Kiss/CO,USA 1984 Complete Soundboard Edition

The Vinnie Vincent era was a particularly outstanding period in KISS history. The intense soundboard has evolved into a complete version. The shocking new master will be released on 2CD! This work is engraved with the “January 25, 1984 Denver performance”. It is a stereo soundboard recording that will pour the whole story into your brain. Speaking of 1984, it was a turbulent period when three guitarists Vinnie Vincent, Mark St. John, and Bruce Kulick were replaced at a dizzying pace. The meaning of the sound source is different even if the time is slightly different, and there are many masterpieces. In order to avoid confusion, let’s first carefully check the overview of the activities at that time. 1983 January 1st – April 3rd: North America #1 (50 shows) ←※EL PASO 1983 etc. June 18th – 25th: South America (3 shows) ←※RIO DE JANEIRO 1983《September 22nd release of “LICK IT UP”》 October 11th – November 25th: Europe #1 (36 shows) ←※LAUSANNE 1983, December 26-31: North America #2a (5 shows) 1984, January 1-March 17: North America #2b (53 shows) ←★Here★《Vinnie Vincent leaves in March → Mark St. John joins in April》《September 13th “ANIMALIZE” released》《Mark’s poor health → Bruce Kulick joins》・September 30-November 5: Europe #2 (29 shows)・November 15-30: North America #3 (27 shows) ←※Official POUGHKEEPSIE 1984 This is the turbulent 1983/1984. The drastic change began with Vinnie’s departure in March 1984, but the Denver performance of this work was just before that. It was the final act of “North America #2b” which was the final edition of the “LICK IT UP Tour”. In fact, “North America #2b” is also a major production area of ​​soundboard masterpieces. Let’s focus on the dates and organize the collection. Details of “North America #2b” ・January 1-10 (6 performances) *January 11 “NASHVILLE 1984 SOUNDBOARD” ・January 13-21 (7 performances) *January 22 “ALBUQUERQUE 1984 SOUNDBOARD” ・January 23: Odessa performance *January 25: Denver performance ←★This work★ ・January 27-March 13 (34 performances) *March 15 “TORONTO 1984 SOUNDBOARD” ・March 17: Evansville performance (final day) … and so on. There are a lot of great masterpieces lined up, and this work is a new masterpiece that cuts into that fierce battlefield. This is the most recent live album, released three days after (two performances after) the great masterpiece “ALBUQUERQUE 1984 SOUNDBOARD”, which was particularly talked about as the “phantom official work”. In fact, the sound board of this day has been known for some time, but it is only partial. This work is a new master that is different from that, and is a complete version of the full show. And it is not just long, but also has the highest quality. After all, it is amazing because it is not inferior to that “ALBUQUERQUE 1984 SOUNDBOARD”. While the balance that is closer to the center makes it seem mono, it is actually solid stereo and the pan of a tremendous width is blown away in parts such as “Fits Like A Glove”. The rushing force of the four people as one is tremendous, so the contrast with the fierce pan is vivid. And of course, the transcendent sense of synchronization where the whole body and the live performance are completely in sync! The direct mix table measurement is so clear that there is no mistaking it, and its liveliness surpasses that of “ALBUQUERQUE 1984 SOUNDBOARD” and “NASHVILLE 1984 SOUNDBOARD”. The cheers sound like ripples far away, and the thick core hits you like a punch. The sense of unity that feels like there are four people in your head is truly other-dimensional. Such a direct-sync sound depicts the full show of the Vinnie era. The set is familiar from “ALBUQUERQUE 1984” and “NASHVILLE 1984”, but let’s repost it here. 70’s Classics (8 songs) KISS: Cold Gin / Firehouse / Gimme More (★) / All Hell’s Breakin’ Loose (★) / Black Diamond Others: Rock And Roll All Nite / Detroit Rock City / Love Gun 80’s (7 songs) CREATURES OF THE NIGHT: Creatures Of The Night / War Machine / I Love It Loud / I Still Love You LICK IT UP: Fits Like A Glove / Young And Wasted / Lick It Up *Note: The “★” mark is a rare song unique to the “LICK IT UP Tour”. A new masterpiece that has made a foray into the fierce soundboard battlefield with a feeling that exceeds even “ALBUQUERQUE 1984” and “NASHVILLE 1984”. This is a live album that allows you to fully experience the precious live performance of the Vinnie era with a sense of raw synchronization. After 40 years, such a sound source has yet to be unearthed. Stereo soundboard recording of the “Denver performance on January 25, 1984” during the Vinnie Vincent era. The complete master has been released recently, and the quality is also top-notch. The transcendent sense of synchronization where the whole body and the live performance match perfectly is clearly a direct connection to the mix table, and its liveliness surpasses even “ALBUQUERQUE 1984 SOUNDBOARD” and “NASHVILLE 1984 SOUNDBOARD”. The cheers sound like ripples far away, and the thick core hits you like a punch. The sense of unity as if there are four people in your head is truly another dimension. This is the birth of a new masterpiece that has made a foray into the fierce soundboard battleground. D.U. Arena, Denver, Colorado, USA 25th January 1984 STEREO SBD(from Original Masters) Disc:1 (58:06) 1. Intro. 2. Creatures Of The Night 3. Detroit Rock City 4. Cold Gin 5. Fits Like A Glove　★Interesting 4-minute guitar pan 6. Firehouse 7. Paul Stanley Guitar Solo 8. Gimme More 9. Vinnie Vincent Guitar Solo 10. War Machine 11. Gene Simmons Bass Solo 12. I Love It Loud 13. I Still Love You Disc:2 (49:18) 1. Eric Carr Drum Solo 2. Young and Wasted 3. MC 4. Love Gun 5. All Hell’s Breakin’ Loose 6. Black Diamond 7. Lick it Up 8. MC 9. Rock and Roll All Nite ★When listening with headphones, the performance is panned left and right at the beginning, but I guess that’s the direction. Paul Stanley – guitar, vocals Gene Simmons – bass, vocals Vinnie Vincent – guitar Eric Carr – drums, backing vocals STEREO SOUNDBOARD RECORDING