Iron Maiden/Brazil 2008 Upgrade

There are hundreds and thousands of IRON MAIDEN live records in the collector world. Did you know that there is only one professional shot that the completers of the world have rated as “full marks (10+)”? Here is such a legendary super professional shot! [Only one “full marks”] Let’s start by explaining how amazing this “full marks (10+)” is. Collectors of big bands evaluate the quality with scores, Michelin stars, and words, but in the case of IRON MAIDEN, there are many maniacs who give scores. The full marks are roughly “10”, which means “a copy of the official work” or “as amazing as the official product!” Until now, the sound boards and professional shots that you thought were “This is amazing!” are also at best “10”. However, this is the only work that exceeds that “10”. Even among maniacs who collect hundreds and thousands of live sound sources / videos, this is the only one that has been rated “10+”. The live performance included in this work is “March 5, 2008 Porto Alegre Performance (Brazil)”. It is a multi-camera full pro shot that shines at the highest peak even in “SOMEWHERE BACK IN TIME TOUR”. Moreover, this performance was not used at all in the official DVD “FLIGHT 666”. In other words, even for those who own “FLIGHT 666”, it is a pro shot video that will be a completely first-time take only. [Official beyond the official upgrade produced by maniacs] Some of you may have read this far and thought “What is that?” This performance is famous only for the highest peak of “SOMEWHERE BACK IN TIME TOUR”, and has been familiar as “PERFECT SLAVE” since then in our shop. The super high-quality video that is said to be leaked by the people involved in the venue is definitely official class, and it is a big classic that has been a great champion even in the fierce battlefield “SOMEWHERE BACK IN TIME TOUR” where masterpiece pro shots are crowded. This is an upgraded version that matrixes the original sound board and audience recordings on that super video. If you have “PERFECT SLAVE” or other previously released versions, please try playing it once. I think that there will be a super vivid table-direct sound, but although it is extremely vivid, the cheers are very small and the mix is ​​rough. In contrast, the mix of this work is smooth and has a clear official-like luster (probably the power of the layered separate sound board sound source). Furthermore, even the cheers that were almost nonexistent in the previous releases rush in on a tremendous scale! The sense of scale is unprecedented. Speaking of “SOMEWHERE BACK IN TIME TOUR”, it is a rush of super popular songs including “Aces High” on the golden age reproduction tour. That’s why each song will have a ferocious chorus, but in “PERFECT SLAVE” and other previously released songs, the cheers are not noticeable unless you listen carefully. Even when Bruce Dickinson turned the microphone, he couldn’t hear the chorus, and he didn’t respond to the MC’s jokes. However! There is no such a sober mood in this work. Whether it’s “Aces High”, “The Trooper”, or “Wasted Years”, the overwhelming tsunami of choruses surges, and the “MAIDEN!” call approaches as a huge swell, making it a spectacular giant. Some people may think, “Why cover the audience with a sound board that is just a table outflow?”, but it’s amazing because it’s on a different level from simply covering it with a big fuss. Although it is not well known hidden by the existence of the best professional shots, in fact, this Porto Alegre performance also has a strong audience recording, and is rated “9.5 points” among enthusiasts. This is a super high-grade evaluation that kicks out the sound board and shines in the tour masterpiece on a normal tour. Only such a recording makes the audience close by not make a fuss, and only the large scale of the chorus is deliciously recorded. The musical tones themselves are of high grade, so even if they are matrixed, they do not interfere with the transcendent sound board, but rather make it even richer. Furthermore, even the skill of the matrixed maniacs is amazing. Instead of just leaving them stacked, the balance between the two sound boards and the audience is exquisitely changed according to the song and scene, and they are mixed precisely as if it were an official work… No. It’s different. This sense is more than official. There is a vividness in the material itself, but the cheers are slightly louder than the official work, and even if they are held down small during the performance, they never make it zero. Therefore, the feeling of the scene continues without interruption from beginning to end. Even if the mix is ​​”professional grade”, the sense is definitely “fan”. It was because the transcendent material and the mania with the fan psychology engraved in the bones met that “perfect score” was born. [The “Reprint Tour Trilogy” is completed] After all, it is the only “perfect score” work in the entire history of MAIDEN. This work alone is a superb decision board, but if you think of this work as the first of a trilogy, it will shine even more. As you know, IRON MAIDEN has had three tours to recreate the 1980s: “THE ERALY DAYS TOUR”, “SOMEWHERE BACK IN TIME TOUR”, and “MAIDEN ENGLAND TOUR”. Each of them has its own superb professional shots, but this work and “GOTHENBURG 2005: THE PRE-BROADCAST MASTER”, released at the same time this week, have made it possible to collect the top update professional shots. Let’s organize it a bit. ●“THE ERALY DAYS TOUR 2005” ・Reproduction concept: From “Iron Maiden” to “Brain Reform” ・Apex Pro Shot: “GOTHENBURG 2005: THE PRE-BROADCAST MASTER” ●“SOMEWHERE BACK IN TIME TOUR 2008-2009” ・Reproduction concept: “WORLD SLAVERY TOUR” + “SOMEWHERE ON TOUR” ・Apex Pro Shot: [This work] ●“MAIDEN ENGLAND TOUR 2012-2014” ・Reproduction concept: “SEVENTH TOUR OF A SEVENTH TOUR” ・Apex Pro Shot: “ROCK AM RING 2014” There are other pro shots on each tour, but these three are definitely the best quality. If you are a “6-person MAIDEN”, this is the first trilogy you should see, and to be honest, these three are “greater than the official works”. At the time of “PERFECT SLAVE”, enthusiasts around the world generously gave it a “perfect score (10)”, but this work was “even more” than expected. To express that surprise and emotion, there was only “10+” that was not expected. This work is filled with such images and music. No matter how much the official work “FLIGHT 666” is, the pleasure of enjoying one show in one go, and the dynamism that could only be created by enthusiasts, are only found in this work. Of course, those who have been following IRON MAIDEN up to now will be overwhelmed, even those who are “only interested in the 1980s”. This is the second of the three, and it is a masterpiece among masterpieces that explodes with an intense and unparalleled “perfect score quality”. Live at Gigantinho, Porto Alegre, Brazil 5th March 2008 PRO-SHOT(UPGRADE) Somewhere Back in Time World Tour (108:49) 1. Intro Film – Transylvania 2. Churchill’s Speech 3. Aces High 4. Two Minutes To Midnight 5. Revelations 6. The Trooper 7. Wasted Years 8. The Number Of The Beast 9. Can I Play With Madness 10 Rime Of The Ancient Mariner 11. Powerslave 12. Heaven Can Wait 13. Run To The Hills 14. Fear Of The Dark 15. Iron Maiden 16. Moonchild 17. The Clairvoyant 18. Hallowed Be Thy Name Bruce Dickinson – Vocal Steve Harris – Bass Dave Murray – Guitar Adrian Smith – Guitar Janick Gers – Guitar Nicko McBrain – Drums 109min. Dolby 2.0 Stereo 4:3 PRO-SHOT COLOR NTSC Approx. 109min.