Kate Bush/UK 1979 Upgrade

What can I say…I didn’t know that a video like this existed. I wish I were alive to witness it. This is already an incident in the history of human music. A super-excellent professional shot that captures the whole story of “The Tour of Life” has appeared. Speaking of “The Tour of Life,” it is the 1979 tour by songstress Kate Bush. This is the first concert tour for Kate, who has only appeared on stage a handful of times since her debut after releasing “THE KICK INSIDE” and “LIONHEART,” and it is her only tour since then (2014) “Before the Dawn” was a concert residency with multiple performances in one location). The video was seen in the official work “LIVE AT HAMMERSMITH ODEON” and its complete bootleg, but this work is a completely different performance. It is a multi-camera professional shot that completely records “April 10, 1979 Manchester Performance”. First of all, let’s check the show position in the one-time tour schedule. ・April 2nd-13th: UK #1 (11 performances) ←★Here★ ・April 16th-20th: UK #2 (5 London performances) ・April 24th-May 10th: Europe ( 10 performances) ・May 12th-14th: UK #3 (3 London performances) ← *Official video A total of 29 performances. While the official video was the final stage of the tour in May, Manchester in this work is at the beginning. This was the 8th concert. This show was filmed by Granada TV in the UK, but for some reason it was shelved and never aired. In 2012, the complete sound board was discovered and caused a shock, but this work is the video version of it. When it comes to something this precious, it’s nice to have footage that’s full of shaky deterioration, but this work is completely different! The visual beauty is superb. Completely official grade…or should I say, it is far more beautiful than the genuine official work “LIVE AT HAMMERSMITH ODEON”. The colors and outlines are extremely vivid, completely different from the official video, which was intentionally blurred to create a sense of fantasy. Moreover, the freshness of the master is also unusual. I think it’s a commercial master because there’s a time counter at the edge of the screen (it’s small in the upper right, so it doesn’t get in the way at all), but the visual beauty is just like the original master…or rather, it’s like the film itself. It’s so beautiful that it looks like it was digitized directly from the original. Even the word “shock” can no longer be used to describe the show, which is depicted with a lukewarm visual beauty, that is overwhelming. The theatrical stage, which boldly introduces a large number of dancers and pantomimes, is more like a musical than a concert. The set featured all songs from the two albums “THE KICK INSIDE” and “LIONHEART” except “Oh to Be in Love,” and also featured “Egypt” and “Violin,” which would be included in “NEVER FOR EVER.” Masu. If you’re thinking, “Huh?”, you’re smart. Yes, “Fullhouse”, which was not played at the Hammersmith performance and could not be seen in “LIVE AT HAMMERSMITH ODEON” or its complete version, was also shown. The appearance of Kate sitting on the piano and singing melancholy and bewitchingly can be seen in an official shot…no, even more professional than that. A multi-camera professional shot that completely records everything from the end of “Wuthering Heights” to the final stage greeting. It’s been 40 years since the scene of “The Tour of Life”, and I never thought the day would come when I would witness the full stage with professional shots that far exceed the official work. Strictly speaking, there is a signal sound during the intermission in the middle of the show, and if you look for the lag at a microscopic level, there are extremely instantaneous “pup” noises and sound dropouts of less than zero comma. On the other hand, I can’t find any other flaws. The visual beauty is better than the official one everywhere. A world heritage site in the history of music that literally happens “once every 40 years.” Even when I see the actual thing, I still can’t believe it. ★This is amazing. This year’s most shocking title. Live at Manchester Apollo, Manchester, UK 10th April 1979 PRO-SHOT 1. Intro 2. Moving 3. The Saxophone Song 4. Room for the Life 5. Them Heavy People 6. The Man With the Child in His Eyes 7. Egypt 8 L’amour Looks Something Like You 9. Violin 10. Intro: John Carder Bush reading poem 11. The Kick Inside 12. Interlude 13. In the Warm Room 14. Fullhouse 15. Strange Phenomena 16. Hammer Horror 17. Intro 18. Kashka from Baghdad 19. Don’t Push Your Foot on the Heartbrake 20. Soundcheck 21. Wow 22. Coffee Homeground 23. In Search of Peter Pan 24. Symphony in Blue 25. Feel It 26. Kite 27. James and the Cold Gun 28. Intro 29. Oh England My Lionheart 30. Wuthering Heights 31. Curtain Call KATE BUSH – vocals, piano, keyboards BRIAN BATH – electric guitar, mandolin, backing vocals ALAN MURPHY – electric guitar, whistles PADDY BUSH – mandolin , backing vocals KEVIN McALEA – piano, keyboards, saxophone, 12-string guitar BEN BARSON – synthesizer, acoustic guitar DEL PALMER – bass PRESTON HEYMAN – drums, percussion LIZ PEARSON – backing vocals GLENYS GROVES – backing vocals PRO-SHOT COLOUR NTSC Approx.129min.