Jethro Tull/Brazil 2000

This work was filmed at the “São Paulo performance on November 28, 2000.” As you can see from the schedule in the main commentary, this was the final concert of the world tour. This show will be broadcast on local television. This work is a professional shot of that broadcast. When it comes to South America, I’m concerned about quality, but this work is exquisite. Of course, although it is a historical analog recording, there is almost no noise, distortion, or dubbing traces. “Thick As A Brick” and “A New Day Yesterday” cannot be said to be perfect because there is a momentary sound cutout due to poor reception of the phone, but that is just to say that it is “not completely absent”. If you watch it normally, you can fully immerse yourself in the full show without any problems. The program itself, recorded with such master freshness, is also good. Although the screen seems a bit darker than so-called British and American broadcasts, other than that, the quality is unbelievable for South America. The camera work captures the highlights in a cool manner, and the sound mix is ​​natural and stable. There was an impression that South American broadcasting had rapidly improved in the 21st century, but even in 2000 they had enough filming know-how to rival that of Britain and the United States…this work is proof of that. The show drawn with such quality allows you to enjoy “A New Day Yesterday” and the delicious medley “Songs From The Wood / Too Old To Rock ‘N’ Roll / Heavy Horses”, but what’s more is the performance. The first thing that surprises me is Ian Anderson, who is full of energy. At the time, enthusiasts said, “He moves like he hasn’t aged in the last 30 years,” and his actions filled the stage with rage. What’s more, the camera-oriented service is perfect, and you can enjoy the lively and active staging to the fullest. Of course, the other members are also great. Martin Barre performs a fantastic solo time reminiscent of CAMEL, and Dawn Perry also intertwines the complex arrangement with fills that make you feel the singing spirit. Jonathan Noyce also freely manipulates the 5-string bass, and Andrew Giddings shows off his innocent playing ability while delivering a variety of phrases. Ian’s solo songs “The Water Carrier” and “The Habanero Reel” show an ethnic musical development, and have a unique finish that incorporates accordion and percussion, and incorporates various essences of British trad, jazz, blues, rock, etc. However, the blended sound has an elegance to the last. Even now, I still wonder if I should put them in the category of progressive rock, but their performance is definitely progressive. You can fully experience its awesomeness in the main story “ALPINE 2000”, but by accompanying the scene, the fusion of complexity and humor is vividly conveyed. It is a video work that allows you to fully enjoy the true essence of JETHRO TULL for 1 hour and 48 minutes. In Japan, JETHRO TULL has an image of being a bit harsh and aimed at experts, but their stages are extremely dynamic, active, and full of humor. A masterpiece multi-camera professional shot that fully depicts their essence that can only be seen with your own eyes. Live at Via Funcha, Sao Paulo, Brazil 28th November 2000 PRO-SHOT 1. For A Thousand Mothers 2. Nothing Is Easy 3. Thick As A Brick 4. Hunt By Numbers 5. Bouree 6. Beside Myself 7. The Water Carrier 8 . The Habanero Reel 9. Songs From The Wood / Too Old To Rock ‘N’ Roll / Heavy Horses 10. A New Day Yesterday 11. Martin Barre Guitar Solo 12. Hunting Girl 13. In The Grip Of Stronger Stuff 14. My God 15. Passion Jig / Living In The Past 16. Locomotive Breath 17. Aquadiddley / Aqualung / Cross-Eyed Mary / Cheerio Ian Anderson – lead vocals, flute, acoustic guitar, mandolin Martin Barre – guitar Jonathan Noyce – bass Doane Perry – drums Andrew Giddings – keyboards PRO-SHOT COLOR NTSC Approx.108min.