Kiss/CA,USA 8.26.1977 Complete

The well-known traditional masterpiece “ALIVE II”. A treasured live album that allows you to fully experience the scene has arrived. The full show that was the basis of ALIVE II. This work is engraved with the “August 26, 1977 Inglewood performance”. It is a legendary audience recording that tells the whole story. This work is a live album that allows you to fully experience the concert that was the basis of “ALIVE II”, but which live performance is “ALIVE II” in the first place? Even now, many people are confused by the various theories. Since it is a good opportunity, let’s start with the contents. A: “Nippon Budokan” recording Detroit Rock City / Ladies Room / Makin’ Love / Beth / God of Thunder / Shout It Out Loud Initially, “ALIVE II” started as a project as a Budokan live album, and after many twists and turns, it changed to its current form. At that time, six songs were reused from the original project album “ROCK ‘N ROLL PARTY IN TOKYO” (you can enjoy the original version on the masterpiece “ROCK ‘N ROLL PARTY IN TOKYO: EDDIE KRAMER ACETATE”). ★B: “The Forum” recording ←★This work★・Love Gun／Calling Dr. Love／Christine Sixteen／Shock Me The second most common recording venue after Nippon Budokan is the famous Los Angeles venue “The Forum”. It was held over three days from August 26th to 28th, and the above four songs were used. C: “Sound check/studio” recording・Sound check: King of the Night Time World／I Stole Your Love／I Want You・Studio: Hard Luck Woman／Tomorrow and Tonight The “ALIVE” series is known as a work that emphasizes perfection and does not shy away from overdubs, but the above five songs were not even concerts in the first place. They are based on sound checks before the live and recordings in the studio. …And so it goes. Although it is quite different from the various theories on Wikipedia and elsewhere, this is the latest information currently being verified among enthusiasts. Of these, the one related to this work is “B”. “The Forum” was a three-day event, so it is not known which song was which day, but it was a live performance that was essential to “ALIVE II” along with the Nippon Budokan. Here, let’s take a bird’s-eye view of the overall picture of the “LOVE GUN Tour” and check the show’s position. {June 30th “LOVE GUN” released} July 8th-22nd (23 performances) * August 26th Inglewood performance (LIVE II recording date) ←★This work★ August 27th Inglewood performance (LIVE II recording date) August 28th Inglewood performance (LIVE II recording date) September 1st-5th (4 performances) {September 13th-16th “ALIVE II” studio work Traditional clear sound conveying the legendary scene So, up to this point, we have talked about the traditional official work “ALIVE II”. This work is an audience recording that allows you to fully experience the scene of the first day of “The Forum”, “August 26th”. In fact, this recording itself is legendary. It was not excavated in later years, but was released by the prestigious Wizardo since the 1970s. “KISS MY AXE 1978”, “SNEAK ATTACK”, “TAKES These songs were recorded in various analog bootlegs such as “TOKYO’77” and “ALIVE ’77”, and many innocent fans were led down the path of bottomless collectors. This is the longest and highest peak of this legendary recording from the LP era. It is the world’s first full live album to capture the entire show, which had only been partially recorded in the previous releases! Now, let’s check out the full set here. Hell’s Rock Fire (5 songs) Take Me (★) / Ladies Room / Makin’ Love / I Want You / Calling Dr. Love Love Gun (5 songs) I Stole Your Love / Love Gun / Hooligan (★) / Shock Me / Christine Sixteen Others (7 songs) Hell’s Army: Shout It Out Loud / God Of Thunder / Detroit Rock City / Beth Others: Firehouse (★) / Black Diamond (★) / Rock And Roll All Nite (★) *Note: The “★” mark indicates a song from “ALIVE Songs that could not be heard in “ALIVE II”. …And so it is. “ALIVE II” was rearranged into a different song from the on-site show due to the balance with “ALIVE!”, but this work is a one-stop audience recording. You can also enjoy repertoires that are not on the official masterpiece. And above all, the sound that depicts such a full show is the highest grade. In the first place, even partial sound sources are legendary, and the thick core and fine details are super powerful. It absorbs the mood of the venue where cheers fly in full swing, so it is not mistaken for a sound board, but the performance sound itself is sound board class. The sense of separation, which tends to be a weakness in the audience, is also unusually clear, and each grain of the heavy bass base is clear and clear. It is also an ideal sound that “listens well and feels like an AUD”. If “ALIVE!” changed the fate of KISS and rock history, it was “ALIVE II” that determined that fate. This work is an extremely rare full live album that allows you to fully experience the original show. A new masterpiece that has evolved into a complete version of a treasured sound source that is difficult to obtain even on LP. The legendary audience recording of the “August 26, 1977 Inglewood performance” that was the basis for “ALIVE II”. This is the complete version of a famous recording that has been known since the 1970s for analog bootlegs such as “KISS MY AXE 1978” and “SNEAK ATTACK”. The thick core and fine details are super powerful. This is the birth of a new masterpiece that allows you to fully experience the legendary scene with the ideal sound of “SBD listening response / AUD experience”. The Forum, Inglewood, CA, USA 26th August 1977 TRULY PERFECT SOUND★Complete version of the legendary sound source!! (73:31) 1. I Stole Your Love 2. Take Me 3. Ladies Room 4. Firehouse 5. Love Gun 6. Hooligan 7. Makin’ Love 8. Christine Sixteen 9. Shock Me 10. Ace Frehley Guitar Solo 11. I Want You 12. Calling Dr. Love 13. Shout It Out Loud 14. Bass Solo 15. God Of Thunder 16. Peter Drum Solo 17. Rock And Roll All Nite 18. Detroit Rock City 19. Beth 20. Black Diamond Paul Stanley – Guitar, Vocal Gene Simmons – Bass, Vocal Ace Frehley – Guitar Peter Criss – Drums, Vocal