Guns N’ Roses/Saitama,Japan 1.28.2017

Axl Rose/Slash/Duff McKagan… The Japan tour with the three front members together for the first time in 24 years has finally ended. The fastest report rush is an explosive release! This work contains “January 28, 2017: Saitama Super Arena performance”. This week, the fastest reports “LIVE KOBE 2017” and “LIVE YOKOHAMA 2017” will be released, but this work is even closer. I think many people are probably reading this on Tuesday, but this work was recorded on Saturday, just three days ago. First, let’s check the lineup by date. ・January 21: “LIVE OSAKA 2017” ・January 22: “LIVE KOBE 2017” ・January 25: “LIVE YOKOHAMA 2017” ・January 28: [This work] ・January 29: Saitama Super Arena performance In this way, four of the five performances were released at once. This work, which was released in just three days, is a strange work with a unique sound. In fact, it shakes from the start of the performance to the first half of “Welcome To The Jungle”. There is a reason for this. In fact, the recordist who recorded this work is a master of the masters who has worked on countless masterpieces and masterpieces. He is a person who has been able to deliver countless press titles to everyone, with everything he records being wonderful. There is no way that such a master would miss the miracle of “the first time in 24 years”, and this time he approached it with special enthusiasm and chose the VIP area. However, an unexpected situation broke out here. The VIP area became a tremendous commotion, and the recorder was also crushed. As a result, the direction of the microphone was not fixed, and the chorus and screams were recorded in a grand manner. …If you read this far, you may think, “What, is this a bad recording?” However, if that is the case, we will not release it. This commotion is also a great document. The commotion, as if thrown into a washing machine with the accelerator’s stirring, was so strange that even the yelling of “What the hell, you idiot!” flew. The VIP, in the name of a tentative mood, was conveyed in abundance by the master sound. This dangerous atmosphere was like the “APPETITE FOR DESTRUCTION” era. We are just innocently intoxicated with the reorganization tour, but in fact we may be in the middle of a “phenomenon”… It is a reality that even attacks such a feeling. As mentioned earlier, the recorder left the dangerous space for the first few songs. Once again, he found a position where he could record stably, and recorded most of the show with the clear sound that is the master’s specialty. And the show is full of the deliciousness of the reorganized GUNS N’ ROSES, which is acclaimed as much as the other titles. Essentially, the clear recording part is wonderful, but the incident sound at the beginning is also a strong document. It’s not just that Slash and Duff have returned. No matter how the band started to play on time, Guns are Guns. Whenever they move, danger follows. GUNS N’ ROSES marches around the world, bringing with them their enthusiasm and noise. What does it really mean when they say they’re “back?” This film captures the atmosphere of the scene. This is the “now” that may be talked about as an incident in the future. Live at Saitama Super Arena, Saitama, Japan 28th January 2017 TRULY PERFECT SOUND(from Original Masters) Disc 1 (69:03) 1. Introduction 2. Looney Tunes 3. The Equalizer 4. It’s So Easy 5. Mr. Brownstone 6. Chinese Democracy 7. Welcome To The Jungle 8. Double Talkin’ Jive 9. Better 10. Estranged 11. Live And Let Die 12. Rocket Queen 13. You Could Be Mine 14. New Rose 15. This I Love Disc 2 (73:25) 1. Civil War 2. Coma 3. Band Introductions 4. Speak Softly Love (Love Theme from The Godfather) 5. Sweet Child O’ Mine 6. Used To Love Her 7. Out Ta Get Me 8. Wish You Were Here 9. Layla Piano Exit 10. November Rain 11. Knockin’ On Heaven’s Door 12. Nightrain Disc 3 (18:34) 1. Audience 2. Babe I’m Gonna Leave You 3. Don’t Cry 4. The Seeker 5. Paradise City 6. Outro: Far Away Eyes