David Bowie/London,UK 11.15.1995

“OUTSIDE TOUR” had a unique charm in Bowie’s history. A masterpiece video that allows you to experience the scene is now available. This work was filmed at “Wembley Arena performance on November 15, 1995.” This is an audience shot that records the whole story. Speaking of “OUTSIDE TOUR,” the coupling with NINE INCH NAILS has also become a hot topic, but in order to explain that, I will start by looking at the overall picture of my first full-fledged tour as a solo artist in five years, and the position of the show. Let’s check it out. ●1995・September 14th-23rd: North America #1 (2 performances) [“OUTSIDE” released on September 25th]・September 27th-October 31st: North America #2 (21 performances)・November 14th – December 13th: UK (16 performances) ←★Here★● 1996, January 17th – February 20th: Europe #1 (23 performances), June 4th – 13th: Japan (7 Performances) June 18th – July 21st: Europe #2/Israel (20 performances) This is a panoramic view of “OUTSIDE TOUR”. The coupling with NINE IN CH NAILS was the “North American” leg, after which Bowie replaced the undercard with MORRISSEY and circuited his home country of England. FM sound board is also known as Wembley in 1995, but it is “November 17th” which is different from this work. The “UK” tour has started with 4 consecutive performances at Wembley, and while the FM broadcast is the 3rd performance, this work is the 2nd performance. As mentioned above, this work, which records the UK show for the first time in five years as a solo artist, is an audience shot worthy of being called a “spectacular view”. After all, it’s so specialized in Bowie that it’s hard to know the shooting position. At the beginning of the first song “The Motel” when the stage becomes bright, the perspective may shake as if searching for Bowie, but once you find it, it becomes stable. By the time the song ends, he boldly zooms in. From there, it’s Bowie’s up-and-coming heaven. From the angle, you can tell that it’s a stand seat on the left side of the stage, but when it comes to the close-up, Bowie’s bust-up almost occupies the screen, and there’s almost nothing else that comes into view. Judging from the spectacular view, it seems like the seat was quite far away, but considering the performance of the equipment at the time, the close-up is too beautiful. And the audio is also suitable for the spectacular view. Although there is no close contact that can be mistaken for a sound board, the sound that jumps through space is powerful and has an excellent sense of stability. Although it cannot be said to be completely flawless as there are some twists due to tape deterioration in some places, it is an almost perfect video work that allows you to experience the full show from the special seats. And the show is also amazing. Let’s organize the sets here. ●70s-80s (10 songs)・THE MAN WHO SOLD THE WORLD: The Man Who Sold the World・HUNKY DORY: Andy Warhol・ZIGGY STARDUST: Moonage Daydream・LOW: Breaking Glass・LODGER: Look Back In Anger/Boys Keep Swinging・SCARY MONSTERS: Scary Monsters (and Super Creeps)/Teenage Wildlife・Others: My Death/Under Pressure ●90s (9 songs)・BLACK TIE WHITE NOISE: Nite Flights・1. OUTSIDE: The Motel/The Heart’s Filthy Lesson/The Voyeur Of Utter Destruction (As Beauty)/I Have Not Been To Oxford Town/Outside/A Small Plot Of Land/Strangers When We Meet/Hallo Spaceboy/We Prick You…and so on. With a balance of 70’s/80’s and 90’s, songs exclusive to this tour such as “Nite Flights”, “I Have Not Been To Oxford Town”, “A Small Plot Of Land” and “We Prick You” are delicious. What I would like to pay even more attention to is the surprising classics. “Boys Keep Swinging” by “LODGER” and “Teenage Wildlife” by “SCARY MONSTERS (AND SUPER CREEPS)” are also numbers that can only be attributed to the “OUTSIDE TOUR,” and “My Death” from the 1970s is the first time in 22 years that Andy Warhol ‘ is back for the first time in 23 years. Of course, such numbers are also dyed with Reeves Gabrels’ tricky guitar and played in a new version that does not lose its shine even in the 90s. In 1995, Bowie returned to the road with the dark and sharp “1. OUTSIDE” and changed his past repertoire. This is a spectacular shot that allows you to fully experience the mysterious stage from the special seats. A masterpiece video that allows you to thoroughly enjoy the real pleasure of this era. Live at Wembley Arena, London, UK 15th November 1995 AMAZING SHOT!!(107:03) 1. Intro 2. The Motel 3. Look Back In Anger 4. The Heart’s Filthy Lesson 5. Scary Monsters 6. The Voyeur Of Utter Destruction (As Beauty) 7. I Have Not Been To Oxford Town 8. Outside 9. Andy Warhol 10. The Man Who Sold The World 11. A Small Plot Of Land 12. Band Introductions 13. Boys Keep Swinging 14. Strangers When We Meet 15. Hallo Spaceboy 16. Breaking Glass 17. We Prick You 18. Nite Flights 19. My Death 20. DJ 21. Teenage Wildlife 22. Under Pressure 23. Moonage Daydream David Bowie – vocals Reeves Gabrels – guitar Carlos Alomar – guitar, vocals Gail Ann Dorsey – bass guitar, vocals Zack Alford – drums Mike Garson – piano Peter Schwartz – synthesizer George Simms – backing vocals, keyboards COLOR NTSC Approx.107min.