Deep Purple Deep Purple/CT,USA 1991

The best footage from the Joe Lynn Turner era is set to be released! Although it was only a short period of about eight months, the “SLAVES AND MASTERS WORLD TOUR 1991” boasts a unique personality. This work is the first appearance audience shot of the “April 18, 1991 Hartford performance”. First, let’s check the position from the overall picture of “SLAVES AND MASTERS WORLD TOUR 1991”. ・February-March 1991: European #1 Tour (30 performances) ・April-May 1991: North American Tour (9 performances) ←★Here★ ・June 1991: Japan & Asia Tour (6 performances) ・August 1991: South American Tour (7 performances) ・September 1991: European #2 & Middle East Tour (7 performances) This is an overview of “SLAVES AND MASTERS WORLD TOUR 1991”. This work is the fifth show of the “North American Tour”. Anyway, this work is amazing. It’s a tremendous video. What’s so amazing is the overwhelming quality. First of all, the image quality is abnormal. It should have been an analog video shoot due to the era, but the image beauty is not so rare even in recent digital shooting. This tour was decorated with a sense of fantasy with dancing laser beams, but the brightness and outline of each one are dazzling. It’s a one-camera audience shot, but the image quality alone is official. Of course, no matter how good the image quality is, it’s meaningless if it’s blurry, but this work has superb angles and camera work. First of all, the angle is amazing. It’s shot from the second floor in front of the stage, but the audience doesn’t appear on the screen because it was the front row. Not only the arms and heads of the front row, but even the audience on the first floor are only reflected for a moment, and it’s an excellent angle where only the stage and DEEP PURPLE jump into view. And the camera work. When the camera pulls back, it completely covers the stage, but then it starts zooming in aggressively. The way it approaches is wonderful, and it quickly zooms up at a great speed towards the target member and the highlight. If it is shaken left and right as it is, it will be difficult to see at once, but this photographer does not do that. At one point, it approaches Joe, quickly returns to the full view, quickly goes to Richie’s solo, then returns to the full view again and this time it is a light show … and zooms in and out precisely. This allows you to hold the highlights with a great sense of stability and also grasp the whole picture of the show. On top of that, it seems that he is familiar with the songs and the show’s direction, and the camera does not “delay”. Instead of rushing to get close after it becomes a highlight, next is this, next is that … It is a wonderful technique that can only be called “one person multi-camera”. Furthermore, even the sound is amazing. It is the sound of the audience blowing out hot enthusiasm, but it is as ferociously clear as the scene with zero obstructions. Joe is in top form, probably because he’s back in his native America, and his voice is wonderfully beautiful. His soulful intonation and bluesy vibrato are vivid. Perhaps influenced by Joe’s enthusiasm, Richie’s action is intense and he plays with a good feeling. Of course, John’s majestic organ and Pace’s drumming are clear to each beat, so you can enjoy a great show. What’s even more amazing is the excitement of the venue. The Joe era has an image of being less popular, but the excitement of this work is like a great heyday. It was such a great success that I thought, “Have you ever been this excited in the entire history of DEEP PURPLE?” Whether it was a bass solo, a jam, or a new song, the cheers and clapping flew. This should be a great performance. I wish the Japanese performances had been so great… Even the professional shots of “SLAVES AND MASTERS WORLD TOUR 1991” had poor image quality, but this work is in a completely different class. This is a masterpiece video that allows you to enjoy the fierce enthusiasm, the best performances, and the singing voices with such quality. “The Joe Lynn Turner era was actually amazing!?”… I don’t know if that’s true or an illusion, but the hard rock packed into this work is definitely amazing. This is one that will surely represent this era. Live at Civic Center, Hartford, CT. USA 18th April 1991 AMAZING SHOT!!! (92:04) 1. Intro. 2. Burn 3. Black Night 4. Truth Hurts 5. The Cut Runs Deep 6. Perfect Strangers 7. Fire In The Basement 8. Love Conquers All 9. Blues 10. Difficult To Cure 11. Jon Lord Solo 12. Knocking At Your Back Door 13. Lazy 14. Highway Star 15. Smoke On The Water Ritchie Blackmore – Guitar Joe Lynn Turner – Vocal Roger Glover – Bass Jon Lord – Keyboards Ian Paice – Drums COLOR NTSC Approx.92min.