Johnny Thunders/Osaka, Japan 1986

Johnny Thunders visited Japan for the second time in 1986, accompanied by his allies Jerry Nolan and Glenn Matlock (SEX PISTOLS). A valuable original recording that allows you to experience the scene 100% live. This work is inspired by the “July 9, 1986: Osaka Welfare Pension Hall” performance. This is a masterpiece audience recording. The Tokyo edition “NIPPON SEINENKAN 1986” will also be released at the same time, so let’s check the show’s position from the schedule at that time.・July 7th “NIPPON SEINENKAN 1986 (Disc 1-2)” ・July 8th “NIPPON SEINENKAN 1986 (Disc 3-4)” ・July 9th: Osaka Welfare Pension Hall ←★This work★ ・July 10th: Tsubaki House This is their performance in Japan in 1986. In addition to this, an acoustic performance was also held at Shinjuku Loft. Most of the performances were held in Tokyo, but this is the only live album vacuum-packed from the Kansai performances. This work is an indescribably tasteful vintage audience. Unlike the simultaneously released “NIPPON SEINENKAN 1986”, it is not a Kinney recording, but this work is also exquisite in its freshness as it was digitized directly from the original cassette. If Kinney has a transparent clear sound, this work can be called a dynamic sound. Anyway, the core is strong and powerful. The ringing is faint, and the core in the middle approaches your ears. Although the vocals have a sense of space that is typical of an audience, the performers are as close as an FM broadcast. Of course, even though it is so powerful, it has a wonderful sense of stability that does not shake at all. In particular, the rhythm section of Jerry Nolan and Glenn Matlock has each note clearly defined, and the rough rope-like groove is also pleasant. What emphasizes its broadcast-like quality is the modest audience noise that is drowned out by the extremely thick sound. There are usually applause between songs, and katakana “Johnny!” is also heard, but there are still strangely no close-up voices or screams. Since it was a performance in Japan, I can’t help but think that it could be a little more vivid, but I can’t help but think that the recording where the performance and singing voice do not take the center stage is bad. What is drawn with such direct sound is a full show that is different from “NIPPON SEINENKAN 1986”. Let’s organize the contents here. ・NEW YORK DOLLS: Personality Crisis/Lonely Planet Boy (★) ・L.A.M.F.: Born To Loose/Chinese Rocks ・SO ALONE: You Can’t Put Your Arms Around A Memory/Pipeline ・HURT ME: Joey Joey/Sad Vacation/Cosa Nostra・QUE SERA, SERA：Blame It On Mom／Little Bit Of Whore／ Only Wrote This Song for You・Other：I Can Tell／Too Much Junkie Business／Little Queenie／Talk About You／Play With Fire／Gloria／I Ain ‘t Superstitious/In the Midnight Hour/Countdown Love/Something Else *Note: Songs marked with “★” cannot be heard in the Kanto edition “NIPPON SEINENKAN 1986″ released at the same time. …and it looks like this. “NIPPON SEINENKAN 1986” was a large volume set of two performances, but this set mixes both days and also shows off NEW YORK DOLLS’ “Lonely Planet Boy”. In addition to numbers from the NEW YORK DOLLS and THE HEARTBREAKERS era, there are also a variety of covers, including songs by THE LONDON COWBOYS, the Stones, Chuck Berry, THEM, and more. Of course, the performance that spins such a set is also wonderful, and not only his ally Jerry, but also Matlock and guitarist Barry Jones, who are fellow THE LONDON COWBOYS, are in perfect harmony. It’s a show that makes you fantasize about what it was like 35 years ago, like if they had made it a fixed band as it is, with a luxurious and at the same time really well-rounded ensemble. In contrast to “NIPPON SEINENKAN 1986,” which has Kinney’s unique crystal sound, this work allows you to experience the full show of 1986 with a powerful and direct radio-like sound. You can choose either one based on the uniqueness of the set and sound, or you can have three performances in the east and west at the same time. A valuable original recording series that allows you to experience the best of the scene 35 years ago using Omoto Master Sound. Masterpiece audience recording of the “July 9, 1986: Osaka Welfare Pension Hall” performance. The freshness that was digitized directly from the original cassette is exquisite, and the core is powerful and powerful. The ringing is faint, and the core in the middle approaches your ears. In particular, the rhythm section of Jerry Nolan & Glenn Matlock has each note clearly defined, and it’s as close as an FM broadcast. The set changes every day, and you can also enjoy “Lonely Planet Boy” by NEW YORK DOLLS, which cannot be heard on “NIPPON SEINENKAN 1986”. Live at Koseinenkin Kaikan, Osaka, Japan 9th July 1986 TRULY AMAZING/PERFECT SOUND(from Original Masters) Disc 1 (47:20) 1. Intro. 2. Pipeline 3. Blame It On Mom 4. Personality Crisis 5. I Can Tell 6. Little Bit Of Whore 7. Countdown Love 8. Too Much Junkie Business 9. Joey Joey 10. You Can’t Put Your Arms Around A Memory 11. Play With Fire 12. Lonely Planet Boy 13. Only Wrote This Song for You 14. Talk About You Disc 2 (47:21) 1. Gloria 2. Sad Vacation 3. Cosa Nostra 4. In the Midnight Hour 5. I Ain’t Superstitious 6. Chinese Rocks 7. Born To Loose 8. Something Else 9 . Little Queenie Johnny Thunders – Guitar, Vocals Jerry Nolan – Drums Glen Matlock – Bass Barry Jones – Guitar