David Bowie/Germany 11.03.2003 Complete

A shocking new masterpiece has been born that allows you to experience the final “REALITY Tour” of his life! The release of the best recording highly recommended by researchers has been decided!! This work is recorded from the “Berlin performance on November 3, 2003”. It is the best audience recording. The last “REALITY Tour” of his life is a special category. We have archived as many masterpieces as possible. In addition to organizing the collection, let’s start by looking at the position of this work from an overview of his activities at the time. 2003 August 19: Warm-up gig (REALITY released September 16th) October 7th – November 28th: ​​Europe #1 (31 shows) ←★Here★ December 13th – 20th: North America #1a (4 shows) 2004 January 7th – February 7th: North America #1b (18 shows) ←※DENVER 2004 February 14th – March 1st: Oceania (8 shows) ←※SYDNEY 2004 etc. March 4th – 14th: Asia (5 shows) ←※BUDOKAN 2004 etc. March 29th – June 5th: North America #2 (39 shows) ←※ATLANTIC CITY 2004 and others: June 11th – June 25th: Europe #2 (7 performances) {June 25th: Emergency transport due to aneurysm} This is the overall picture of 2003/2004. In 2004, when Bowie collapsed, a group of masterpieces was born from each leg, but in 2003, it was almost entirely focused on “Europe #1.” The official iconic work “A REALITY TOUR” and the masterpiece “BIRMINGHAM 2003” were also on this leg. Let’s focus further on the dates and check their relative positions. Details of “Europe #1” ・October 7th – November 1st (16 performances) *November 3rd: Berlin performance ←★This work★ ・November 5th – 17th (7 performances) *November 19th + 20th “BIRMINGHAM 2003” *November 22nd + 23rd: Official “A REALITY TOUR” ・November 25th – 28th (3 performances) A ​​new masterpiece that combines superb sound and ultra-realistic on-site feel This vacuum-packed work of such a show is a new masterpiece that combines a fierce direct feeling, crystal clear clarity, and clear resolution even in the finest details. The vivid cheers and applause are clearly audience recordings, but the essential performance sounds and vocals are far removed from the audience recordings. Especially when the excitement of the opening subsides and the cheers and applause subside, you may wonder, “Was this an FM broadcast?” In fact, even listening to it immediately after the official “A REALITY TOUR” (though it’s hard to confuse them because they have different personalities), it’s not at all inferior. And the cheers that coat the performance sound are delicious. The opening scene may seem a little too noisy, but the balance between spectacle and energy is exquisite after that. Of course, no one thought it would be Bowie’s final tour at the time, but the visceral feeling of being “on the scene of a monumental tour” is something you can never get from an official release or soundboard. Experience a full, nearly three-hour show. This ultra-realistic, superb sound portrays a big, full show lasting approximately two and a half hours. Even the official “A REALITY TOUR” was about two and a half hours long, but this release is more than 15 minutes longer. Of course, there’s plenty of repertoire not heard on the official release. Let’s compare and organize it here. 70s (14 songs) ・Ziggy Stardust: Five Years / Hang On To Yourself / Suffragette City (★) / Ziggy Stardust ・Berlin Trilogy: “Heroes” / A New Career In A New Town (★＊) / Sound And Vision (★＊) / Be My Wife (＊) / Fantastic Voyage ・Other: Rebel, Rebel / Fame / The Man Who Sold The World / All The Young Dudes / Changes 80s and later (19 songs) ・80s: China Girl / Under Pressure / Ashes To Ashes / Loving The Alien ・90s: Hello Spaceboy / The Motel / Battle For Britain (The Letter) / I’m Afraid of Americans ・Heathen: Cactus / Afraid / Sunday / Slip Away / Heathen (The Rays) ・Reality: New Killer Star / Reality / Fall Dog Bombs The Moon / She’ll Drive the Big Car (★＊) / The Loneliest Guy / Bring Me The Disco King *Note: ★ indicates tracks from the official “A REALITY TOUR” album, while * indicates tracks not heard on the classic “BIRMINGHAM 2003” album. …And so it goes. Of course, the reason this show was so long was none other than Bowie’s burning enthusiasm. This album isn’t just long; it’s also a live album filled with Bowie’s own endless impulses. The sound quality rivals that of the official release, but it also adds to the sheer volume of tracks and the historical on-site experience. This is truly a masterpiece that embodies the “audience’s ideal.” Who would have thought such a record would have been hidden? A three-disc set of impactful sounds only a researcher could discover. A superb audience recording of the “Berlin Performance on November 3, 2003.” This master was provided by an overseas researcher, and it is a new masterpiece that combines a fierce direct feeling, crystal clear clarity, and clear resolution even in the fine details. The sound is not inferior even when listened to immediately after the official “A REALITY TOUR”, and it also adds a vivid sense of the scene. 1. Intro 02. Rebel Rebel 03. New Killer Star 04. Reality 05. Fame 06. Cactus 07. Afraid 08. China Girl 09. The Man Who Sold The World 10. Fall Dog Bombs The Moon 11. Hello Spaceboy 12. Sunday 13. Under Pressure 14. Ashes To Ashes 15. The Motel 16. Loving The Alien Disc 2: (74:52) 01. She’ll Drive The Big Car 02. The Loneliest Guy 03. All The Young Dudes 04. Changes 05. Slip Away 06. Battle For Britain (The Letter) 07. I’m Afraid Of Americans 08. “Heroes” 09. Heathen (The Rays) 10. A New Career In A New Town 11. Bring Me The Disco King 12. Sound And Vision 13. Be My Wife 14. Fantastic Voyage Disc 3: (16:54) 01. Five Years 02. Hang On To Yourself 03. Suffragette City 04. Ziggy Stardust David Bowie – vocals, guitars, stylophone, harmonica Earl Slick – guitar Gerry Leonard – guitar, backing vocals Gail Ann Dorsey – bass guitar, vocals Sterling Campbell – drums Mike Garson – keyboards, piano Catherine Russell – keyboards, percussion, guitar, backing vocals