it is difficult to call it “just like a soundboard”, but if it were normal, I would have declared it without hesitation. It is true that the direct feeling of the gorilla may not be one step away from “DETROIT 1974 1ST NIGHT”, but the feeling of separation is five minutes, and the beauty of the well-balanced ensemble is about as good as this work. I wrote it briefly, but this is a ridiculous thing. I repeat, the comparison here is that “DETROIT 1974 1ST NIGHT”, which has shocked KISS collectors all over the world. In other words, there is no rival of the audience in this work, and it is on the horizon where it can be spoken alongside the exceptional masterpieces in the early soundboard collection. Moreover, this is only about the sound of the performance. The appeal unique to audience recordings, such as the “realism of the early scene” and the “experience of a full show,” is at a high level where sound boards are not an issue. A rare full show with delicious troubles The sound alone is dizzying, but the contents are a precious debut tour, so it’s irresistible. The set list itself, which was the opening act of BLUE OYSTER CULT, is familiar, so I will omit it, but the heat is transmitted to the skin because it is the audience. Furthermore, the highlight of this day is “100,000 Years”. The song starts as usual, but after a while, a PA problem occurs. The drums and one guitar disappear. What’s more, the way it is handled is 1974-like and good. Nowadays, the performance would be interrupted and the place would be connected with MC or solo, but in this work, the members of KISS continue to play as it is. Then, after nearly two minutes of playing the song with only guitar and bass, the drums are restored. The song returns to the song after a solo or jam to check the sound. The youthfulness of trying to make things look good without honestly admitting the trouble, the clumsiness of “never stop the show!” It is a famous scene where you can see the buds of iron professionalism that will become famous in later years while also seeing the shallowness of experience. This is the true identity of this work, the masterpiece that allows you to experience the “KISS Tour” on site. It is the highest peak master of the super famous recording of No. 1 sound, and the trouble that comes out unexpectedly is also valuable. It is a must-listen and must-have as a music live album and a document album. The super-excellent audience recording of “August 4, 1974: South Bend performance”. The highest peak master excavated by our own related route, it is ferociously thick and clear. Compared to the sound board masterpiece “DETROIT 1974 1ST NIGHT”, the beauty of the well-balanced ensemble is superior to this work, and it is overwhelming in terms of realism and experience. “100,000 Years” is a cultural heritage album that allows you to experience the best of the early full show, where one guitar and drums disappear due to PA trouble. Morris Civic Auditorium, Southbend, IN, USA 4th August 1974 RULY PERFECT SOUND The strongest recording of the debut tour. Opening for BOC! This is an excellent Kiss show where they were support act to Blue Oyster Cult. A true gem as it is the best 74 first tour recording and the final show of the tour with BOC. It was also the last show before recordings started of the Hotter Than Hell LP. (44:39) 1. Intro 2. Deuce 3. Nothin’ To Lose 4. She 5. Firehouse 6. Strutter 7. 100,000 Years ★Drums can’t be heard due to PA trouble! The band continues to play. 8. Black Diamond 9. Baby, Let Me Go Paul Stanley – Guitar, Vocal Gene Simmons – Bass, Vocal Ace Frehley – Guitar Peter Criss – Drums, Vocal